Recent posts

#21
GENERAL SOUND DISCUSSION / Re: FILTH&VIOLENCE
Last post by Cranial Blast - January 24, 2026, 05:02:31 AM
I think BU is kind of an enigma of sorts or in some sense or could also be a straight forward type of surprise in some ways. I can sort of relate to the projects no fucks given attitude in regards to a wide range of attitudes and marginal alignments, however I think BU and only BU really knows it's real deep down and personal approach to what's being delivered thematically and why it's important. I also noticed a hails to Carnivore, Carnivore is pretty much that same blue print of ambiguity in some regard. I'd say that's a good imprint of the BU philosophy if I'd have to choose a close one.
#22
GENERAL SOUND DISCUSSION / Re: FILTH&VIOLENCE
Last post by Balor/SS1535 - January 24, 2026, 04:36:28 AM
Quote from: Clinton Foundation on January 23, 2026, 10:41:48 PMInterview with Pasi Markkula for RSR (2024)

I: Your work is partly devoted to themes of fetishism and sex, first sexual or BDSM experiences. What can you say about that?
P: I remember that she suggested it with a nasty old prostitute at a fairly young age. I don't remember exactly, to fist her. BDSM? Isn't it all sadism and masochism? Domination, sex.

I: The album Lily the Flesh, based on Nalle Virolainen's extreme film, was recently reissued. Are you familiar with the extreme classics from Russia in the 90s?
Amoral Robbery, Doctor Anus' Dirty Orgy in Khabarovsk.
P: No, I'm not familiar with them, but I really liked the titles!

I: Continuing the theme, are they equated with homosexuality, is this the case in Russia, with its many anal perversions in Finland? What is your attitude to this topic?
P: The state should not dictate to citizens what they do in bed.
I have a negative attitude towards homosexuality.

I: What should be done?
P: Elitism.

I: The releases and concerts for your projects look quite provocative and radical. Have you encountered any problems because of this?
P: Everything I do is sexual, not political. I am who I am. I do what I do.

I: In 2016, you and Siikala visited Russia and gave several concerts. What are your impressions of the events and Russia in general? Perhaps you have some interesting stories from there?
P: St. Petersburg was very good! The venue was harsh, and the audience was wild. The Moscow venue was still pleasant. There were many more chic, friendly people. After the concert, people lined up to take photos. This was something new for me, and I liked it!
Not a single sour face. Traveling is always hard and tough, lugging around heavy equipment and so on. I don't remember any interesting stories, I only know that Siikala bought a bag of live leeches and brought them to Finland. Concerts aren't always cool and interesting, often nothing unusual.

I: What contemporary noise/PE projects do you like the most? What is your favorite music album? (regardless of genre classification).
P: Grunt and Deathpile. Carnivore's Retaliation and Duran Duran's s/t.

I: Some noise artists ignore normal work and often create labels that are not very profitable. What is your attitude towards work?
P: Work is absolutely necessary. 99% of noise artists do what they do. Nobody sells anything, and everyone thinks that others are doing better.

I: Also, do some noise artists use drugs or alcohol during recording and in their personal lives? What is your opinion on psychotropic substances? Or do you choose to remain sober? Does depression play a role in your life?
P: I don't use drugs, but I happily fucked with addicts. I am a positive person, I don't know anything bad, I don't feel bad.

I: In the Gelsomina Pythogenetics: Collection booklet, your quote begins with the fact that you were a recluse until
2005. Was this self-imposed isolation, or did you leave Finland for a while? What was the reason?
P: When I am in company, I am sociable and outgoing, but from time to time I need a break from it all. I am a recluse by choice. It is also easy to be a recluse in a big city, where nobody cares about anyone else, and I like that.

I: What does the process of setting up the sound before a concert involve, and what are your methods for sound extraction? Which projects have had the greatest influence on your work?
P: Preparing for a concert takes quite a long time, at least several months. I set everything up in my studio. I take samplers and practice a set of several BU tracks and make them possible to play live. I use metal debris, feedback, and other raw electronic sounds. I love Carnivore, Old Sodom, and Terveet Kadet.

Thank you for your time!
Thank you.
-
See you in the trenches!

I don't know whether to be more surprised that he has a problem with gays, or that he loves Duran Duran!
#23
GENERAL SOUND DISCUSSION / Re: KAZUMA KUBOTA
Last post by Minus1 - January 24, 2026, 04:25:38 AM
I found a thread! And from the age of it, Kazuma Kabota has been doing this a while. 😂

As I type, Hakanasa plays. (4 tracks / 43min.) My very first taste of Kazuma Kubota.

