Power Electronics is Dead.

Started by Bigsby, June 07, 2024, 11:01:56 PM

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BatteredStatesofEuphoria

Quote from: Moran on August 06, 2024, 12:35:50 AM
Quote from: Cranial Blast on August 03, 2024, 03:50:33 AMRide For Revenge has done an excellent job at bridging the crossover in a way that is so well done and executed that I think it peaks curiosity to those looking for something more.
Black and death metal would combine nicely with power electronics but I don't know bands that do this well other than Ride for Revenge. I wonder if there are bands that sound like Infester or Blasphemy mixed with early Sutcliffe Jugend.

Gnaw Their Tongues' material definitely has elements of extreme metal/pe/noise crossover, although the vocals pretty much stay in traditional black metal territory.

Moran

Quote from: Krigsverk on August 06, 2024, 01:53:34 PMOn another side note; where are the current day heavy-electronics-PE bands? Name drop them please... I am getting tired of the good old guard (not really).
Zyklon SS' Racial Superiority is the best power electronics album I listened to from the past five years.

Quote from: BatteredStatesofEuphoria on August 06, 2024, 08:58:25 PMGnaw Their Tongues' material definitely has elements of extreme metal/pe/noise crossover, although the vocals pretty much stay in traditional black metal territory.
I don't remember hearing power electronics in his music. It sounded like black metal with some industrial and noise parts. I've only listened to a few albums though. Do you have recommendations?


Krigsverk

The Black Maghreb. Heard rumors about a 2CD coming soon. Great project.

Bigsby

#64
"Zyklon SS' Racial Superiority is the best power electronics album I listened to from the past five years."

I think the conversation could be if "it's not ours anymore," is that b/c someone like ZSS clearly  doesn't get it or b/c SJWs or antifascists just don't get it? The former has zero sense of irony nuance humor art or innovation. The latter can't separate art from artist.

Bigsby

#65
Quote from: xdementia on August 06, 2024, 07:32:56 PM
Quote from: Bigsby on August 05, 2024, 11:10:57 PMin a noiseextra interview w/ John Balistreri, he refers to a Chicago show -what was "supposed to be the last" Slogun action- when he was hit in the head w/ a 2x4 from behind. He describes saying to Mark Solotroff -whom he credits w/ originally getting him to record & perform:"it's over. this isn't ours anymore," as it happened.

i'm not familiar w the incident or what year it was. from what he says it sounds like some cowardly pos could have fucking killed him just b/c Slogun talks about true crime. maybe someone else knows more about this?

Idk if he's right, but thought it'd be of interest here.

I know about what happened, got a first person account of it from my friend who was there. First off, if you've ever been to a Slogun show John is a large and imposing figure who menacingly paces around the floor and often mocks the audience. Like most live PE it's a very confrontational performance and the Chicago incident wasn't the first time that a Slogun set has resulted in a physical altercation - although it may be the most extreme.

I don't remember the full lineup of the show but I think it was with at least one local band and BDN was headlining so there were more people there than just the hardcore PE fans, people who - when faced with John's performance - might not know that it's all an "act" of provocation. What I was told is that during his performance John grabbed and pushed a woman who helped run the space/put the show on and the assault was in response to that.

One more bit of context is that the venue it was at "The Rectum" was a place where the people who ran the space and many of the local scum did some pretty heavy drugs so not everyone there was in their right mind 100% of the time. I crashed at that space a few times and also put on shows for that crew so I'm familiar with the scene there and they went pretty fucking hard. Personally I wouldn't have walked in and started getting in people's faces and pushing people around there although I'm also not as physically large as John but clearly doing his usual schtick there was not the smartest of decisions.

This might have been at Varnish in Chicago 2016 & involved dj speed dick? And Mark's account is a third possibility. But I really don't know, I just think the statement "it's not ours anymore" is tasty ahahaha

Maybe "It's Not Yours Anymore" is even better

Moran

#66
Quote from: Bigsby on August 06, 2024, 11:04:15 PM"Zyklon SS' Racial Superiority is the best power electronics album I listened to from the past five years."

I think the conversation could be if "it's not ours anymore" is that b/c someone like ZSS clearly  doesn't get it or b/c SJWs or antifascists just don't get it? The former has zero sense of irony nuance humor art or innovation. The latter can't separate art from artist.
Even if you think Zyklon SS "doesn't get it" there are many other artists in the genre who make music with "irony nuance humor art or innovation", so how could the genre not be "ours" because a small number of artists among many make music in a way you disapprove of? The binary framing of your question wouldn't help reveal much about why "it's not ours anymore" (assuming "it's not ours anymore" for whatever reason) since the actions of "SJWs" and people like Zyklon SS are often interrelated.

