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#51
GENERAL SOUND DISCUSSION / Re: The State of Noise in Belg...
Last post by Dries - May 31, 2026, 08:42:34 AM
Quote from: impulse manslaughter on May 30, 2026, 12:47:54 PMSubrosa and Metaphon Records both documented the early academic electronic composers from Belgium. I'm not an expert but it seems there's a strong tradition of avant-garde and electronic music.

These two labels you mention do very fine work and are important in the rich history of avant-garde and electronic music in Belgium. And there is indeed a large circuit in these branches of experimental music here in Belgium, which I am very pleased with.
#52
GENERAL SOUND DISCUSSION / Re: The State of Noise in Belg...
Last post by Dries - May 31, 2026, 08:37:31 AM
Quote from: Nadir on May 30, 2026, 04:05:36 PMAs a starting point to characterize the difference between the art scene and the underground scene I think very crucial here is the economic factor: one is subsidised and the other is more DIY, volonteer run. To sound very academic myself here, I would like to bring up Marx' distinction between the 'base' and 'superstructure', and their hierarchical relationship, namely that the base determines the superstructure, in other words the economic reality shapes the ideas, the attitudes, the ethos. To apply this to the music scenes, the art scene relies on government money to fund their activities, the key thing here is that they have to 'justify' their claim to this money. Art has to be 'valuable', 'interesting' and maybe even useful to society, all of this is of course political. To put it bluntly, you cannot justify the use of tax payer money to screw around with some pedals.

Club Moral explains in the WCN podcast interview that they have/had regular day jobs and worked on their art at home afterwards. Because they were not financially dependent on their art, they could do what they wanted, had no restrictions, and did not have to hold back in their work. Fortunately, there is such a thing as subsidies in Belgium—government support to support various types of art. It is true, however, that you have to explain the expenses, ensure the money is spent wisely, attract a sufficient audience, etc. The trick is to keep following the same path with the added benefit of government support, rather than following a path only to receive the same or more support the following year. So indeed, a 15-minute chaotic performance with junk metal and broken tape sounds might be unjustifiable, but in fact, it should not be a breaking point. When we organized Noisefest, the venue we collaborated with, from which we received funding, was always supportive of what we presented, but over the years you noticed that they had to justify to the board that "only" 75-100 tickets were sold. Their question was: couldn't you put on a crowd-puller or something, etc. Finding and searching for something in between the two is the best solution.The DIY approach creates more freedom but also has its limits.
#53
GENERAL SOUND DISCUSSION / Re: The State of Noise in Belg...
Last post by Dries - May 31, 2026, 08:22:19 AM
Quote from: Nadir on May 30, 2026, 04:05:36 PMSo I am not alone in this observation that even the underground scene unfortunately is divided. Right I think your point about the Broadcast festival again ties in with what Dries calls this 'seriousness' in the art world. I personally don't see this as a bad thing necessarily, however I feel like there also always have to be (as a way to keep things in balance) spaces where these rules are more relaxed, where things are taken less 'seriously' and one can enjoy a drink while watching a performance or artwork! haha.

Good morning. Taking your project seriously, someone else's project, and being serious about your sounds is justified and necessary to keep yourself sharp. Most people I have had the pleasure of meeting who are active on various fronts of the experimental world have a good dose of self-reflection, and I think that is what I mean by saying that in the more sound art scene they are more "serious." But you see that just as much in the more underground scene, industrial scene, etc. It is something human... So it is not something that only occurs in the sound/avant-garde etc scene in Belgium.
#54
Live Show Announcements / Re: Finnish noise gig calendar...
Last post by Atrophist - May 31, 2026, 02:32:37 AM
Quote from: DBL on May 31, 2026, 12:03:49 AM16.9.2026 @ Espoon Kulttuurikeskuksen Louhisali, Espoo
William Basinski (USA)
Event at Lippu.fi
Infos at Punk In Finland forum