I'm very impressed. This is very "precise" Noise. (That probably makes no sense.) Many sudden shifts - lots of dynamic. But the 3rd track (Kekkanhin) is 12min of gradual build. You be like  "Fuuuck, where is this going?" 😂 It climaxes with a truly epic junkfall. (That's my new invented word.) It's a fantastic track. The album "center-piece". (Even though it's three-quarters).

A serene Shuumaku closes the album. Thank fuck, after that penultimate track! 😂

I love this album, but my only gripe is - 43min is too short! It feels like an EP. Track 2 (Mabataki - 5min) left me hanging. These pieces need more room.

("Always leave them wanting more" - Sinatra.)

(Or was it Disney? Whatever.)
#24
GENERAL SOUND DISCUSSION / Re: PE/NOISE Video footage Thr...
Last post by Andrew McIntosh - January 24, 2026, 02:04:14 AM
#25
GENERAL SOUND DISCUSSION / Re: New interesting releases o...
Last post by acsenger - January 24, 2026, 12:46:10 AM
I found out today that Rectifier's 'Atonement' 7" plus a compilation track was reissued on CD last November by Glorious Burden, a new sublabel of Winter Solace Productions. Does anyone know if it's for sale in the EU somewhere? I couldn't find any distros when I did a search.
#26
CLASSIFIED ADS / Re: WCN DISTRO UPDATE (EU) - D...
Last post by WCN - January 23, 2026, 11:27:20 PM
Fusty Cunt
R.J. Kumar – Oven CS
Misery Engine – Eastern Lightning CS
Vincent Dallas / Happy – Split CS
True Commando – Terminal Fugitive Destiny CS
Apologist – Dead End CS

Turgid Forlag / Peer Pressure Press
The Rita – Grey Nurse The Ripper Book

Buried In Slag And Debris
Untitled Zine – Issue 11 Zine
Tim Olive – Vexed Question CS
LOOMING – dead dogs CS
awenydd / Urall – Split CS
Murmur – hunny CS
Met Glas – Horse Legs & Shotguns CS
tac – sonicwaste CS
Jeph Jerman – Burn-im-rag LP

Noisendo
Atrophist – Liquid Genitals CS

Not On Label
The Gloria – The Hole CS

Spice Channel
Ted Sweeney – Nature Heaves A Sigh At Her Dismemberment Into Individuals CS
Joseph Sledgianowski – Untitled CS
Ted Sweeney – Extremist Dream Sequence CD

https://whitecentipedenoise.com/
https://whitecentipedenoise.com/
https://whitecentipedenoise.com/
#27
GENERAL SOUND DISCUSSION / Re: PLAYLIST with COMMENTS/REV...
Last post by Minus1 - January 23, 2026, 11:24:05 PM
Thanks. Will do.

Edit: The Rita would surely blush.
#28
GENERAL SOUND DISCUSSION / Re: FILTH&VIOLENCE
Last post by Clinton Foundation - January 23, 2026, 10:41:48 PM
Interview with Pasi Markkula for RSR (2024)

I: Your work is partly devoted to themes of fetishism and sex, first sexual or BDSM experiences. What can you say about that?
P: I remember that she suggested it with a nasty old prostitute at a fairly young age. I don't remember exactly, to fist her. BDSM? Isn't it all sadism and masochism? Domination, sex.

I: The album Lily the Flesh, based on Nalle Virolainen's extreme film, was recently reissued. Are you familiar with the extreme classics from Russia in the 90s?
Amoral Robbery, Doctor Anus' Dirty Orgy in Khabarovsk.
P: No, I'm not familiar with them, but I really liked the titles!

I: Continuing the theme, are they equated with homosexuality, is this the case in Russia, with its many anal perversions in Finland? What is your attitude to this topic?
P: The state should not dictate to citizens what they do in bed.
I have a negative attitude towards homosexuality.

I: What should be done?
P: Elitism.

I: The releases and concerts for your projects look quite provocative and radical. Have you encountered any problems because of this?
P: Everything I do is sexual, not political. I am who I am. I do what I do.

I: In 2016, you and Siikala visited Russia and gave several concerts. What are your impressions of the events and Russia in general? Perhaps you have some interesting stories from there?
P: St. Petersburg was very good! The venue was harsh, and the audience was wild. The Moscow venue was still pleasant. There were many more chic, friendly people. After the concert, people lined up to take photos. This was something new for me, and I liked it!
Not a single sour face. Traveling is always hard and tough, lugging around heavy equipment and so on. I don't remember any interesting stories, I only know that Siikala bought a bag of live leeches and brought them to Finland. Concerts aren't always cool and interesting, often nothing unusual.

I: What contemporary noise/PE projects do you like the most? What is your favorite music album? (regardless of genre classification).
P: Grunt and Deathpile. Carnivore's Retaliation and Duran Duran's s/t.

