Quote from: Duality on April 14, 2016, 03:31:51 PM
Been listening to The Curfew Recordings which has a very occult feeling to it. Beautiful natural acoustics and haunting flute sound (actually coming from a bone, I believe). Its a really nice change from the digital keyboard music, where plugins and effects pedals are replaced with natural sounds and scrapping percussion.
Very good recommendation, thanks. Fans of this style would be advised to look into Metgumbnerbone's Liegeliahorn, which was possibly recorded in and around the same place at the same time, and also the Newcastle UK, 27-3-1984 bootleg, re- "This is a bootleg including material recorded at a disused industrial site in Newcastle. These recordings (in different form, along with other material recorded at the same location) appear on 'The Curfew Recordings' CD (Harbinger Sound)".
Perhaps of secondary interest, Asmus Tietchens' Seuchengebiete, which was apparently produced in response to Liegeliahorn, of which Tietchens was extremely critical- apparently, he thought (soon-to-be A-Mission Records label-mates) Metgumbnerbone were a pack of pretentious twats. (He reserved the descriptor "childish theater", which is kind of how I initially felt about this thread; though I must say we have, in the best traditions of SI, redeemed ourselves!) Since then, Tietchens has gone on to release Seuchengebiete 2 and 3, and other work in the vein, all in a numbered series entitled "Hydrophonie", also appears on Formen Letzter Hausmusik and the split-collab with Vidna Obmana. All essential- though it does not pain me to say I'd probably still take any of the better Metgumber over it...
Edit
Someone put together a nice "montage" of most all existent Hydrophonie recordings:
http://youtu.be/MswDZo5GhaA