Keiji Haino / Fushitsusha / and everything else Haino related

Started by cr, April 26, 2022, 06:15:44 PM

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chryptusrecords

one of my favorites from Haino is the scarce project called NIJIUMU, not the Haino album of the same name but the full band with Nanjo from La Musica. The album "Era of Sad Wings" is incredible, quiet and dismal music, the sort of stuff that suffers from getting lumped in with "dark ambient," closer to the so-called "isolationism" of that time period.

Bloated Slutbag

This should definitely be linked to the PSF thread, but that's Zeno's niche not mine so...

Quote from: chryptusrecords on January 18, 2023, 09:52:27 PM
one of my favorites from Haino is the scarce project called NIJIUMU, not the Haino album of the same name but the full band with Nanjo from La Musica. The album "Era of Sad Wings" is incredible, quiet and dismal music, the sort of stuff that suffers from getting lumped in with "dark ambient," closer to the so-called "isolationism" of that time period.


Agreed a very good project and getting lumped in with dark ambient maybe because there isn't quite a specific genre for more plainly acoustic-string-driven ambient spirals that sometimes court vague ritual flavors and sometimes court ill-repentant grating industrial strains, if at muted remove. Which could describe a good chunk of the Haino and PSF adjacent.

Was sorta pondering this just the other day when I randomly pulled out the Blazen Y Sharp tape on Self Abuse. Would I think snugly fit the "genre". And by snugly I mean, "done right".
Someone weaker than you should beat you and brag
And take you for a drag

cr

Keiji Haino is awarded with the Golden Lion for Lifetime Achievement at the Biennale Musica 2026 in Venice in October.
The Silver Lion goes to Sarah Davachi, a composer, who I also admire very much.
As I never been to Venice, I will try to be there at least on Oct. 10th, where Keiji Haino will give a special performance.


cr

I was in Venice and I liked the performance a lot. Anyone else on this forum was there? Because I'm afraid, I can't describe it well enough. But I'll try...
At the beginning, Keiji Haino somehow "crawled" through the audience to the stage hammering on a metal plate and "altered" the sounds from moving it with his hand. After that, he hammered on other instruments and bells or whatever that was, occasionally screaming and singing in pure Haino style. At the end of the first half, he left the stage and before that let the electronics only create some kind of a rhythmic drone. After entering the stage again, he wore something like sensors on his arms, that triggered percussion tones.
All in all, always an adventure to see and listen to him.
On a sidenote - he is 74 now, he jumped up and down sometimes like a young man. I am some years younger, but I would have ended in hospital for sure, if I would have performed something like this.