TAINT/MANIA/ Everything Keith Brewer & related

Started by cr, February 23, 2024, 09:28:47 PM

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cr

Forgive me, if a topic like this already exists, this only means, I was not able (or too dumb) to find it.

But if not, I really find it strange, there isn't one and I would love to have such topic about this legend!

So please share your thoughts, your favourites, anecdotes, just everything what's on your mind, when thinking about the art and life of Keith Brewer!

For example his incredible collages and artworks. It would be one of the greatest things, if somebody could make a small book out of these.

I'm in a hurry at the moment, but I will come back soon to this topic.

Looking forward to your contributions, whatever that may be!

(And if a similar topic already exists, please put them together!)


HateSermon

Probably already listened to by most people here but posting the link to the Taint & Mania episode of the SI podcast

https://special-interests-podcast.bandcamp.com/album/podcast-7-taint-mania

Stories of gigs, releases, etc

Cranial Blast

#2
Keith Brewer's work particularly Taint, has always struck me as a place of detailed graphic sexual violence that holds no limits or boundaries. I remember Ted Bundy gave interview once before he was about to he fryed, where he tried to blame pornography for his growing perverted psychosis, he kept saying the urge for more extreme material became a point that got out of hand and knew no limits. I think of "Taint" as that place of grotesque limitless perversion that Bundy was talking about, where the lines of perversion and violence are blurred or blended together in such a manner. Those are some of the important aspects that I've noticed in his work and also a great obsession for ear piercing and punishing feedback!

Mania was a great side step to Taint. Mania didn't deviate completely away from the said aesthetics of Taint, but introduced a much more claustrophobic and manic version of what to me seems like a person going full blown Mr. Hyde and never returning back to ones former self, but losing their mind alone and in doing so in true isolation of their own withering mind. He's now introduced a greater emphasis on harsh noise with loads of junk metal abuse to give it a different texture than previously in Taint, but there is a much greater sense of "psychopathy" aesthetically growing within the isolation of this sound. There has often been times where it seemed like Keith was just breathing closely into the mic and it feels like some maniac is hovering over you and breathing onto your neck in the dark and it feels very claustrophobic again, like you're in an attic with no light and this evil entity/spirit is in there with you, just there making a presence over you and toying with your psyche. He also brought great titles and aesthetics when it comes to mass murder/mass shootings I've noticed and don't know if others have noticed this as well, but feels like a build up of all that loneliness, isolation, self hate and just sitting in the dark, maybe bleeding too and sitting your own feces feeling miserable about your own miserable existence and then it all coming to a head with an explosion of unrestraint random violence! That's kind of the feel I gather from his work personally. It's feels like self humiliation, depression and eventually leading to this explosive violent murderous behavior towards others. His junk metal abuse and random screams, yells...outbursts of audio violence has always been done explicitly well to really habor such genuine emotion. Sadly I don't think his brilliant blue print will ever be quite duplicated the same, if ever again. True noise genius...R.I.P.

cr

Thanks for mentioning the SI podcast episode! Listen to it, if you haven't already! And also big thanks to the maker of the podcast!

Some years ago, in another topic, I posted something like - "I totally worship every Mania release I own. Blasphemy maybe, but Mania is more important for me than Taint."
That was mostly because I was too young or unknowing about Taint before, and 90s noise and everything, blahblah. Nowadays Taint is of course also a very important part of my listening habits and general view on noise and life.
But Mania ist still closer to my own heart and feelings, for whatever reason. Sounds strange, but fuck it! What do you think?

If I remember right, the first thing I ever heard from the works of Mr. Brewer was the Ultra-Negative CD on Freak Animal. So...maybe I was very late, but the impression and impact this one made still lasts to this day. After that, I tried to get everything I can from his works. Libertinage tape reissue on Stiff Sanctorum, Mysogyny tape or whatever. Of course I'm still trying to fill the empty holes and get what i missed  Absolutely not for something like completist reasons, but because I feel some sort of strange connection with the artist. I don't care, if this somehow sounds ridiculous.

Fuck my bad English, fuck my pathetic words, fuck my thoughts and descriptions!
I just want everybody here having this topic for being enthusiastic about the works and life of Mr. Brewer!

Share everything you like and thank you very much!

All hail to Keith Brewer!




FallOfNature

Taint, particularly the mid 90's material, is one of the greatest of all time as far as I'm concerned.

Apes Clog Snag

I ended up re-listening to the podcast and wondering about the mentioned unreleased 1997 interview.. Well, it made me go back to some other old Taint interviews and thinking that it might be a good idea to post them here too.

https://web.archive.org/web/20011121142757/http://www.geocities.co.jp/Broadway-Guitar/4498/TAINT.HTML
This is the infamous one from the webzine Songs From Torture Chambers

http://noiseist.free.fr/interview_TAINT.html
Noiseist is still online! From 2001.


Into_The_Void

Taint is, as already mentioned, one of the most utterly depraved audial projects ever, "Sex Sick" has been one of my introductions to Power Electronics and I find it nowadays some of the rawest and uncompromised outputs in the whole genre. "Vice" and "Whoredome" are two masterpieces as well. Mania is less "nasty" and more anxiogenic and creepy, somehow even atmospheric, way more noise in a strict sense than Taint. Seminal artist in the noise/power electronics panorama.
https://sabruxa.bandcamp.com/ (Industrial / ambient)

Stipsi

Taint was (and still is) my fundamental influence.
Sex Sick is the perfect pe album.
There was a period in my life i listened it like 3/4 times a week.
I was literally obsessed.
North Central
Mademoiselle Bistouri
Daddy's Entertainment.
PERVERT AND PROUD.

Australianantichrist

Are there going to be any official reissues coming anytime soon, maybe from Freak Animal ?

Cranial Blast

It would be nice to see a CD version of Vice. I think Patrick had asked him about doing one a long while back, but Keith wasn't interested at the time or something like that.

impulse manslaughter

Quote from: Australianantichrist on February 28, 2024, 05:16:30 AMAre there going to be any official reissues coming anytime soon, maybe from Freak Animal ?


If I remember correctly Hospital had plans for a large cd-box some years ago. Not sure if this is still happening.

Kayandah

Mikko said in Sept last year:

There will be some Taint re-issues happening. It is just matter that the original labels involved with them are all ready to go. Some releases may take a bit more time, some may be done fairly soon.

ritualabuser

Quite a talented guy across all his projects and had a great eye for the graphic side of his releases as well. The Mysogyny tape is great, closer to the early Taint tapes, which are my favorites of the project. Also have to commend him for the idea of turning the samples really low on albums like "Sex Sick" so that when you turn it up to listen, you're earraped by the noise when it comes back in. 

Mania I'm still delving into, but everything I've heard from the project has been great-hopeless, creepy, and desperate, as others have said, and it seems like the last few releases show that he was still at the top of his game when he died.

ritualabuser

Also, was listening to the Eugenics Council "Recycled" tape a while back and there seems to be some song talking shit on Keith. Anyone have any idea what that was about? Jilted ex-girlfriend or just someone trying to make a name for themselves by shitting on a more well-known project?