Recent posts

#1
GENERAL SOUND DISCUSSION / Re: Noise about the internet?
Last post by Wainhouse - Today at 09:01:18 AM
I'm guessing that Hymenal Opening sampled internet-sources on the "Red Hymen" CD. The track "Rebound Fuck Whore And Her Happy Relationship" at 1:08 sounds exactly like it could be sourced from an online stream made by a teen girl (or at least a convincing fiction). If anyone wants to comment and correct me, please do.

Quote from: FreakAnimalFinland on January 15, 2026, 12:18:48 PMbut most often what really matter is what is inside the book, not book as format and as means of experiencing the world?

As far as I interpret Mr. Freak Animal here, his question challenges Mr. Henteleff's thesis statement that creative works which incorporate the internet effectively will become more relevant, and those that do not will seem antiquated.

Well, shouldn't we find sample material for noise useful primarily as raw material? Why should internet-sourced material be more valuable than... real life field recordings? And other offline material? It would be silly to suggest that all noise which does not incorporate the always-more-prolific internet shall therefore become antiquated, when any sample, from anywhere, could be good in the right hands. Perhaps what CANNOT become antiquated will always just be GOOD NOISE.

For some the internet proves indeed a joyless source for sampling, too commercial a space to plunder. I plunder lyrics and titles from physical erotica because I enjoy holding books far, far more than doomscrolling past the Instagram foot models, whose pictures are not worth a thousand words, but something else. I don't compose lyrics and titles with my dick in my hand, clicking past 99.9% generic PornHub videos. Hell, maybe I should, but it's hard to turn the pages.

P.S. Could TikTok videos be useful for noise? For instance, I can imagine "Rebound Fuck Whore And Her Happy Relationship" sampling an online stream, even if it does not, which supports the idea of the internet as a potential gold mine for noise, but probably only if you make damn sure you know where to look, and how to use what you find.
#2
gear/tech/etc / Re: SP-404 MKII: Tips and Tric...
Last post by Penon - Today at 08:32:39 AM
XNB tutorials in general are very good, I was watching MS-20 one back in days while waiting for it to arrive, and when it was finally delivered, I felt like an advanced user!

Here is his tutorial on SP404mk2. From memory there are other sp404 tutorials on that channel diving into specific topics like samples but this the main all round tutorial:

#4
gear/tech/etc / SP-404 MKII: Tips and Tricks
Last post by Balor/SS1535 - Today at 07:09:39 AM
I recently acquired a SP-404 MKII, and I have been spending the last few days experimenting with it.

While I will be reading up more on how it works, flow of components, etc., I was wondering whether anyone has come across any unique capabilities that might be easily missed/not immediately obvious?

(Any particularly helpful tutorials would also be appreciated!)
#5
Quote from: murderous_vision on January 15, 2026, 05:39:13 PMLBRF062 Murderous Vision - Ghosts Of The Soul Long Lost Volume Four: Live 2002-2025 Double CD

For this forth volume of the Ghosts of the Soul Long Lost series of archival recordings, I thought it would be a nice opportunity to compile the best moments of the live recordings that have been made. These performances are in the largest part post-pandemic, but a few old moments are represented. None of these recordings have been physically released, and all but a few available digitally have been heard outside of the room they were captured in. Thanks to Derek Rush, Dan Serbanescu, and Grant Richardson for their help in assembling this volume. Also thanks to everyone who booked me, facilitated travel and accommodations, shared a gig and most certainly to those who attended!
Stephen Petrus 1/3/2026

This live collection contains performances that took place in Akron/Columbus/Cleveland Ohio, Brooklyn New York, Manchester New Hampshire, Minneapolis Minnesota, Los Angeles California, Pittsburgh Pennsyvania, Vantaa Finland and Limburg Netherlands. All packed in a matte finished six-panel eco-wallet.Clocking in at 2.5 hours of quality live captures. Preorders will be at reduced rate, with the price increasing by a couple bucks after the release date in mid february.


Preorder open now...
https://murderousvision1.bandcamp.com/album/ghosts-of-the-soul-long-lost-volume-four-live-2002-2025
#7
GENERAL SOUND DISCUSSION / Re: GENOCIDE ORGAN
Last post by Minus1 - Today at 06:02:04 AM
Well, I begin my GO listening journey tomorrow. (Yes, I'm very late to the party.)

I'll start with the All Is Suffering compilation.

I bought a fuckton of GO today based on your reviews / reactions. You guys are always right, yes? 😂

And I think this guy is very thorough and convincing:

https://m.youtube.com/watch?v=lGHDcBuUlAM&t=43s&pp=2AErkAIB
#8
If one start to say what is ok and what is not in Noise im out.
World evolves and you should too.. we all have heard those Conan VHS clips already so many times.
How can some youtube doc clip beat tik tok video where someones personal life are teared a part in front of everyone eager to see. 
#9
GENERAL SOUND DISCUSSION / Re: PLAYLIST with COMMENTS/REV...
Last post by groesk - Today at 03:19:02 AM
Casket Mush - Ruptured Through the Depths of Human Remains (2022)
Pretty no nonsense gorenoise with a distinct Last Days of Humanity influence.
https://youtu.be/o-CLUe1T9G0?si=blGDQcBIxWe8KxyU

Coconut Lobotomy - Digestive Vomit Fantasies (2026)
this one is pretty wacked out gorenoise. influenced by LDOH and Torsofuck, it's actually pretty well done. the clean bass has a nice presence,  and the pitch shifted gurgles are a force in the mix. drum machine is also great and right in front. the samples miss a lot more than they hit, but it's kept to a minimum. also has a fairly short runtime, like most pure gorenoise does.
https://coconutlobotomy.bandcamp.com/album/digestive-vomit-fantasies
#10
I would not completely dismiss the idea that the internet can be referenced or used as subject matter in noise but I do not think anyone has really pulled it off in a convincing way. I remember being kind of miffed about this when I first heard Terror Cell Unit's Data Industrial Complex since it deals with similar themes but never quite punches me in the gut.

I also agree with other posters that the internet is a new reality and not a particularly nice one. There is a lot of shit you can stumble across on the surface web now especially on Twitter or X that you once had to actively seek out. Still there is one angle that might actually work as a strong theme for a noise album - the internet as a simulated battleground where people safely vent their social and political frustrations then log off and return to their pathetic lives as if nothing happened.