NOISECAST

Started by MT, March 29, 2026, 09:41:22 PM

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MT

Figured it would be time to do a official topic for the podcast, updates will be posted here from now on.

NOISECAST is a podcast about noise and noise culture, started out few years back as Finnish only podcast, but has shifted to english content starting from 2026. Occasional Finnish content might still appear, if person who is interviewed preffers so, for example. New episodes come irregulary regulary, no release schedule set in stone, but longer periods of silence are avoided. Relase platforms are Youtube and Spotify.

Noisecast also is always looking for new people to join the crew, if you have interesting live report, interview or such please be in contact here or via email; noisecast666@gmail.com



Latest episode #28

Episode 28 takes us back to February in Lahti, where Viimaa & Villasukkia event took place once again. It's been a several year tradition, and once again this year line up did not disappoint. Noisecast delivers a report from the event. Also few new'ish noise tapes are under the scope which are;

Kneel - In Sickness and Hate
Monocyclocybercilia - Lyserkinesis
Fišnarka - Lysohalvien Radio

https://youtu.be/bANFx6AUIZk

Hakaristi

Good one! Gotta pick up that Kneel tape, sounds like a solid addition to the legacy of Finnish filthnoise.

Also very much enjoyed the Grunt interview. Great to gain some insight into the more recent works, have been revisiting each album with fresh ears. And a treat to see the original album artworks up close. Due to cultural ignorance had no idea the Man Without Heart logo is a war memorial sculpture, was always curious about its origin.

MT

EPISODE #29

Noisecast went to Turku to check out Dead Door Unit while he was on European tour. On the same bill was also Tryptich, Invagination, Jazzhand and Rautakymi, so needless to stay the night was stacked. Here you hear a collective of gentlemen discussing the evening in the night of Turku. Discussion also wanders off to talk about rehearsing live noise to pondering what wool sock noise actually is?

https://youtu.be/IwuBPosRucw

FreakAnimalFinland

Decent episode! Perhaps a bit nerdy correction, but there indeed was also synth in DDU live. Baby blue synth by Jessica Rylan. It creates unpredictable and broken sounding things. Invagination indeed had little obstacles with mute/solo buttons in the beginning, but surprising amount of bass feedback. Curious thing was that I instructed that monitors should be fairly quiet so there is no excessive feedback, and next thing is that like the report says, monitors are moving on the floor due bass vibrations, hah!

Additional info & reports of this tour will be coming out on SI website sometime soon!
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

k.p.g

Had it not been for those monitors, there would have been no helmet.

Technical difficulties provide a win in the end.
Dead Door Unit
French Market Press
etc.

MT

EPISODE #30

Dead Door Unit interview, first part. DDU was touring in Europe in April, so of course we set up an interview with him. So Mikko A. and Jazzhand sat down with the man and had an interesting deep discussion about things of noise. First part of the interview revolves around how Europe tour came together, early influences of DDU, playing live in US and also many aspects and variations of playing live noise.

As usual; Youtube & Spotify.

https://youtu.be/Dlquzsusb1w

MT

EPISODE #31

Second part of Dead Door Unit interview! This time focus shifts more on talk about noise culture as a whole. Talks revolve around writing noise and noise reviews, deep listening and experiencing noise music in that regard. Interesting topic that arises is, what defines a classic, what are aspects of a timeless release? What are the motivations or intentions of pure noise? Also a conversation about the "language of noise", what is t even is? Who defined what or who are the most influential ones? How does surroundings of an individual influence their noise? Mikko A conducting the interview with Jazzhand.

YT & Spotify!

https://youtu.be/KNWeZedZPqI

DBL

Aside of some warm beer burps getting a bit too intimate with my ears: great interview! The lack of reviews and, to some extent, enthusiastic discussion about specific noise projects and releases that go beyond "this kicks ass" or such is such a pet peeve of mine that I was especially happy about the topic of writing noise reviews. I do agree with what mr. FA brought up, that reviewing abstract music can feel a bit... can't remember how he described it, but some shade of dumb. The idea how you're trying to explain why some specific hum or krrrshhhbzzz is so much better than all the other seemingly similar things might make you feel like an idiot. But you've just got to get over it and write anyway, heh. DDU:s reviews and comments on tapes here are an important source of information of stuff that isn't really discussed elsewhere, at least not in public, so I hope he keeps it up. And the same goes for Noisecast itself of course!

Plenty of other interesting things were discussed as well, but no point listing everything. When someone is so invested in and enthusiastic about noise, something as simple as having bird spikes fall on you becomes a relevant part of discussing noise. I don't think I have listened to any DDU releases, but this interview certainly made me interested to check something out.

Flames of Torture

#8
Quote from: DBL on June 11, 2026, 11:40:23 AMAside of some warm beer burps getting a bit too intimate with my ears

Better out than in!

