Recent posts

#21
GENERAL SOUND DISCUSSION / Re: Notable voices
Last post by Into_The_Void - January 01, 2026, 09:46:05 PM
from the not mentioned so far Brethren, Deathpile vocalist, Mikko, Slogun, Koufar, the two lady singers on Wournos Aileen, and for sure a lot of other ones I'm forgetting right now.
#22
GENERAL SOUND DISCUSSION / Re: Best of 2025
Last post by MT - January 01, 2026, 07:38:39 PM
Heat Signature - Trench Trapped

Almost forgot this monster from my initial listing! This CD was my first introduction to the band, and a one fine introduction it is. CD has thick sound like Moozzhead cover girls, but also robust as fuck. At times there's this avalanche of bass frequencies in the background of ripping and mutilating noise. It sounds so good! There's plenty of things happening all the time, the stereo image is full of detail, rattling, screeching and whailing in every corner. There's also a track that gives more room for merciless scrap metal pounding, but sound has that Heat Signature distortion to it, highly enjoyable! Layout of the CD is very eye pleasing, nice old map "white" with vintage military images of vietnamese trench warfare. Extra mention of using source sounds by late Keith Brewer, assuming it is the gun firing in the second track.


Karmic Delusions - Kadotettujen Piina

It's kind of hard to separate Decondition and Karmic Delusions in my head, they are in a way of same continuum, but KD this time hits with a violent package of scrap metal wreckage, synth tones and great vocal work. Not too many are doing what he is doing, it's like a mixture of traditional Finnish scrap metal work combined with the greatest of power electronics masters. Very nice pacing in the album and lenght is just perfect, sometimes he has tendency to hammer out 1 hour long releases, which is fine, but with tense onslaught like this, 35mins is perfect.


Sexualised Medicine - Antidote to a World of Flesh

Second tape of the project, first one coming out over 10 years ago. Since I have no recollections, or even own the tape, this has been my main introduction. I seem to have a soft spot for detailed, multilayered yet restricted soundscape. SM has all these, carefully crafting the sound, with excellent vocals just enough in the background, often disappearing the in the sea of delay. Such a pleasure to listen to. The lyric is sheet is near impossible to read for my old eyes, but it's there and probably opens up even more the theme. Neverthless, one of my favorite tapes of this year and deserves a mention here.


Commando 15 - Salattu Suomi

Even though C15 could be considered as a newcomer to the Finnish noise scene, listening to the releases certainly does not feel like it. Sound and thematics have been going through an ongoing process of cultivating, and in my opinion Salattu Suomi is the pinnacle of it, so far. It all starts with the cover arts, which go hand in hand with the material, to me C15 is a great example of meta-noise. How seemingly abstract sound gets a deeper and multi-layered meaning through the artworks, song titles and few phrases of text which lays the foundation the whole experience. Some said the sound was painful, sure it is at times, but personally I found it quite relaxing, focused and raising attention. Attention is the key on this album, there's so much fine near microscopic texture in the sound, and production gives space to it. You can literally "stand next" to the sound and observe it, almost feel it. Salattu Suomi is one of the most unique noise albums that I've heard in a long while, very one of a kind material that only C15 worldview can produce.


Metsäkirkko - Paranvoi

Waited too long to get into the mystical world of Metsäkirkko and overall the Brownhill Mafia "scene". Paranvoi is a slow burner, which doesn't try to grab your attention, you need to focus on what it has to say. Could be easily classified as "great noise for reading", but that would be wasting it away. When you peek undernearth the subtle layers of the album, you find a dense undergrowth with plenty of rich texture. Simple elements but with proper volume those simple elements reveal depth and richess to the sound, which is crafted with strong intent. Not in your face noise, but more in your mind noise. Maybe even to use word "noise" here is improper.


