NOISE RELATED RANDOM TALK TOPIC

[FreakAnimalFinland]

Incapacitants - D.D.D.D. 1CD

THE NEW BLOCKADERS / GRINDER-WITHOUT-ORGANS / THE THEATRICAL PANOPTICON – The Stage as Antiworld 2CD

Killer Bug - Beyond The Valley Of The Tapes 2CD

DDDD is great. TNB collab mentioned above, I was not sure do I need yet another collab album or live recording, but when I was listening dozen minutes from cold spring stream, I decided just unwrap the CD and listen from that and take it to myself. Good album!
Killer Bug, of course classic stuff already.

Others, no idea yet. I used to hear a lot of praise for Kevin Drumm like 15 years ago or something, not nothing made impact on me, even if they were exactly albums people were praising to. Not bad, but just didn't find anything that would have clicked.

[Minus1]

Incapacitants - D.D.D.D. 1CD

THE NEW BLOCKADERS / GRINDER-WITHOUT-ORGANS / THE THEATRICAL PANOPTICON – The Stage as Antiworld 2CD

Killer Bug - Beyond The Valley Of The Tapes 2CD

DDDD is great. TNB collab mentioned above, I was not sure do I need yet another collab album or live recording, but when I was listening dozen minutes from cold spring stream, I decided just unwrap the CD and listen from that and take it to myself. Good album!
Killer Bug, of course classic stuff already.

Others, no idea yet. I used to hear a lot of praise for Kevin Drumm like 15 years ago or something, not nothing made impact on me, even if they were exactly albums people were praising to. Not bad, but just didn't find anything that would have clicked.

Thank you, FreakAnimalFinland.

[Cranial Blast]

I picked up a copy of Incapacitants - DDDD CD not to long ago and totally agree. That's a killer album by Incapacitants! Still need to find a copy of El Shanbara Therminosis CD. That's one I've been trying to find for awhile now.

[FreakAnimalFinland]

When I got Sissy Spacek with Vortex Campaign CD, "The man and the old sea", I had no idea what to expect. There is very little Vortex Campaign stuff out there. TNB related collaborations are what probably made them "famous", but also bunch of compilation tracks. Most of what exists, is like 83-84, so suddenly when its 2024 and now... Sissy Spacek mail collaboration?! What the hell?! But most of all: GOOD!!!

[Minus1]

Idk if Max Julian Eastman registers any interest here. (I seem to have difficulty searching this forum.)

I sampled lots of the new Regency Place CD yesterday, then promptly ordered it. Cut-up / collage is not normally my thing, but I love how Eastman paces things, with great stretches of Epic Noise. The Dude clearly has a great sense of humour also. (The start of track 1 and the end of track 4 illustrate this, especially.) But it's the 54min "hidden track" (Yeah - right - like the 900lb gorilla sitting in the corner) that interests me most. Plus a youtube interview with the man himself really sold me. Humble, polite, intelligent...

[becomeanddie]

Idk if Max Julian Eastman registers any interest here. (I seem to have difficulty searching this forum.)

I sampled lots of the new Regency Place CD yesterday, then promptly ordered it. Cut-up / collage is not normally my thing, but I love how Eastman paces things, with great stretches of Epic Noise. The Dude clearly has a great sense of humour also. (The start of track 1 and the end of track 4 illustrate this, especially.) But it's the 54min "hidden track" (Yeah - right - like the 900lb gorilla sitting in the corner) that interests me most. Plus a youtube interview with the man himself really sold me. Humble, polite, intelligent...

Same here, his interview with Mikko on Noisecast from 8 or 9 months ago really opened me to a lot of noise history, and further digging into his Tribe Tapes stuff which offers a really interesting array of ecentric and strange noise, even to an archival extent sort of thing with his reissues of Delta-Sleep-Inducing-Peptide, the Marcronympha reissues, Randy Greif reissues. I really admire how he tries to stay as true as possible with those things (he explains in the noisecast podcast), and how his depth doesn't just go to 90s noise or 80s noise but he was talking even further back into the 70s or 60s. I've listened to about half of "The Glamorours Life" tape. The tape loops and tape fuckery in that thing are so all over the place but you never get lost in it all, great pacing like you were saying. I should dig more into the Eastman.

[k.p.g]

I should dig more into the Eastman.

Biscuit Eastman is the true ripper of the family.

