Video: People Who Do Noise

Started by ImpulsyStetoskopu, November 03, 2011, 10:53:00 AM

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linxtyx

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Ok, so who or where anybody don't respect what he is doing? Who don't respect this value? CROWLEY? I remind you that there are few interpretations CROWLEY's concept. Most people (not me) inteprets "Liber AL vel Legis-The Law is for All"  different than you. Official interpretation is all freedom but only there where we don't limit freedom other person". Respect for what we are doing is the main value libertine world.
I don't understand your second "value". Who said or wrote that his subjective opinions MUST be viewed all the time? For me this isn't any value... Only two?
I see the lack of the respect in the actions of many people - is it my delusion or just different concept and understanding of term respect. This won't be the place to discuss that. The main point I was trying to show you all the time is that continent of "everything is relative - everyone can be anyone" value is weakening the human relation with art, music, literature (and with value itself, because this kind of view is just shouting that value isn't needed anymore, because everything is possible).
p.s. "everything what I say is totally subjective and has to be viewed like that all the time" - I had in mind that I'm talking only for myself, not for group of people or some kind of ideological source. 
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Exactly! Doubt is one of the main value in life of the men. If anybody boubts in god (his exist) for example this doesn't mean that this man destroys god or his belief in it. I say more, this doubt MAY strenghten his value. Of course may destroy too but this is unknown. We can not take certainty that doubt MUST destroy anything.

I agree with you here. But when a man thinks that everything is doubtful (because it's relative - it can be so or so), the ultimate doubt destroys it's main point - if everything is doubtful then nothing is doubtful. And when you start keeping yourself out of the judgment, you just can't have any values. You just become a little cheerful sissy, even with a dark background of nihilistic implications of such writers as J. Derrida or G. Deleuze. 

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Power electronics have never been an avant-garde, it was and is one of the consequences of avant-garde. I wrote about roots  for postmodernism, and no doubt, avantgarde movements were direct reason appearing so called postmodernism. Where are you see plain establishment? In power electronics? :) What about libertines in this scene of power electronics? Do you share with them their views? Even if we consider power electronics as genre which doesn't have any relations with avantgarde and so called postmodernism, what do you say about artists from this scene who are nihilists?

Oh..this is totally out of discuss-area. I see it one way - you see it another.
I see plain establishment in sounds/aesthetics/techniques and I see new things coming in and I just don't like them. Maybe I'm being radically conservative about this, but..
The scene HAS relations with avantgarde AND postmodernism and I DON'T like how these relations, FOR TODAY, are effecting the scene itself.
And what about nihilists? Nihilism is not the main lineament of postmodernism OR avantgarde. Many writers, artists and musicians where nihilists when postmodernism even haven't been in zygote stage.

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It's gone from me being accused of being anti people younger than myself to a debate over postmodernism. Can we just agree that this documentary sucks?
And yes we can agree with this totally and end this discussion, because it's just going to transform into pointless fight, when two of us will be shouting different opinions to each others face. 
 

Andrew McIntosh

Quote from: ImpulsyStetoskopu on November 05, 2011, 01:33:52 PM
I ma happy that everybody can create art and every work is able to influence to other people, even in situation, when someone (maybe even smarter, with bigger knowledge) thinks that this work is total shit. Isn't it wonderful?

No.

Quote from: GEWALTMONOPOL on November 05, 2011, 08:34:36 PM
It's gone from me being accused of being anti people younger than myself to a debate over postmodernism. Can we just agree that this documentary sucks?

Yes.
Shikata ga nai.

ImpulsyStetoskopu

Quote from: Andrew McIntosh on November 05, 2011, 10:47:57 PM
Quote from: ImpulsyStetoskopu on November 05, 2011, 01:33:52 PM
I ma happy that everybody can create art and every work is able to influence to other people, even in situation, when someone (maybe even smarter, with bigger knowledge) thinks that this work is total shit. Isn't it wonderful?

No.