Grunt - Kiveen Ikuistettu

Yet another killer live release by Grunt, following last years (I think?) Vieraat Aivot. First gig with that classic Grunt of heavy and ripping sound, and those strong vocals we all love. And so well recorded, it's a pure enjoyment to listen to. Second gig is different, slowly crafting minimalistic sounds, in a minimalistic environment. Even though I used word "minimalistic", the sounds are intense! Very interesting and clever choice to have two different live settings, sets and atmosphere. Works really well, and delivers the variety of what Grunt is capable. Packaging is a photobook, basically. Accompanies various images, having very harsh tones, even when speaking in visual terms. I think Mikko posted this about at lenght in the Grunt topic, go see it!


Zyklon SS - Guilty

ZSS hit parade! Not exactly a new release, but collection of hardest hitting ZSS classics. Everything one could want from a industrial/power electronics release.


Invagination - Electronic Flesh

Perfect mixture of 90s Japanoise sound but also plenty of their own sound with razor sharp production, it's very easy to throw this among the best of this year. What makes the sound interesting is the scrap metal that seeps through hard mixed with Japanoise type slashing and ripping sounds, it blends together perfectly. Paired together with very tasteful cover arts and even a colourful CD label, this could be easily thrown in the mid-to late 90's noise releases.


Giärmäi - Boreaaliset Syvät Vedet

Giärmäi made quite a big splash when the first tape came out last year. Since release of that Giärmäi has played few shows, which I did see one of them. Project has taken steps further into more industrial expression, same elements from "Ratapölkkymme" tape are present, but scrap metal has been added, has a lot grit to it. In terms of atmosphere, "Boreaaliset..." is much heavier and dense, while maintaining that trademark sound of reel to reel recorders, scruffy spoken word vocals and field recordings. B-side has very sweet organ work, and tape ends with a brilliant track using hurdy-gurdy. Excellent follow up for the debut tape, taking brave and strong steps forward.


Kartio - Alkeis

Kartio could be called as side project of Umpio, but it explores totally different areas of experimental music. It has that familiar production of Umpio recordings but sound itself is Kurenniemi type, crude but skillfull playing of modulars. I enjoy highly when there's very little of happening, beeps and boops, oocasional wave of lower frequencies sweeping over. Lenght works here, because this type of material is a pleasure to listen to, almost an hour long duration works in it's favor. You really get to taste the sound of vintage gear, experimental past speaking. A great opposite to cruchier and heavier side of Dassum work, Kartio is also extremely detail rich but also leaves a lot of empty space for the sounds to do their work.


Jazzhand - Siirryin Kun Te Nukuitte

Jazzhand tapes are a trip, at times it feels like listener is in a dictaphone that is in the pocket of the artist. Layered field recordings, hum of the forest with birds singing. Many types of rattles, of stones, wood, gravel. Like a journey through a summer forest of Finland. It is interesting to listen to recordings that have very little of any real instruments, using whatever is found outside to create textures, carefully selecting what works with what, maybe some parts are just one sound, recorder capturing many of the elements at the same time. But the relaxing hum is there most of the time in the background. Last part has a synth tone and recordings of people talking, which is a clear take off, works very well as the finishing part. Tape lenght is unknown, because you get immersed in the soundscape so much, listener is under a spell of beautiful textures of nature. It's funny how much a mosquite sound can agitate you.


Wertham/STROM.ec/Josh Lay - St. Valentine's Day

And right before the end of the year we are blessed with new STROM.ec tracks! Makes me very happy to new material in 2025, of course material itself is much older but neverthless, especially "Ascending Torso" is such a killer track that only STROM.ec can do. Unmatched! One can only think how they would sound today, if they made a brand new album. One can always dream. Wertham and Jos Lay also bring gritty power electronics to the table, but as a fan boy I am mostly raving about the Strom tracks here.

Special mentions;

Ruusuriimu - Tanc A Rothadesert
Paradox Influx tapes
Pyhä Kuolema/Kaarna - Magneettinen Pohjoinen
November Növelet - Electrical

There's also lots of records I still haven't heard/bought, like Heppakirjat LP.
#23
GENERAL SOUND DISCUSSION / Re: Best of simple "one layer ...
Last post by FreakAnimalFinland - January 01, 2026, 07:21:50 PM
Quote from: Baglady on January 01, 2026, 01:15:39 PMHis stuff often reminds me of MSBR - Ultimate Ambience in that aspect. Not sure how Koji Tano recorded that album, but it sure is very simple, fierce and sharp.

