Literature about sound theory and Noise

Started by octis, September 06, 2015, 11:42:50 PM

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octis

Do someone knows something about this special area between those two ? I prefer PDFs , but any name for a book would be great .

softmachine

elsewhere on this forum somebody mentioned a book called 'Micro-Bionic' which sounds like a good read about the subject. I hope to buy a copy next pay day.


RossMotus

#3
(sorry for my english) Go to the sampler direction. If you like the dark-ambient drone side of the music, expecially. If you like the noise side of it, experiment with distortion and looper pedals. I think it's not necessary any particular synth or magic box. Sometimes is just a matter of "marketing", always there are some gear that's more trendy for some time: there was the time of eurorack, the time of Teenage OP1, Lyra8, Elektron and more... Personally, I think there is not any synth that give you all tones you need, nor the better equipment to start. Industrial, (dark)ambient, drone, noise, power-electronics, are all type of music genres that they are all based to sound experimentation. Considering the most important monikers of these genres, very few of them plays with expensive walls of synthesizers... Lustmord declared he sold all of his hardware gears early and he found the best toolset to a Mac Pro... He compose and plays his music with a common Logic Pro, Altivec XL reverb and tons of samples of course. Merzbow make his noise with a large setup of cheaper pedals, a Mac and a strange selfmade string instrument as "detonator"... If you got a computer, start buying a good soundcard or (better) an analog mixer, the most possible better (for your budget) speakers, a digital recorder too and starts to experiment with them: synth, pedals, racks and more eventually they come to you without thinking so much... Just my modest opinion.

Commander15

Quote from: RossMotus on February 05, 2023, 07:23:30 PM
(sorry for my english) Go to the sampler direction. If you like the dark-ambient drone side of the music, expecially. If you like the noise side of it, experiment with distortion and looper pedals. I think it's not necessary any particular synth or magic box. Sometimes is just a matter of "marketing", always there are some gear that's more trendy for some time: there was the time of eurorack, the time of Teenage OP1, Lyra8, Elektron and more... Personally, I think there is not any synth that give you all tones you need, nor the better equipment to start. Industrial, (dark)ambient, drone, noise, power-electronics, are all type of music genres that they are all based to sound experimentation. Considering the most important monikers of these genres, very few of them plays with expensive walls of synthesizers... Lustmord declared he sold all of his hardware gears early and he found the best toolset to a Mac Pro... He compose and plays his music with a common Logic Pro, Altivec XL reverb and tons of samples of course. Merzbow make his noise with a large setup of cheaper pedals, a Mac and a strange selfmade string instrument as "detonator"... If you got a computer, start buying a good soundcard or (better) an analog mixer, the most possible better (for your budget) speakers, a digital recorder too and starts to experiment with them: synth, pedals, racks and more eventually they come to you without thinking so much... Just my modest opinion.


I think OP was looking for book recommendations, not gear.

JLIAT

https://unipress.hud.ac.uk/plugins/books/5/

PDF


"One hundred years after Luigi Russolo's "The Art of Noises," this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The book's focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material—as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving."

Balor/SS1535

Quote from: JLIAT on February 07, 2023, 06:58:31 PM
https://unipress.hud.ac.uk/plugins/books/5/

PDF


"One hundred years after Luigi Russolo's "The Art of Noises," this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The book's focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material—as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving."

You should toot your own horn a bit as well JLIAT!  Some of the documents/essays on noise from your website are quite fascinating.

JLIAT

Quote from: Balor/SS1535 on February 08, 2023, 12:10:08 AM
Quote from: JLIAT on February 07, 2023, 06:58:31 PM
https://unipress.hud.ac.uk/plugins/books/5/

PDF


"One hundred years after Luigi Russolo's "The Art of Noises," this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The book's focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material—as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving."

You should toot your own horn a bit as well JLIAT!  Some of the documents/essays on noise from your website are quite fascinating.




Thanks - here-

http://www.jliat.com/txts/index.html

toot toot but!

https://unipress.hud.ac.uk/plugins/books/5/

A very interesting piece in this by James Whitehead!  :-)

Volcano Queen


Balor/SS1535

If I can be permitted to brag for a moment...  I just finished my PhD exams last month, and one of the lists that I was working through/being tested on was focused on noise/sound theory and art history.  I thought that some here might be interested in the list of books that I put together.

Adorno, Theodor. "Farewell to Jazz." In Essays on Music, edited by Richard Lepert and
translated by Susan H. Gillespie, 496-500. Berkeley: University of California Press,
2002.

———. "Music, Language, and Composition." In Essays on Music, edited by Richard Lepert
and translated by Susan H. Gillespie, 113-26. Berkeley: University of California Press,
2002.

———. "On Jazz." In Essays on Music, edited by Richard Lepert and translated by Susan H.
Gillespie, 470-95. Berkeley: University of California Press, 2002.

———. "On the Contemporary Relationship of Philosophy and Music." In Essays on Music,
edited by Richard Lepert and translated by Susan H. Gillespie, 135-61. Berkeley: University of California Press, 2002.

———. "On the Fetish-Character in Music and the Regression of Listening." In Essays on
Music, edited by Richard Lepert and translated by Susan H. Gillespie, 288-317. Berkeley: University of California Press, 2002.

———. "On the Social Situation of Music." In Essays on Music, edited by Richard Lepert and
translated by Susan H. Gillespie, 391-436. Berkeley: University of California Press,
2002.

———. "Why Is the New Art So Hard to Understand?" In Essays on Music, edited by Richard
Lepert and translated by Susan H. Gillespie, 127-34. Berkeley: University of California Press, 2002.

Artaud, Antonin. The Theater and Its Double. Translated by Mary Caroline Richards. New
York: Grove Press, 1958.