Bigsby

#67
Quote from: Moran on August 07, 2024, 12:23:18 AM
Quote from: Bigsby on August 06, 2024, 11:04:15 PM"Zyklon SS' Racial Superiority is the best power electronics album I listened to from the past five years."

I think the conversation could be if "it's not ours anymore" is that b/c someone like ZSS clearly  doesn't get it or b/c SJWs or antifascists just don't get it? The former has zero sense of irony nuance humor art or innovation. The latter can't separate art from artist.
Even if you think Zyklon SS "doesn't get it" there are many other artists in the genre who make music with "irony nuance humor art or innovation", so how could the genre not be "ours" because a small number of artists among many make music in a way you disapprove of? The binary framing of your question wouldn't help reveal much about why "it's not ours anymore" (assuming "it's not ours anymore" for whatever reason) since the actions of "SJWs" and people like Zyklon SS are often interrelated.

I actually agree w/ this. But you see my distinction between a fictional film and a documentary w/, for example, racist intent? The difference between Solotroff and Brethren? Between exploration and demonstration?  I think ZSS et all have entirely missed the fucking point of PE.

Kaaoskultti

Quote from: BatteredStatesofEuphoria on August 06, 2024, 08:58:25 PM
Quote from: Moran on August 06, 2024, 12:35:50 AM
Quote from: Cranial Blast on August 03, 2024, 03:50:33 AMRide For Revenge has done an excellent job at bridging the crossover in a way that is so well done and executed that I think it peaks curiosity to those looking for something more.
Black and death metal would combine nicely with power electronics but I don't know bands that do this well other than Ride for Revenge. I wonder if there are bands that sound like Infester or Blasphemy mixed with early Sutcliffe Jugend.

Gnaw Their Tongues' material definitely has elements of extreme metal/pe/noise crossover, although the vocals pretty much stay in traditional black metal territory.

I do vote for a thread dedicated to GTT on this forum. If you look at the first full-lengths for an example, most of them have a Black Metal/Sludge structured, finely crafted with various forms of Noises. The music itself is closer to death industrial, albeit hardly could be described as such. But the discography is so huge there are a lot of releases, which cater to an abstract approach to the sound, or even a more PE-ish one. Vastly proeminent, Mories remains as one of the most prolific artists of nowadays. Volatile sounds in which there is always room for innovation.

* https://gnawtheirtongues.bandcamp.com/album/wir-essen-seelen-in-der-nacht - this might be one of my favorite releases, finely mixing dark ambient tinged noise with something like The Gate of Death, pretty much in the vein of PE.

* https://gnawtheirtongues.bandcamp.com/album/to-rend-each-other-like-wild-beasts-till-earth-shall-reek-with-midnight-massacre-2009 - another masterpiece, with a kind of Harsh Noise approach to how Mories handles the instruments. Noisy, yet still managing to capture that eerie despair and dark atmosphere.

* https://gnawtheirtongues.bandcamp.com/album/for-all-slaves-a-song-of-false-hope-2008 - my personal favorite of GTT. Words can barely the describe the experience of listen to such music. Excellent done, and all the songs fit perfectly.
ZOB ZYGGLAN - Brazilian Power Electronics - https://zobzygglan.bandcamp.com/

BatteredStatesofEuphoria

Quote from: Moran on August 06, 2024, 10:26:19 PM
Quote from: Krigsverk on August 06, 2024, 01:53:34 PMOn another side note; where are the current day heavy-electronics-PE bands? Name drop them please... I am getting tired of the good old guard (not really).
Zyklon SS' Racial Superiority is the best power electronics album I listened to from the past five years.

Quote from: BatteredStatesofEuphoria on August 06, 2024, 08:58:25 PMGnaw Their Tongues' material definitely has elements of extreme metal/pe/noise crossover, although the vocals pretty much stay in traditional black metal territory.
I don't remember hearing power electronics in his music. It sounded like black metal with some industrial and noise parts. I've only listened to a few albums though. Do you have recommendations?

The above post has some good recs. I'd add An Epiphanic Vomiting Of Blood and Collected Atrocities. He definitely never goes full p.e. but his mix at times will defintely evoke some elements of it for me. Its more the side of p.e. that straddles the line with noise than the more precise, coldly mechanical style. Things like Taint or Bizarre Uproar.

