I have almost exclusively been buying Matt Bower releases this year, and I have reevaluated my opinion on the Cold Spring releases: They absolutely fucking rip.
Fucked on a Pile of Corpses Probably the most straightforward "noise" release I've heard under the Skullflower moniker, but there are a few collaborators on this album including LS of Culver. Relatively short and less dense than I've come to expect from MB but is exceptionally crafted. It's almost comical how "hard" and flesh-focused the art and themes of this one go compared to the usual corporeal shimmerings. Very crusty and cadaverous.
Draconis Absolutely beautiful, mind-meltingly lysergic visions of cosmic intelligence and splendor. I believe this release is where MB has said they were unleashed to traverse the stars as they are today. Part of me is amazed this release is almost never mentioned anywhere, but I also cannot imagine who this would specifically appeal to. This release in particular really makes me appreciate MB's tip-toed balance between traditional psychedelia and traditional left-hand path theatrics.
The Spirals of Great Harm I haven't gotten to spend a lot of time with this one, but it is another very honed release in the vein of the Black Sun Roof - 4 Black Suns and a Sinister Rainbow double CD that was put out on Handmade Birds. Hissing, crackling, focused "sonic acupuncture". Makes sense why he'd drop this and retire from the music industry.
I've also picked up Tribulation, Total's Exploded Star Sad Servant, and both Voltigeurs releases on Turgid Animal. I can't get enough of the forward momentum in all this material. No matter how much clattering, cacophonous, swirling is howling around, almost every one of MB's tracks has this piercing push ahead, which is maybe why a lot of it gets categorized as "drone", but while a lot of other drone/noisebient artists can get stale every Skullflower/Volt/Total track is just bristling with life and energy. This shit is my audio orgone.