If anyone has Netflix US streaming, Markus Schleinzer's MICHAEL just went up. One of the better things I saw in a theater last year; solid Haneke-style bleakness with a surprising amount of dark humor considering the premise. Also streamed DRUM on there a few days ago. Apparently a cut version, but still a hilarious over-the-top example of MANDINGO 'sploitation. Warren Oates spouting ridiculous lines like, "You know I loves big titties!"
I think the last thing I saw in the theater was THE LAST SCREENING. The print description called it a neo-giallo or something, but I'd describe it as a near-ambient French take on the proto-slasher ala PEEPING TOM or PSYCHO. I was really into it, though most will find it redundant and boring.