Speaking of BU, its not death/black, but his period in the mid-2010s where he had this mix of elements of sludge/doom, noise rock, and p.e. (Rape Africa, Vihameditaatio, Amputaatio) remains some of the most unique stuff I've heard. There's really nothing quite like it.

excruciation

Quote from: Bigsby on August 07, 2024, 06:17:05 AM
Quote from: Moran on August 07, 2024, 12:23:18 AM
Quote from: Bigsby on August 06, 2024, 11:04:15 PM"Zyklon SS' Racial Superiority is the best power electronics album I listened to from the past five years."

I think the conversation could be if "it's not ours anymore" is that b/c someone like ZSS clearly  doesn't get it or b/c SJWs or antifascists just don't get it? The former has zero sense of irony nuance humor art or innovation. The latter can't separate art from artist.
Even if you think Zyklon SS "doesn't get it" there are many other artists in the genre who make music with "irony nuance humor art or innovation", so how could the genre not be "ours" because a small number of artists among many make music in a way you disapprove of? The binary framing of your question wouldn't help reveal much about why "it's not ours anymore" (assuming "it's not ours anymore" for whatever reason) since the actions of "SJWs" and people like Zyklon SS are often interrelated.

I actually agree w/ this. But you see my distinction between a fictional film and a documentary w/, for example, racist intent? The difference between Solotroff and Brethren? Between exploration and demonstration?  I think ZSS et all have entirely missed the fucking point of PE.

I understand what you are saying but to your average person they don't understand the nuance of a microgenre that has a few hundred active people in it. It's a microcosm within a microcosm. You could put out the most anti-fascist PE record on earth and if it has explicitly racist or controversial imagery it will just be seen as racist/exploitative/not PC by 99.9% of humanity.

As a society we are pretty much beyond your average person (especially in Gen Z) understanding nuance and artistic intent, everything is taken at face value and right wing/left wing have become people's entire identities and they have a very "if you are not with us you are against us" mentality.

Other than black metal, this is the most extreme music ever made. It is going to bring people who are racist/sexist/whatever and they are going to participate in it, either as artists or fans. You could say PE is dead because of this, but members of PE projects having right wing or questionable views is nothing new and has been there since the genres inception.

Throbbing Gristle wrote the song "Subhuman" about the gypsy people that they encountered outside of the death factory as that is what they really thought of these people. A lot of people in the original PE/Industrial scene had strange and perverted sexual appetites including pedophilia that has more or less been an open secret throughout it's history.

Bigsby

#71
^Good points as well.

Seems like the convo has run course. PE's clearly not dead; however,  I now believe this:

Power Electronics Never Happened.

not the way anyone says it did or does haha. as said above, when something is so micro, so niche, so subjective, maybe these kinda questions are pointless. Thanks.

FreakAnimalFinland

#72
Quote from: Bigsby on August 07, 2024, 06:17:05 AMI actually agree w/ this. But you see my distinction between a fictional film and a documentary w/, for example, racist intent? The difference between Solotroff and Brethren? Between exploration and demonstration?  I think ZSS et all have entirely missed the fucking point of PE.

One could make quite valid assumption that ZSS belongs, sonically and visually, more to the pretty traditional industrial. Early SPK -> Genocide Organ -> and that variety of things. There is way less of obvious humor in SPK than in Whitehouse, for example. It would be odd to say he would "miss the point of PE", if he is not really doing PE in the way that. We can see same conclusions appear right from the beginning. GPO stating that Whitehouse missed entire point of industrial music, Whitehouse doing the same for Ramleh and just about any band after them. Some of the veterans concluding power electronics is dead, already by mid 80's. Several English guys saying germans as well as americans missed the point and 90's US PE, was like metalhead dorks doing electronic death metal without sense of humor and Germans not even doing PE, but bleak industrial beats. And so on and on. Damn, even Grey Wolves and such were at times called for ruining PE with their terror-sex-politics-nazi iconography. Needless to say it has happened ever since.
Same in Finland. Most bands that may have been lumped into power electronics, are that merely because word became the one to use for all that other stuff, that ain't "plain noise". Regardless is it really power electronics like sound was in UK in the first half of the 80's. It is something different. Something different from germans and americans and so on.
In most expressions, there is this conflict that people may demand that there must be all these similar qualities that former expression has had. If one delivers the same, it often sounds like copycat. Just recycling all the same without personal take. If you happen to add personal take, and not operating with enough similar ways, this shift generally gets the response "he doesn't get it". Of course, sometimes for reason. Most often we do see, that it is not question that artists would not "get it", but that he is not there following any particular genre guidelines or imitating culture of other nations. What a lame thing it would be if one would demand german bands imitate British humor, right? It would be perhaps even comical. Not to say there wouldn't be germans that could be like that, but.. heh...