Indeed! If you compared debut LP, it is very much "one thing" type of approach. When doing one thing, the constant small modulation becomes audible, while when you compare it with Collapseland CD, I tend to rate it vastly higher than MSBR first LP, but that CD is layered and "full" and you will be listening to sort of... composed sound, and not like solo instrumentation.

It is actually one thing to mention. I do own plenty of solo violion or solo cello works on CD. Think something like Giacinto Scelci stuff, where listening to solo cello recording is something where you are so intimately following the timbre and tone of instrument, finger movement, room sound, even breathing or something else.... Compared to orchestral piece which can be great, but it is composition and overall production rather than greatness of sound of the instrument itself.

Capers sure fits the description I am looking for. Even if there is 2 layers or two things going on, there is something that makes it very immediate experience.

#24
Live Show Announcements / 04.04.2026 Turku: Dead Door Un...
Last post by HWS - January 01, 2026, 07:02:32 PM


Saturday 04.04.2026
Turku, Finland

Dead Door Unit (US)
Tryptich (DE)
Invagination
Jazzhand
Rautakymi

Private event - you are invited.
Admission 20 €. Contact for info.

harshwayssyndicate@gmail.com
#25
GENERAL SOUND DISCUSSION / Re: Best of simple "one layer ...
Last post by Stipsi - January 01, 2026, 06:04:11 PM
I don't know if it counts as "one layer" because i use at least 3 channels of my mixer (if not more), but i record everything live one tape and i barely edit (only the spoken samples are added later)

#26
GENERAL SOUND DISCUSSION / Re: Best of simple "one layer ...
Last post by Minus1 - January 01, 2026, 05:38:31 PM
I will make my New Years Day confession now:

Just as embarrassing as not realizing that Mikko is Grunt (until he had to tell me!), I did not know that Taylor at Scream + Writhe is Primitive Isolation Tactics, until just now. 😳

I'm slow, ok?

But I'm learning!
#27
GENERAL SOUND DISCUSSION / Notable voices
Last post by jmbto - January 01, 2026, 05:12:22 PM
Are there acts or specific songs in which you enjoy the delivery of the performers voice-wise?

What are your preferences regarding effect wetting? Either as performer or spectator.
Maybe performers can also bring some input as to what informs whatever they do.

When looking at those specific songs from my personal taste, I would say I have a soft spot for minimal/no effect voices dripping with contempt and venom.

Some Atrax Morgue
The Sodality - Schmooze, I Can't Stand A Bitchy Chick
Con-Dom - Hate, Moor Rapist
#28
GENERAL SOUND DISCUSSION / Re: Old noise websites still o...
Last post by Kaaoskultti - January 01, 2026, 02:36:24 PM
Oh, the Susan Lawly forum. Back in my teenage years I used to browse the board and open every window imaginable, in order to read the whole discussions taking place therein. Probably found out, just now, how I'll spend my new year's first day of that. Plenty of good stuff.
#29
GENERAL SOUND DISCUSSION / Re: Best of simple "one layer ...
Last post by Baglady - January 01, 2026, 01:15:39 PM
Quote from: Krigsverk on January 01, 2026, 11:25:06 AMI would recommend Capers (...) Not sure technically how they make their music, but that is the feeling I get from it.

There are a couple of one-layer-only tracks on the Lungs CD, but I usually work with a couple of layers. You are right though in that I want to keep it very stripped down and simple.


Big fan of Primitive Isolation Tactics! Always up to something interesting. All the releases are slightly different, but the red thread is this sort of tense investigation and firm steering of the few sounds at hand.
His stuff often reminds me of MSBR - Ultimate Ambience in that aspect. Not sure how Koji Tano recorded that album, but it sure is very simple, fierce and sharp.
#30
GENERAL SOUND DISCUSSION / Re: Old noise websites still o...
Last post by Vrenndel - January 01, 2026, 01:12:18 PM
Thanks for sharing.