ATRAX MORGUE "195 Melrose Avenue NW2" tape
Self Abuse
1996 Atrax Morgue, insane as usual. This tape is very good for mixing the demented ultra simple synth sound + vocals type of tracks with more comple and free-flowing noisier tracks. Titles include such great ones as Give Me A Corpse, Cuntrazor, She's Dead (Now), Crush My Cock, Troubled Meat, etc..... After so many LP reissues on Urashima, one can't really justify "more of the same", but still this tape is better than some of the already done reissues.
9th MASSACRE "Murder" tape
RICHARD RAMIREZ "Nature's Afterbirth" tape
Deadline
Brilliant 90's Ramirez noise. Sometimes loop stuff gets 9th Massacre almost to "usa pe" feel to it. Certainly closer to early Death Squad stuff. however, it is most of all just plain brutal harsh noise.
1994 Nature's Afterbirth is just the type of ramirez noise one can appreciate as needed dosage of "no bullshit" straight forward carnage, from the days when he always delivered
V/A INRI tape
Cold Spring
In morning was browsing tapes and thought, why not check out "where it all started". Already infamous UK label, back in late 80's, put out this CS 001. Psychic TV and Grey Wolves are names that still appear on Cold Spring catalogue. Many of the other obscure experimental & noise names here don't say much. GW's industrial beat track here is really eerie. Few of the noisier contributions from bands work great. The Psychic TV live pieces and kind of atmopsheric experimental rock tunes between don't do much for me.
DOKUMENT #6 - Rituals tape
Private Edition
East and south? I guess so. African rituals certainly have quite horrid feel to them. Savage chants.
V/A SILENCE=DEATH tape
Bored Bear Recordings
I didn't even remember what this is. Thought it could be some sort of death industrial release I didn't remember and just popped it to tape player without going through j-card. I appreciated how diverse the tape was, and then while turning side, looked insert and damn! This is the Queer noise comp from 2011! Being C-100 tape, and if the qualification has been that one needs to be identifying as "queer noise", it didn't give very promising expectation for quality, but perhaps it was about listening this without remembering what it was, that it turns out to be fairly good. No a classic by any means, but wholeness is strong enough to hold few weaker bits good enough to make comp work. Diversity and quality what wasn't expected. Funny thing is that cover doesn't print any contact addressies etc, but there is printed link to specific chondriticsound forum topic. What it has been, no idea...