Funny :)

WCrap

Quote from: linxtyx on November 05, 2011, 07:37:01 PMPower electronics was avant-garde, 25-30 (approx.) years ago.
no, it was not. it was just some 15 year old kids rebelling and/or having a laugh. this is the reason why f.e. example there is no Iphar box on Vinyl on Demand though he (VOD) is begging for years. what is cult for you is embarassing for some of the creators from back then. this is not what constitutes 'avantgarde'.

GEWALTMONOPOL

#49
Meanwhile, People Who Do Noise is out there featuring 20, 30 and maybe even 40 year olds behaving embarrassingly. What's their excuse?

This is why I despise so many from the noise contingent. They often believe that their lack of quality control and general dumbfuckery is somehow less embarrassing - and worse - that it's actually more worthy, by the sheer fact that it's not PE. It's not. Piss on that!
Först när du blottar strupen ska du få nåd, ditt as...

STREETMEAT

Quote from: GEWALTMONOPOL on November 05, 2011, 08:34:36 PM
Can we just agree that this documentary sucks?

do we really need more then video recording of live performance? watching people talk about why they do noise and how it makes them feel isnt too interesting to me. even performances can be a bore to watch and are better just to listen too.

ImpulsyStetoskopu

Quote from: STREETMEAT on November 06, 2011, 11:40:00 AM
Quote from: GEWALTMONOPOL on November 05, 2011, 08:34:36 PM
Can we just agree that this documentary sucks?

do we really need more then video recording of live performance? watching people talk about why they do noise and how it makes them feel isnt too interesting to me. even performances can be a bore to watch and are better just to listen too.

Do we really need interviews with them in magazines, reviews their records, books about their music/art?

STREETMEAT

Quote from: ImpulsyStetoskopu on November 06, 2011, 11:48:33 AM
Quote from: STREETMEAT on November 06, 2011, 11:40:00 AM
Quote from: GEWALTMONOPOL on November 05, 2011, 08:34:36 PM
Can we just agree that this documentary sucks?

do we really need more then video recording of live performance? watching people talk about why they do noise and how it makes them feel isnt too interesting to me. even performances can be a bore to watch and are better just to listen too.

Do we really need interviews with them in magazines, reviews their records, books about their music/art?

interviews i see the point of,getting in the head of artist at that time.reviews can be really bias someones amazing noise record could be total crap to me. should i like it just because (BIG NOISE ARTIST) says so? noise books.. thats a little too AVANTGARDE for me.

but hey everything will have pros and cons. things people love and another will hate. im just another sourpuss.

ImpulsyStetoskopu

Quote from: STREETMEAT on November 06, 2011, 11:57:29 AM
Quote from: ImpulsyStetoskopu on November 06, 2011, 11:48:33 AM
Quote from: STREETMEAT on November 06, 2011, 11:40:00 AM
Quote from: GEWALTMONOPOL on November 05, 2011, 08:34:36 PM
Can we just agree that this documentary sucks?

do we really need more then video recording of live performance? watching people talk about why they do noise and how it makes them feel isnt too interesting to me. even performances can be a bore to watch and are better just to listen too.

Do we really need interviews with them in magazines, reviews their records, books about their music/art?

interviews i see the point of,getting in the head of artist at that time.reviews can be really bias someones amazing noise record could be total crap to me. should i like it just because (BIG NOISE ARTIST) says so? noise books.. thats a little too AVANTGARDE for me.

but hey everything will have pros and cons. things people love and another will hate. im just another sourpuss.

So, I see a typish postmodernist man here :)

whateverforever

Most of the people in this don't really play out that much or record any more. Portland's noise scene is pretty much in a lull except some things involving people from the Skaters, Eat Skull, Smegma, etc. which for the most part I have no interest in. I didn't live here when they made it, although Seattle isn't really any better then or now. Portland's pretty boring. Most of the harsh noise projects have gone onto more textural post noise blah blah blah OxIx > Concern, etc. There use to be a lot of house's that did shows and now that's not really happening. There definitely are people who live here and do noise who aren't spacey, art school scene fags, even if they are ignored in general.

whateverforever

Thank god the Yellow Swans left.