I: Some noise artists ignore normal work and often create labels that are not very profitable. What is your attitude towards work?
P: Work is absolutely necessary. 99% of noise artists do what they do. Nobody sells anything, and everyone thinks that others are doing better.

I: Also, do some noise artists use drugs or alcohol during recording and in their personal lives? What is your opinion on psychotropic substances? Or do you choose to remain sober? Does depression play a role in your life?
P: I don't use drugs, but I happily fucked with addicts. I am a positive person, I don't know anything bad, I don't feel bad.

I: In the Gelsomina Pythogenetics: Collection booklet, your quote begins with the fact that you were a recluse until
2005. Was this self-imposed isolation, or did you leave Finland for a while? What was the reason?
P: When I am in company, I am sociable and outgoing, but from time to time I need a break from it all. I am a recluse by choice. It is also easy to be a recluse in a big city, where nobody cares about anyone else, and I like that.

I: What does the process of setting up the sound before a concert involve, and what are your methods for sound extraction? Which projects have had the greatest influence on your work?
P: Preparing for a concert takes quite a long time, at least several months. I set everything up in my studio. I take samplers and practice a set of several BU tracks and make them possible to play live. I use metal debris, feedback, and other raw electronic sounds. I love Carnivore, Old Sodom, and Terveet Kadet.

Thank you for your time!
Thank you.
-
See you in the trenches!
#29
Quote from: DBL on November 28, 2025, 03:32:36 PMThere's a new Sarjakupla podcast episode about Memoirs Of A Pensioner, the English translation of Palsa's Eläkeläinen Muistelee comic. The podcast itself is in Finnish though. https://soundcloud.com/sarjakupla/76-memoirs-of-a-pensioner
Seems soundcloud has gotten a lot shittier since I last used it, one can't skip ahead on the track without logging in and it took a few tries to get the podcast to play at all.
Ehm, well. A bit too jokey and giggling talk for my taste, even though there were some worthwile parts as well.

The TV series Kaikki Synnit had a brief segment that was more or less a fever dream based on Palsa's paintings. I think it was in the final episode of season 2 but I'm not certain. Had the main guy skiing indoors, a door opens to reveal a guy having hanged himself on his massive cock, etc. Not the most aesthetic segment in all but I was still joyous to see it heheh.
#30
GENERAL SOUND DISCUSSION / Re: PLAYLIST with COMMENTS/REV...
Last post by DBL - January 23, 2026, 10:10:43 PM
Soma - Age Of Strife
Cassette, E.C.T., 2024. Edition of 50 copies.

Age Of Strife by the Spanish project Soma was originally published as a CD-R on this same Greek label in 2023. This tape reissue comes with a 10-minute bonus track though, making it an 40-minute album. Its artwork and track titles deal with hinduism, and while I'm not familiar enough with their topics to comment on them, it's not an obstacle in getting to enjoy the tape. Dubbing and printing quality are both good.

Most of the Soma material I've heard has been quite experimental and often freeform in the vein of how Japanese noise is often perceived to be. There's still that same vividity and motion here, with both distinct electronic squeaks and sputters along with grittier pedal harshness. This is not really a joyful noise blast though. Even the cleanest electronic sounds have a slightly rough and broken sound, and the tracks are most often coated with harsh feedback screech.

So, you get both the colorful experimentation of Japanese noise as well as the more grey and industrial-tinted fierceness of power electronics. The latter part is further emphasised by the hostile, distorted shouting that luckily isn't overused. The tape's final (bonus) track is the most brutish one. Not only it has the most punishing feedback on the tape, but it also drops the most colorful sounds away in favor of rawer physical clangs and rattles of glass and metal.

The tape's four tracks are about 10 minutes each, so they've got plenty of time to explore their palette but don't overstay their welcome. While the tracks are still fairly free-form and loose in their structure, this might be the most immediately hitting and powerful Soma work I've heard so far.

I think the whole tape isn't online but there's a sample here: https://www.youtube.com/watch?v=Ciazc3Hkh84

Quote from: Minus1 on January 21, 2026, 12:08:28 AMWtf is this?

https://krimkram.bandcamp.com/album/dont-let-me-be-a-burden

An absolute must-buy for me! 😂

This is just one of those things you sometimes stumble upon, and it just hits you like a ton of bricks. I know nothing about this artist. But this crazy-ass 60min "Noise-Collage" (?) has me hooked. I'm in! Maybe in a few weeks I can do a coherent review.
I am still stupidly unfamiliar with Krim Kram catalog, but (especially) if you have an ear for sounds of metal I recommend checking out the Zalhietzli album they published.