Books about noise/experimental music

Started by acsenger, December 26, 2011, 02:40:48 PM

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thetenthousandthings

Quote from: holy ghost on October 31, 2019, 09:36:18 PM
https://shelter-press.org/spectres-1/

Thanks for reminding me about this! I remember when it came out but haven't thought about it since. Seems fairly affordable too, gonna see if there is someone distributing in the U.S.

Also glad to see this thread becoming active - would love to keep the momentum going. Found a copy of Morton Feldman's Give My Regards to Eighth Street at my local bookstore yesterday. Gonna crack it open soon.
Also having a friend let me borrow Audio Culture in the near future. I remember flipping through it awhile ago and feeling like it wasn't the exact thing I was looking for, but there could be some really great stuff to be gleaned from it. I just remember lots of references to all sort of music - which is fine - but not what piques my curiosity necessarily.
Distinctly remember a section on post-rock, which I don't need to read anything about.

re:evolution

noise receptor: sound with impact - analysing the abstract
http://noisereceptor.wordpress.com/
http://www.noisereceptor.bigcartel.com

spectrum magazine archive: ambient / industrial / experimental / power electronics / neo-folk music culture magazine
http://spectrummagarchive.wordpress.com/

Soloman Tump

https://mitpress.mit.edu/books/audint-unsoundundead

Not really noise but "Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. "

An interesting read, presented as a grand selection of short essays from many and various writers on experimental use of sound.

acsenger

If you're looking for theoretical writings about music/sound, Audio Culture will be up your alley.

I just finished This Is Supposed To Be A Record Label (the second, expanded edition) by Frans de Waard. He mainly writes about his time at Staalplaat between 1992-2003. Even though Staalplaat's and FdW's musical world is largely not my cup of tea, it's an enjoyable book. You get a picture of what it was like to work at an independent underground label (which was a major one in its field though) at a time before downloads and digital releases. Even if a lot of the anecdotes and stories that are meant to be funny aren't actually really funny, there are some interesting personal stories about musicians. All in all, an easy to read book that should appeal to anyone with some interest in the subject matter.

FreakAnimalFinland

Already posted at the new release announcements. You can go to amazon site and read about 10 pages. Or even more here:
https://books.google.co.uk/books?id=3QqeEAAAQBAJ&source=gbs_book_other_versions
Is it 50 first pages available as pre-view. In Finland adlibris -store price is like 130 euro and while professional literature is known to be expensive, it is... kind of expensive. Then again, have bought several books with price tag of 30-40 euro.. so its more like thinking would this be worthy of 4 books? Maybe? I was told Special Interests gets mentioned several times during the book, so could be curious to see if the zine/forum makes its way to even academic history writing of genre!


'Becoming Noise Music' Stephen Graham, Bloomsbury, 2023:

''Becoming Noise Music' is the first book to focus exclusively and comprehensively on the music of Noise music, as opposed to contextual questions of politics, history or sociology... It tells the story of Noise music in its first 50 years, using a focus on the music's sound and aesthetics to do so. Part One focuses on the emergence and stabilization of Noise music across the 1980s and 1990s, whilst Part Two explores Noise in the twenty-first century...'

Contents includes:

I. Industrial Music & Power Electronics
II. Anti-music?
III. Global Harsh Power
IV. Harsh Noise in Japan
V. Harsh Noise in the US and Europe

Excerpt from Chapter II:

'Anti-music' doesn't describe a scene, a movement, a genre, or even a subgenre or substyle of noise or any other form. As much as its possible to point to previous usage, it is one of a set of terms put forward by artists such as The New Blockaders and The Haters to describe aspects of their work... The focus of this chapter is very much on what I see as the core of what I'm calling the 'anti-musical' style, in particular The New Blockaders and The Haters...'

https://www.bloomsbury.com/uk/becoming-noise-music-9781501378669/
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

theotherjohn

#51
From quickly parsing an ebook copy of the book, Special Interests gets mentioned two times (three if you count the acknowledgments), all as name checks and largely in reference to the magazine. No forum posts included. It covers a range of notable artists in the canon but it's a dry academic title, where noise gets "readings" with long calculated written descriptions of the sound as if it was classical music, and spectrogram images are included in a pseudo-scientific manner instead of cover art. I consider the visual artefact of noise integral to understanding this as a culture, and the heavily illustrated Feral House book 'Extreme Music: Silence to Noise and Everything In Between' by Michael Tau covers this aspect a lot better, though the picture choices tend to be more contemporaneous and less canonical as a result of it being largely sourced from whoever submitted examples to the author.

FreakAnimalFinland

LHD "Hysterical Blindness" book
Received LHD book, read it, and decided to pull out one LHD discs from shelves. Of course I do have the complete re-issued material too.. but like they explain in book, works were created to certain length. They work well as double CD sets, but 19 mins of harsh blast is compact and to-the-point, and kind of statement of its own to put out short CD. It is curious how for tape, we often accept 20 min tape to be same value as 40 or 60 min, suddenly when it is CD, there appears to be often attitude that it's "single", "ep", or something like that, and valued less - most often in both, money and level of interest. 20 minute CD presented as full noise album certainly seems intentional statement and it works very well!
Book is short, quick to read. It really is like 15 pages essay by Sienko + discography, put into hardcover book format. Would work out just as "story of LHD" zine, but I guess book format gives it a bit... authority!