Usually, the thing we tend to call power electronics is barely "over", it just keeps moving on, decade after decade there's always been new take on it, with still having enough of something why listeners file it under the same term.

As addition, I suppose there IS humor in ZSS. Not always obvious, but even in some of the ZSS booklet (released separately of music releases), there were even blatant jokes and comical caricature drawings and stuff like that. To combine to things that ZSS uses dirlewanger brigade banner as their logo, is like... well, it is pretty damn dark even on level of PE, where it is no longer vaguely about "nazi stuff", but there is even darker history. He got the wp biker culture material there and so on. I know some people simply don't see the richness of nuance in content of his work, since they simply are incapable to see it. Perhaps due not having any clue about any of the references. That may be one of the elements of current day, that even in moment of irony, sarcasm and humor, etc, if there is not smiley emoji or you are being told there is level of, a lot sarcasm goes unnoticed. In such case, one can often ask did artist miss the point of PE, or did the listener miss the point?

(Like is it about "nazi stuff", if it goes under the dirlewanger insignia, hah...)
E-mail: fanimal +a+ cfprod,com
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Bigsby


Balor/SS1535

Quote from: FreakAnimalFinland on August 08, 2024, 09:17:47 AM
Quote from: Bigsby on August 07, 2024, 06:17:05 AMI actually agree w/ this. But you see my distinction between a fictional film and a documentary w/, for example, racist intent? The difference between Solotroff and Brethren? Between exploration and demonstration?  I think ZSS et all have entirely missed the fucking point of PE.

One could make quite valid assumption that ZSS belongs, sonically and visually, more to the pretty traditional industrial. Early SPK -> Genocide Organ -> and that variety of things. There is way less of obvious humor in SPK than in Whitehouse, for example. It would be odd to say he would "miss the point of PE", if he is not really doing PE in the way that. We can see same conclusions appear right from the beginning. GPO stating that Whitehouse missed entire point of industrial music, Whitehouse doing the same for Ramleh and just about any band after them. Some of the veterans concluding power electronics is dead, already by mid 80's. Several English guys saying germans as well as americans missed the point and 90's US PE, was like metalhead dorks doing electronic death metal without sense of humor and Germans not even doing PE, but bleak industrial beats. And so on and on. Damn, even Grey Wolves and such were at times called for ruining PE with their terror-sex-politics-nazi iconography. Needless to say it has happened ever since.
Same in Finland. Most bands that may have been lumped into power electronics, are that merely because word became the one to use for all that other stuff, that ain't "plain noise". Regardless is it really power electronics like sound was in UK in the first half of the 80's. It is something different. Something different from germans and americans and so on.
In most expressions, there is this conflict that people may demand that there must be all these similar qualities that former expression has had. If one delivers the same, it often sounds like copycat. Just recycling all the same without personal take. If you happen to add personal take, and not operating with enough similar ways, this shift generally gets the response "he doesn't get it". Of course, sometimes for reason. Most often we do see, that it is not question that artists would not "get it", but that he is not there following any particular genre guidelines or imitating culture of other nations. What a lame thing it would be if one would demand german bands imitate British humor, right? It would be perhaps even comical. Not to say there wouldn't be germans that could be like that, but.. heh...

Usually, the thing we tend to call power electronics is barely "over", it just keeps moving on, decade after decade there's always been new take on it, with still having enough of something why listeners file it under the same term.

As addition, I suppose there IS humor in ZSS. Not always obvious, but even in some of the ZSS booklet (released separately of music releases), there were even blatant jokes and comical caricature drawings and stuff like that. To combine to things that ZSS uses dirlewanger brigade banner as their logo, is like... well, it is pretty damn dark even on level of PE, where it is no longer vaguely about "nazi stuff", but there is even darker history. He got the wp biker culture material there and so on. I know some people simply don't see the richness of nuance in content of his work, since they simply are incapable to see it. Perhaps due not having any clue about any of the references. That may be one of the elements of current day, that even in moment of irony, sarcasm and humor, etc, if there is not smiley emoji or you are being told there is level of, a lot sarcasm goes unnoticed. In such case, one can often ask did artist miss the point of PE, or did the listener miss the point?

Stuff like this always makes me wonder why the catch-all "post-industrial" did not get wider usage for stuff that followed and built upon Whitehouse?  Then you can have the "pure" industrial of TG, the "pure" PE of Whitehouse, and so on...