VRV - Against The Human Race (tape, self released): Different sound than usual, which is a good thing, different recording setup made this sound more harsh and filthy, other than that, it's recognizable as VRV, being drum machine Noisecore, which doesn't stop, no silence in between the tracks.
Feberdröm - To Fetter Ghosts of Atrocities (Angst, C40): Intrusion of Mortality was very good, so I was curious what this would give. Got to say, it's good, but not an immediate hit like the former tape was. Still, neat Industrial/Power Electronics, lots of beats (the good kind) and there are some vocals on this tape, though still very sparse. Overall this is minimal and very gloomy. Interesting tape, and I expect it to be a bit of a grower.
Facialmess - Market Discipline (Angst, C20): Never heard Facialmess before. Will play again, but not too much into it after a first play. It sounds to me like someone trying out his gear, lots of short parts of something, then something else, but it all goes quite slow. I prefer this kind of style when it's faster and more fucked up.
NSMRecords - Built For War sampler (CD, NSMRecords): Well, if this is the best of the Aryan crop... Most of it is pretty crappy to really bad, but some of the stuff has its charm, such as two Achtung Juden tracks (Aryan Girl is crap), Arrow Cross sounds pretty good, but they've got an anti-NSBM track on an album or something, so that's rather stupid too. Then there's some Hatecore, such as Mass Destruction, not good either, but it gets the job done, haha. Southern Storm/Runes of War - Krystal Night is pure comedy, music is still ok, but the vocals suck and the spoken word part in between the track is absolutely hilarious. This alone makes it worth to listen to the whole sampler.
Ride For Revenge - Thy Horrendous Yearning (CD, Bestial Burst): Another RFR album, pretty soon. Not much to say, you know what to expect. I was thinking RFR reminds me of Motörhead in a way: you know what to expect, but every time there are some new and/or unexpected elements and twists to the album or certain tracks.
CSMD/Sedem Minut Strachu (tape, No Fucking Labels): Don't know too much from CSMD, but it's pretty good, though the tracks on the recent Invocation of Obscene Gods comp were better. SMS sounds more or less the same as always, plus tortured violin. Makes it different, but do I really like it? Not certain. Certainly doesn't make for easy listening though...