Quote from: DBL on June 11, 2026, 11:40:23 AMI do agree with what mr. FA brought up, that reviewing abstract music can feel a bit... can't remember how he described it, but some shade of dumb. The idea how you're trying to explain why some specific hum or krrrshhhbzzz is so much better than all the other seemingly similar things might make you feel like an idiot. But you've just got to get over it and write anyway, heh.

And again — better out than in! Downstream from the noise reviews there are people making new discoveries of projects and releases. As for the initiated, to read a noise review may lead to the discovery of a new detail that may suddenly fascinate where before it lay hidden. My favorite reviews to read are fanatical and diaristic. Most of all I am hastened to listen to something from own library when I read a characterful review — to have my own inner experience.

k.p.g

Quote from: DBL on June 11, 2026, 11:40:23 AMAside of some warm beer burps
Whiskey burps

Quote from: DBL on June 11, 2026, 11:40:23 AMDDU:s reviews and comments on tapes here are an important source of information of stuff that isn't really discussed elsewhere, at least not in public, so I hope he keeps it up.

Quote from: Flames of Torture on June 11, 2026, 12:22:30 PMDownstream from the noise reviews there are people making new discoveries of projects and releases.
Plan to keep reviews consistent (one will be posted after typing out this).  And the hope is always that someone walks away from reading these with the impulse to check out a new project or a tape they missed in some massive discography.
Dead Door Unit
French Market Press
etc.

MT

#10
EPISODE #32

https://youtu.be/FJN-h8oJpHY

Harsh Ways Fest headliner, harsh noise legend, The Rita is the guest for next two episodes. In this first part we discuss the collaboration with The Gloria, early stages of The Rita, live shows, aspects of wall noise, working with Keith Brewer and modern noise culture.

At the turn of July and August, Harsh Ways Fest was once again held in Turku. It is already the 4th time the fest is held, and once again the lineup was impressive. I suggest everyone to go to Special interests website and read the excellent report there. There's also video compilations of both days available on Special interests youtube channel, so you get even better impression of the event with the written report.


Youtube and Spotify

MT

#11
Double post, can be deleted.

HateSermon

Fun interview, lots of good stories. Taint trades "in a different world" lol. Looking forward to part 2.
I imagine the cut-up dudes vs laser noise dudes fighting as like daggers vs ramp locals in Thrashin'

k.p.g

This one was a great start.  I didn't want it to end by the time this part came to a close.  Damn!!
Dead Door Unit
French Market Press
etc.

FreakAnimalFinland

Yeah, very good! I was wondering what could be discussed after Sam being guest in very long episodes in other podcasts, but no problem whatsoever!

When there is mentions about Maniacs Only thing within Troniks/Chondritic forum, it is mentioned there was some shit talk that would stir anger. I don't remember that the section would have been much of shit talk, more like FREE of it. As it was place where bunch of label owners, distro runnuns, magazine editors, devoted artists etc would have private section for various things. I don't remember as much "shit talk" happening, but more like brainstorming what gave birth to As Loud As Possible magazine, Special Interests magazine, various compilations, distribution networks, labels checking out eachothers schedules, etc etc. Also plenty of personal discussions resulted that all involved knew who eachother is. Main forums were thousands of people you had no idea who they are. No social media or messangers, private places like this may feel "elitist" to some, but clearly something was done right as it generated so many good things that was happening.

Main forum itself was the chaotic trolling infested thing.  Power electronics section was way more focused on discussion and only when people were talking about explicit bands and their concepts, or someone would use offensive language, there would be influx of people creating mess. As I did not have vast moderator rights, merely taking care of PE section in form of... well, like I do at SI: Start discussions, bring up informations people may find useful, etc. So when many times there would be trolls pestering forum, and you'd have to ask Greh or Phil to kick them out or issue temporary ban, it was sometimes done in private parts of forum. Eventually forum was beyond repair, and SI was basically spin off of PE section of that forum. All people who were creative and fanatic, were invited privately and rest is history so to say. I would guess beginning of SI goes along with birth of social media. Its easier to shitpost on social media (of that time) than forum. It turned out very positive that forums are no longer the pre-social media massive discussion platform, but now they are slower paced places for die hard people. All the instant gratification of getting people react has moved elsewhere.

I do remember lots of heated discussions. Like Sam says, HNW, damn... if you'd open topic about HNW, it would almost always become quite debate. Perhaps like you'd open topic about spicy power electronics, and influx of dorks coming there would be automation. Nowadays, that probably still the case, but not sure if there is anymore such a hostility towards HNW. Of course, people have their criticism, myself included, but it's not like every topic, review and advertisement get replied with hostility and ridicule, haha. I remember vividly one discussion, where I made very clear my points of not appreciating trendy easy HNW of the time. After handful of messages, RRRon comments "as a guy, who advocates special interests, you appear quite critical for other peoples special interests". Indeed! That's all noise section moderator needed to say to adjust my thinking, hah..

All that The Rita is talking about deep listening, attention to detail and nuances, its absolutely true and instead of trashing HNW releases or artists, one could simply apply that attention to sound or non-sonic substance you prefer.

Waiting for the part 2!
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net