GX Jupitter-Larsen "Digging Through Time" book
Still reading the book, but I can comment it already now. lists all the Haters & GX performances with details including date, location, description of performance, description of audience, sometimes listing personnel who was taking part, or other artists playing same night. Lots of small nuggets of information, and curious to see for example Mike Dando taking part in many of The Haters live during certain period of time. There are also neat photos included. Could have been more, but it would work also merely as text document. Haters did make plenty of mess back in the day. Also curious is that most of the early audience reactions are described most often as quiet modest clapping at best. At worst being kicked out of venue by owners, haha.

Both books came out on Helicopter and 1st editions still in print and available from there.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

tiny_tove

Not Your World Music: In Search of Traces in Southeast Asia by Dimitri della Faille and Cedrik Fermont
https://ars.electronica.art/aeblog/en/2017/08/15/not-your-world-music/

Highly suggested book focusing on many obscure projecs and scenes of areas that are almost unknown to me.

Awarded in 2017 at Ars Electronica fest, it was a mindblowing discovery for me and was happy to have long chats with both authors.
CALIGULA031 - WERTHAM - FORESTA DI FERRO
instagram: @ANTICITIZEN
http://elettronicaradicale.bandcamp.com
telegram for updated list: https://t.me/+03nSMe2c6AFmMTk0

Penon

I just want to second recommendation from this thread from a decade ago and say that Assimilate is a very well done history of industrial music with really nice touch (like recommended selection of representative tracks from each era, even though we can all argue how actually representative, or comprehensive, those recommendations are):

https://academic.oup.com/book/12082
Minimum Sentence - UK Industrial Electronics:
Youtube - Bandcamp - Instagram

FreakAnimalFinland

Quote from: FreakAnimalFinland on July 23, 2023, 10:59:20 AM'Becoming Noise Music' Stephen Graham, Bloomsbury, 2023:

Stephen Graham
2024, England, ISBN 9781501378706
Becoming Noise Music tells the story of noise music in its first 50 years, using a focus on the music's sound and aesthetics to do so. Part One focuses on the emergence and ... 40,60 €

Status of the paperback version is still "bending". I got it marked among things to follow in the book distribution system. We'll see when this more "affordable" version would be available.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

FreakAnimalFinland

PUBLIC ANNOUNCEMENT BY JEN WALLIS:
I've finally caved in: a second volume of Fight Your Own War is happening.

I'm aiming for a 2026 release to make it a neat 10 year interval (was it really so long ago?), and this is an open invitation to get in touch if you have an idea for a chapter. I've already commissioned one on field recordings/samples and will also be contacting a couple of people on here directly to try persuade them into writing specific pieces that I think they're perfect for. But the field is open: I'd love to get broader geographical coverage as well as some stuff about technology/methods, and less profiling of individual bands/acts. Reviews of key releases from the past 10 years are also invited.

To be completely transparent now and avoid some of the drama-queening of last time: you won't get a ton of money from this. I'm negotiating the contract now and hopefully it will be a replica of last time, whereby I gave all of my own advance to individual writers (therefore quite small amounts each). I'll confirm a definite deadline date for getting in touch with ideas soon, and after that it will be a case of setting a deadline for writing chapters, which I will then copy-edit and return as a draft with suggestions/edits, for authors to then work on the final version. I have a significant amount of writing and copy-editing experience and any suggestions are to make chapters as good as they possibly can be, not a form of personal criticism!

No idea what to call it by the way - FYOW II sounds a bit crap - so if anyone has any inspired ideas I'd be glad to hear them...

Ideally, send me an email at bookofnoise@gmail.com to avoid messages getting lost on Messenger.

Please feel free to share with anyone and anywhere!
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

n a a r a

Quote from: FreakAnimalFinland on January 17, 2024, 09:57:33 AM
Quote from: FreakAnimalFinland on July 23, 2023, 10:59:20 AM'Becoming Noise Music' Stephen Graham, Bloomsbury, 2023:

Stephen Graham
2024, England, ISBN 9781501378706
Becoming Noise Music tells the story of noise music in its first 50 years, using a focus on the music's sound and aesthetics to do so. Part One focuses on the emergence and ... 40,60 €

Status of the paperback version is still "bending". I got it marked among things to follow in the book distribution system. We'll see when this more "affordable" version would be available.

I am currently reading this, got it from a public library in Finland.

FreakAnimalFinland

Is it academic language or.. "normal"? I am curious that it was mentioned Grunt had it own "chapter" or some sort of piece there. Didn't know about it, nor seen it, so kind of interested if book is build out of university study or more of a "music history" -type of approach?

I do like many approached, having editor that basically neutrally examines music history, but also more essay format texts, where authors opinions and ideas are present at the writing.

Couple messages above is the open call for Fight Your Own War #2 -book. First one, I liked the variety that each chapter was unreleased. Not even trying to write history of noise, more like having essays on noise from various perspectives and themes. Of course, some of them were garbage that could have been rejected, but in other hand... noise has such elements in them and one could handle couple chapters of garbage in otherwise inspiring book.

Just reminding, that open call means, that anyone could email them and suggest something. If thinking there is something that needs to be covered, I would guess they'd welcome both: suggestions what to cover and authors volunteering to do it.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

tiny_tove

Not sure, has anybody mentioned "Dayd of blood" by Max Ribaric? One of the two authors of Wolves among sheep and hatecore connection with a publishing Monument to Blood Axis? really worth a reading (and not because I was involved in the project myself). Watch out for new issue of the loved/loathed Occidental congross magazine run by the same two gentlemen.
CALIGULA031 - WERTHAM - FORESTA DI FERRO
instagram: @ANTICITIZEN
http://elettronicaradicale.bandcamp.com
telegram for updated list: https://t.me/+03nSMe2c6AFmMTk0