Conrad Schnitzler '10.10.84' C42
Review by David Keenan - Wire Magazine, Jan 2011
Conrad Schnitzler, once of Tangerine Dream, Eruption and Kluster, remains one of the loneliest and most uncompromising figures on the fringes of Industrial Krautrock. 10.10.84 is a cassette release of one of his rare 'kassetten konzerts' where Schnitzler would mix simultaneous cassette playbacks of pre-recorded works to create an even more confusing multi-layered soundworld. For much of his career Schnitzler has dedicated himself to removing or reducing aspects of traditional performance and musicianship from his art, pioneering a form of musical 'automating' that predates Steve Stapleton of Nurse With Wound. But like Stapleton, Schnitzler is paradoxically unable to escape his own preferences which make his music as 'expressive' as any singer-songwriter. 10.10.84 is instantly recognisable as prime-Schnitzler, with a crucial umbilical to the colour-coded series of albums he released between 1973-1981. His synth work is characterised by a specifically portentous sleight of hand, subverting doomy melodies with flat or oddly placed notes played in Frankenstein rhythms and always with a hint of gothic camp. The loneliness of Schnitzler's universe is as personal as an Ed Wood set and as awkwardly revealing. Beautifully packaged by Mirror Tapes, the cassette has the feel of the kind of lonely early-80s Industrial postcard you might once have traded through the mail. And despite Schnitzler's antipathy towards performance, it's a hell of a show.
Mirror Tapes
http://www.mirrortapes.blogspot.com Orient Occident Mailorder
http://www.discogs.com/user/OrientOccident