[FreakAnimalFinland]

Same here, his interview with Mikko on Noisecast from 8 or 9 months ago really opened me to a lot of noise history, and further digging into his Tribe Tapes stuff which offers a really interesting array of ecentric and strange noise, even to an archival extent sort of thing with his reissues of Delta-Sleep-Inducing-Peptide, the Marcronympha reissues, Randy Greif reissues. I really admire how he tries to stay as true as possible with those things (he explains in the noisecast podcast), and how his depth doesn't just go to 90s noise or 80s noise but he was talking even further back into the 70s or 60s. I've listened to about half of "The Glamorours Life" tape. The tape loops and tape fuckery in that thing are so all over the place but you never get lost in it all, great pacing like you were saying. I should dig more into the Eastman.

If someone has not noticed there indeed are couple english language noise podcasts under NOISECAST that is mostly in Finnish, here is link for the Max Eastman episode:
https://youtu.be/iOHb1RGqVwM?si=a3BBXIt6xQTMaG_w


A.A.M.D. "13/08/1910 (Lexington)" tape, I was talking with some friends and they mentioned it is not secret who it is, but well, I guess as discogs doesn't say it and description doesn't say it... So lets say, on topic The New Purveyors label items, there is seriously decayed noisy textures here. Liking what I hear!

[Fistfuck Masonanie]

A.A.M.D. "13/08/1910 (Lexington)" tape, I was talking with some friends and they mentioned it is not secret who it is, but well, I guess as discogs doesn't say it and description doesn't say it... So lets say, on topic The New Purveyors label items, there is seriously decayed noisy textures here. Liking what I hear!

Purveyors is such a good label.

Just ordered that new Jester compilation which has a stacked line-up, and ordered some of the other older comps. Reaching In The Lion's Jaw in particular is great.

Out of the A.A.M.D., I think I like the red tape, 12/05/1921 (Inauguration Day), a bit more. It's a little quieter and more experimental than the other, but has a little more magic to me for some reason.

Also ordered the K. Paisley Master of Puppets tape, and even though it's gimmicky, I sampled it on YouTube and it sounded pretty ripping and fun.

Can't wait for this package to arrive.

[Minus1]

Well, in the afternoon today, The Mailman Cometh, with:

Incapacitants - D.D.D.D. 1CD.

AHAD aka ZSOLT SORES - Ahad's Flux Worlds 1: Nemo Point Soundmap For Terrestrial Melanoheliophobics 2CD.

THE NEW BLOCKADERS / GRINDER-WITHOUT-ORGANS / THE THEATRICAL PANOPTICON – The Stage as Antiworld 2CD.

Killer Bug - Beyond The Valley Of The Tapes 2CD.

I played Incapacitants - D.D.D.D. Fuuuuck. I adore Incapacitants. I think this is my 6th CD from them. (I know. Just shoot me. I'm working on Pariah Tapes.) But I think this one stands out from the (epic) others. There's a unique eerie layer here on top of the relentless wall of junk. Some strangeass Demon is lurking about the destruction / mayhem - dodging it all - winding in and out of the chaos. This MF was a deeply satisfying experience. 60min went by in a flash, dammit.

[Minus1]

My listenings today:

AM: CD1 of The New Blockaders, Grinder-without-Organs, The Theatrical Panopticon:
The Stage As Antiworld (2CD).

PM: CD2 of The Above.

I'm cheating again. This is not Noise. Well, there's elements of Noise on CD1. But this really is Experimental. Or in my jargon, Wonderfully Weird.

Fuck I love this! 😂

CD1 sees a 60min thing with TNB/GWO collaboration. I need to research GWO so bad. The first half is dominated by voices - maybe in a train station or something - plenty of kids. Over these voices are various sounds - fiddles, strings being plucked, various junky bits, very sparsly arranged, by The Rupenuseses no doubt. But the voices intensify - and it becomes Wall Of Voice for a while - fucking brilliant. Then that dies down at around 30min - then other strange things happen - overlayed processed speech - other Noisings. By 45min things fall silent - almost. An ambient din? Live audience clapping/shouting here and there. And then it ends.

Sounds too Weird? CD2 is not for you then. 😂 Two 30min ish pieces up the Weird ante considerably. GWO presents some sort of....er...play. It's very well rehearsed/deliberate. There's music/sound too. It is purposely directionless at the same time. I think. I loved it!

We end with The Theatrical Panopticon, (whom I must also investigate), which seems to be a group debating/discussing stage direction, a play, Art, maybe...perhaps??

I dunno. This is my first day with this crazy, lovely thing. John Cage would be proud. I love Weird as much as Noise, when done well. And this release is fantastic, imho.

The whole thing is dedicated to Laurel and Hardy and Crass. How beautiful. 😂

There's videos of some of this. Perhaps I'll add that in an edit.