One guy who I fear is being forgotten from the canon is a Japanese project called Mono. Partly because he only released a few discs (two on Tochnit Aleph, one on Solipsism, some very rare earlier tapes), and partly because Mono is such a ubiquitous damn name, I guess. Still, Yoshida Norihiko created a small body of very raw, repetitive, computer-based noise in the early 2000s. If you want evidence of how under-appreciated this guy is, realize that Patrick's still selling new copies of the original 100-copy run of "T-10" on Solipsism almost 16 years later! Don't let that mass rejection suggest a lack of quality, though. It's really great shit. Crackling, crunchy, oddly assembled. It's the real deal.