16.9.2026 @ Savoy-teatteri, Helsinki
Current 93 (UK)
Venue's event page

I hate the whole universe.
#55
NEW RELEASES ANNOUNCEMENTS / Re: BARRIKAD – INSURRECTION (D...
Last post by BARRIKAD - May 31, 2026, 12:47:02 AM
After threats, harassment and mildly concerning behaviour — Second Edition is now live.
Everything is fine. Probably.

https://exlibrisnorden.bandcamp.com/album/barrikad-insurrection

#56
Live Show Announcements / Re: Finnish noise gig calendar...
Last post by DBL - May 31, 2026, 12:03:49 AM
Added in two events, both taking place 16.9.2026.

16.9.2026 @ Espoon Kulttuurikeskuksen Louhisali, Espoo
William Basinski (USA)
Event at Lippu.fi
Infos at Punk In Finland forum

16.9.2026 @ Savoy-teatteri, Helsinki
Current 93 (UK)
Venue's event page
#57
GENERAL SOUND DISCUSSION / Re: PLAYLIST with COMMENTS/REV...
Last post by Minus1 - May 30, 2026, 11:22:48 PM
(What about the rest of Ramirez Vol 1? And Vol 2?) 😂
#58
GENERAL SOUND DISCUSSION / Re: The State of Noise in Belg...
Last post by Nadir - May 30, 2026, 10:54:00 PM
Quote from: Atrophist on May 30, 2026, 07:50:52 PMNothing against this type of folks, ofc, but I don't organize shows only for them. Yet, they are the only ones who will ever say that anone who isn't like us, should not be welcome here. In my experience this is not an obstacle that can be overcome. You either have to figure out a way to live with it, or give this whole scene the finger and go on your way.

Regrettably, I have to agree with you here. As I outlined above the the different economic conditions  and educational background keep the artists within the subsidised circuit in check and contrain them to conform to a dominant politcal agenda, this isn't explicit like say propagandistic art, but in the end it is government officials who issue subsidies. Not saying this is inherently bad, but it does limit freedom.

Quote from: Atrophist on May 30, 2026, 07:50:52 PMThe answer is actually very very simple: if you want more noise shows in your area, then organize more noise shows in your area. Try to unlearn the mindset you may have of what a noise show is, or what is "has to" be, or how things have to happen, when, where and it what order.

Of course, this is obviously where it boils down to. I like the idea of unlearning any preconceived ideas of a what a noise show is 'supposed' to look like.

Anyway I did not mean for this thread to be a space to pessimistically vent about a lack of noise shows as that is obviously pointless, I much more intented this to be a place to discuss Belgian noise and noise culture (in relation to other scenes), as I don't think such a thread exists yet. Hence the neutral title 'the state of noise'.
#59
GENERAL SOUND DISCUSSION / Re: PLAYLIST with COMMENTS/REV...
Last post by k.p.g - May 30, 2026, 09:17:34 PM
Presage - Hair Diaries (White Centipede Noise)
This one is so vicious and violent!  I love it!  Happy to finally own a copy of this on tape, where it's just these short, concentrated bursts of aggression that fire right into your ears before making a quick exit.  The art on the front cover compliments this style well.  Will have to seek more from Presage, as it seems that not just Will is the only noteworthy alum of Other People's Children.

Eugene Chadbourne - KillBillies Original Soundtrack (Reanimated Miscarriage)
Not your typical jaunt into the noisecore realm that the label is known for, yet it fits right into there.  Eugene Chadbourne has such an interesting place in the underground, serving as a bridge between the American primitivism of acts like John Fahey and 80s home tapers/early shitnoise spasms.  You see both sides of this on this soundtrack.  The banjo can be melodic, but it is often disharmonious and disgusting.  This is complimented with his patented "amplified rake," which can reach levels of distortion and ugliness that would impress even the likes of peak period Macronympha.  I love it.