Most of Kingdom Coming's side A has a high-pitched sound that is reminiscent of Jewish folk melodies that with Christian/Zionist samples makes a sinister atmosphere and thematic implications. I used to think the vocals tended to be too aggressive for the formal register of the lyrics. Now, they seem to represent the meaning of the impersonal language used in policy statements, research articles, etc. - intended to appear rational and objective - more accurately than the way it's conventionally spoken.