Quote from: Moran on June 29, 2025, 09:18:45 PMQuote from: Commander15 on June 29, 2025, 02:14:36 PMQuote from: Atrophist on June 29, 2025, 12:26:31 AMQuote from: Moran on June 28, 2025, 06:35:22 AM...
A woman reacted to her exposure to noise saying "men are addicted to trauma", which I think reflects how most women I know think about noise or films about extreme themes.
Honestly, that's a rather odd thing to say, regarding noise and even in general. Did she elaborate on this at all?
Sounds awful lot like an "therapy speak" - kind of response to me.
Maybe. I think she was talking about the tendency to enjoy media about violence and shocking things.
Yeah, is not noise mostly about inhabiting the wound of the world/existence? Even when the themes are seemingly bright or joyful in absurdity. Presenting, reminiscing or recreacting violent, absurd or shock states is exactly like inhabiting the Wound and thus also trauma... of existence if nothing more specific.
From a metaphysical and psychological point of view it is interesting how men quite often initially come to noise from the state of sexual isolation of somekind, or isolation from the more lofty aspects of sexuality, and thus they express the wounded state through corresponding imagery: female genitalia, gaping holes, different types of bodily and mental wounds, onwards to wider abstraction, lack of the soft... PE in turn is like trying to incarnate the phallos in this state. Look at the red faced and stiffly electrified men of Whitehouse. They are like lightning bolts. Yet because they express the distorted and inflamed states of the world, these lighting bolts are red, or even black, inhabiting the most coarse areas of the wound, thus it's about trauma. You know, trauma can be seen as something that drags the living spirit in to such a halt that the coarse material existence subjucated to time has to exist. This creates the whole area of the vulva as some sort of a wound from where the coarse forms of existence is given birth to... in a crisis of flawed existence.
Floating back down to the topic, I wonder if the male dominance in the amount of noise projects comes back to the characteristic male need to present and wield the phallos. Like the act of controlling feedback with a plate of metal. Almost one to one experience to slightly bending one's own erected cock in a fist.
Quote from: Penon on June 25, 2025, 09:24:47 AMA more interesting question is - is it different from male noise/PE? Thematically the answer is a pretty simple Yes, women-led projects tend to be (almost) exclusively introspective
Continuing on the phallos-vulva metaphysics, the ideal feminine surrounding the male part dictates the feminine expression. I think the above comment nailed how it tends to actualize: The feminine inspects the surroundings. Women can be as obsessed with trauma as men, but it might be more common for them to inspect and express the surrounding wound, almost as if taking a third perspective to it, while the Whitehouse guys remain stiff and red in the wound.
All artists have different approaches, for sure, and they express different aspects of these things. Despite one's sex, different roles are taken and expressed. Yet archetypal notions can help not merely to generalize, but to consciously realize the roles we take in different areas of creative expression, and perhaps find new interesting angles to them. Not just in creative endeavours but also interpreting art and the inner worlds.