Vidna Obmana – The Ultimated Sign of Burning Death (LP, Urashima)
Reissue of VO's first tape, recorded in 1984. The music is kind of noise mixed with dark ambient, but definitely on the harsher side. While the music is great, I'm not too fond of the shouted vocals. Still, it's a good listen and a good document.
Taint – Justmeat (LP, Urashima)
Great filthy noise/PE. Not much to add, perhaps only that I love the frequent use of loops.
Nord – NG Tapes (LP, PCP Records)
Nord – LSD (LP, PCP Records)
Nord – Electronic Initiation (CD, Kinky Musik Institute)
Someone earlier remarked in this thread on Nord as being obsessive. I couldn't agree more: these two early LPs mostly feature singular, obsessive synth sounds. There's occasional (guitar?) noise and while there are weaker parts on both records, when Nord is on, it's awesome. Gotta get the other early LPs too (although I've heard the first one is very different).
The Electronic Initiation CD has a totally different lineup from these two LPs, and the music is, not surprisingly, very different. This is very much psychedelic electronic music (and not noise, although sometimes noisy). At over an hour, it's too long, but it's still an enjoyable listen.
M.B. – Telmegiddo (LP, Menstrual Recordings)
Apparently the last album from the early 80s, recorded after Armaghedon. While I haven't heard that album in a while, from memory Telmegiddo is in the same vein. Murky, lo-fi ambient noise with a desolate atmosphere.
Drug Age – Abandoned Geography (one-sided LP, Second Sleep)
The album starts slowly with high-pitched feedback that occasionally gets disrupted and then the whole thing turns into chaotic noise. There are some quieter parts now and then, making for an excellent and dynamic harsh noise record.
Keith Rowe/Graham Lambkin – Making A (CD, Erstwhile Records)
One of my favourite releases of recent times, and one that I nearly left at the record shop where I chanced upon it. Rowe and Lambkin use field recordings and contact microphones to create an album with a unique atmosphere that's really hard to describe. Let's just say it's very minimal and if you love small sounds amplified and the careful use of contact mics, you'll love this album.