Attali, Jacques. Noise: The Political Economy of Music. Translated by Brian Massumi.
Minneapolis: University of Minnesota Press, 1984.

Bailey, Thomas Bey William. Micro Bionic: Radical Electronic Music & Sound Art in the 21st
Century. Belsona Books, Ltd. 2012.

Baron, Lawrence. "Noise and Degeneration: Theodor Lessing's Crusade for Quiet." Journal of
Contemporary History 17, no. 1 (1982): 165-78.

Bataille, Georges. "Formless." In Visions of Excess: Selected Writings, 1927-1939, edited and
translated by Allan Stoekl, 31. Minneapolis: University of Minnesota Press, 1985.

Beckett, Samuel. Krapp's Last Tape and Other Dramatic Pieces. New York: Grove Press, 1960.

Benjamin, Walter. "The Telephone." In The Work of Art in the Age of Its Technological
Reproducibility and Other Writings on Media, edited by Michael W. Jennings, Brigid Doherty, and Thomas Y. Levin, 77-8. Cambridge: The Belknap Press of Harvard University Press, 2008.

Bonnet, François J. The Order of Sounds: A Sonorous Archipelago. Translated by Robin Mackay.
Falmouth: Urbanomic, 2016.

Bowie, Andrew. Music, Philosophy, and Modernity. Cambridge: Cambridge University Press,
2009.

Chessa, Luciano. Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult. Berkeley:
University of California Press, 2012.

Chion, Michel. Sound: An Acoulogical Treatise. Translated by James Steintrager. Durham: Duke
University Press, 2016.

Cox, Christoph and Daniel Warner. Audio Culture: Revised Edition. New York: Bloomsbury
Academic, 2017.

Crawley, Ashon T. Blackpentacostal Breath: The Aesthetics of Possibility. New York: Fordham
University Press, 2016.

Deleuze, Gilles. "The Exhausted." Translated by Anthony Uhlmann. Substance 24, no. 3 (1995):
3-28.

———. The Logic of Sense. Translated by Mark Lester and Charles Stivale. New York:
Columbia University Press, 1993.

Demers, Joanna. Listening Through the Noise: The Aesthetics of Experimental Modern Music.
Oxford: Oxford University Press, 2010.

Eidsheim, Nina Sun. Sensing Sound: Singing and Listening as Vibrational Practice. Durham:
Duke University Press, 2015.

———. The Race of Sound: Listening, Timbre, and Vocality in African American
Music. Durham: Duke University Press, 2019.

Goddard, Michael, Benjamin Halligan, and Paul Hegarty, eds. Reverberations: The Philosophy,
Aesthetics, and Politics of Noise. London: Continuum, 2012.

Graham, Stephen. Becoming Noise Music: Style, Aesthetics, and History. New York:
Bloomsbury Academic, 2024.

Hagood, Mack. Hush: Media and Sonic Self-Control. Durham: Duke University Press, 2019.

Hegarty, Paul. Annihilating Noise. New York: Bloomsbury Academic, 2021.

———. Noise/Music: A History. New York: Bloomsbury Academic, 2007.

Ikoniadou, Eleni. The Rhythmic Event: Art, Media, and the Sonic. Cambridge: MIT Press, 2023.

Khan, Douglas. Noise, Water, Meat: A History of Sound in the Arts. Cambridge: MIT Press,
2001.

Keenan, David. England's Hidden Reverse: A Secret History of the Esoteric Underground.
London: Strange Attractor Press, 2023.

Krapp, Peter. Noise Channels: Glitch and Error in Digital Culture. Minneapolis: University of
Minnesota Press, 2011.

Kulvicki, John. "The Nature of Noise." Philosophers' Imprint 8, no. 11 (November 2008): 1-16.

Malabou, Catherine. "The Mental State of Noise: Oliver Sacks' Musicophilia or Should We Stop
the Brain's Noise?" Angelaki 28, no. 3 (June 2023): 95-9.

Moten, Fred. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis:
University of Minnesota Press, 2003.

Nancy, Jean-Luc.  Listening. Translated by Charlotte Mandell.  New York: Fordham University
Press, 2007.

Nietzsche, Friedrich. The Birth of Tragedy and The Case of Wagner. Translated by Walter
Kaufmann. New York: Vintage Books, 1967.

Novak, David. Japanoise: Music at the Edge of Circulation. Durham: Duke University Press,
2013.

Priest, Eldritch. Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure.
New York: Bloomsbury Academic, 2013.

Reed, S. Alexander. Assimilate: A Critical History of Industrial Music. Oxford: Oxford
University Press, 2013.

Russolo, Luigi. The Art of Noises. Translated by Barclay Brown. New York: Pendragon Press,
1986.

Serres, Michel. Genesis. Translated by Geneviève James and James Nielson. Ann Arbor:
University of Michigan Press, 1998.

Shannon, Claude. The Mathematical Theory of Communication. Champaign: University of
Illinois Press, 1998.

Talijan, Emilija. Resonant Bodies in Contemporary European Art Cinema. Edinburgh: Edinburgh
University Press, 2023.

Toop, David. Sinister Resonance: The Mediumship of the Listener. New York: Continuu, Books,
2011.

Vogelin, Salomé. Listening to Noise and Silence: Towards a Philosophy of Sound Art. New York:
Bloomsbury, 2010.

———. Sonic Possible Worlds: Revised Edition. New York: Bloomsbury Academic, 2021.

Weheliye, Alexander. Phonographies: Grooves in Sonic Afro-Modernity. Durham: Duke
University Press, 2005.

Wei, Sha Xin. "Noisiness, the Stuff of Thought." Angelaki 28, no. 3 (June 2023): 66-77.