Quote from: HONOR_IS_KING! on July 10, 2012, 12:08:06 AM
Makes it seem like an " elite good ol' boys club", then an actual musical community at times.
Every generation has its heroes and every younger generation should say "no" to previous "heroes". For example, in Poland small harsh noise community don't respect such projects as WHITEHOUSE, MERZBOW, TNB and many other well known from 80. and 90. They didn't listen even TG, SPK or EG, not to mention krautrock or academic avantgarde, for them those projects haven't common points with "true noise". They worship such acts like: XOME, FACIALMESS!, SICKNESS and exceptionally elder Japan artist Kazumoto Endo. Initially I didn't understand them, how they could love NOISE if they ignore something what have established aesthetic canons and run all that big avalanche. But next I saw their logic and cruel blade sword of the time. Every next generation (receivers and artists) is able to understand PE/NOISE/INDUSTRIAL phenomena much more better than those people who were shaped by their "heroes". Then, NOISE isn't reason to sentimental back to "better" time, to our youth, and looking for in that "golden age". This is one of the reason why I am very interested in views of young people about avantgarde, industrial/PE/noise from 70/80/90s, especially, when they try to see this period in their eyes, not too much covered/influenced by opinions, books, magazines, interviews of other, elder receivers.