Quote from: cr on March 10, 2018, 05:53:04 PM
Thanks a lot for the information! Exciting news indeed.
Can anyone comment on the Bitter Earth LP and the Mantra/Ursonate CD from 2016 and 2017?
I own Bitter Earth but wouldn't feel comfortable commenting on it at the moment, i'd Have to give it another spin to unjar my memory. It is song based, and contains only covers.
Mantra/Ursonate: vocal drone, breaths are edited out (or at least kind of), the edits are rough giving the piece a different feel than your straight forward drone. Mantra is simple yet effective, the use of panning across the two channels creates quite an organic feel...buzzing, clicking, and deeply unsettling. Duncan does not create a mantra of peace and oneness, rather an otherworldly experience that surrounds the listener (I am listening on headphones) and would likely fill the room. As the piece evolves the tone begins morphing towards a tonal quality (similar to a horn, this is in a way the second movement of the piece) while the rest of the "voices" swirl underneath. There seems to be some electronic processing occurring besides edits, especially as you move into the third movement of Mantra, the voice disappears or breaks down completely engulfed in a short wave esque static, dense low end and the sounds of a room (?). In the 4th movement, the electronics give way to a powerful swell of voice (-breath) It almost has the quality of a didgeridoo, various voiced parts are layered to create the presence or feeling of a choir, it feels religious in a sense, like passing between spaces...fans of Rudolf E.ber, and more psychologically jarring work like recent G*Park should remain on the lookout. Ursonate is a Kurt Schwitters piece performed with the assistantance of others. Trills explode into choral drones, the power of the piece again mirrors the spiritual. A very compelling early piece of sound poetry beautifully and respectfully reinterpreted. Duncan remains true to the original, yet brings his own unique vision. A must for those that love sound poetry and a great start for those still unsure.
For those interested I have noticed that it is available in full for streaming on John Duncan's Bandcamp page along with other works by him, including collaborative efforts (for free).