Quote from: Cementimental on November 09, 2017, 11:17:41 PM
For feedback in between vocals a noise gate might help
or just a mic with a switch on it
Gate usually works unless stage sound is loud. Which it usually is. In such case, there might be barely difference between shouting into mic vs. overall sound pressure on stage, so adjusting fine line of noise-gate may be impossible.
On-off switch is usually easiest, but can also result shitty abrupt cuts.
Seen shows where switching microphone on, will result merely piercing feedback & explosion of efx mass, which cuts out in really "glitchy" way when artists switches mic off.
I think one way to approach is simply consider how much distortion one needs? All at max fuzz and metal-zone type will make vocals often flat and lame anyways. With using boost / drive / pre-amp type of pedals, one may get much better sound for industrial type of vocals and much less issues with feedback. With combination of drive and loud sound, vocals may sound ripping, and without problems with extensive feedback.
For full-on-Masonna screams, is another thing, I guess.