Quote from: Andrew McIntosh on August 20, 2011, 04:29:56 PM
And Mr. Marhaug's work goes without saying, at least by me. Those better qualified could say more.
Yeah, Lasse's got the Midas touch.Though he was a member of Origami Replika too, I don't think his input to their
Ka/Skader CD was that big. In any case, this album, that compiles outtakes from early tapes, was always one of my favourites out of the Norwegian scene, filled to the brim with fucked up noise and cutups - all delivered with cheeky in-yer-face attitude. It's excellent stuff to mix in when dj'ing experimental sets too.
Sten-Ove Toft was mentioned. He's becoming nearly as prolific as Lasse Marhaug, but his Ryfylke project seems to have fallen off the face of Earth. Which is a shame. Their
Morild/Nuema Brister LP was a gem, a suggestive mosaic of subterranean drones and thunderous rumbles. It definitely would deserve more listeners.
Over the last decade Kjetil D. Brandsdal has wasted his talents in Noxagt, but previous to that he did very nice loop/drone excursions solo in his own name. Check out the superb
Freedom Waaaoh Waaoh CD on Corpus Hermeticum to sample his style.
Speaking of Norwegian forerunners, Holy Toy must be mentioned, though they were more of an experimental postpunk combo than true industrialists. I have three or four albums which I used to listen a lot to, but they don't really stand the test of time, unfortunately. I saw them open for Dead Can Dance back in -84, one of my weirdest concert experiences ever.