thinking back, possibly the first post recording I got, was (after a couple of war theme and bond song things)
'apocalypse now'
still played now and again and at the time wonder because it had dialogue on it, not just music.
the fil itself, militaristic, exotic, nihilistic, with some of the (later confirmed on Sophia Coppola's doc) myths, all part of the burgeoning industrial culture aesthetic
'eraserhead' on alternative tentacles also sticker out, not just as sound, but that something like a soundtrack could come out on a punk record label