Pacific 231 / Denier Du Culte -LP
from 1989 on Dedali Opera label, which otherwise was doing only tapes?
Only information about this, one can find from central labels of LP.
According to discogs, it would be
A Pacific 231 (2) - Untitled ( Featuring - Lieutenant Caramel )
B1 Denier Du Culte - Untitled
B2 Denier Du Culte - Untitled
B3 Denier Du Culte - Untitled
But when I read the label text myself, I think that's inaccurate information.
I get impression this whole thing is collaboration of P231 & DDC, involving some other collaborators. PErhaps because of P231, but maybe even more thanks to Denier Du Culte, sound is more towards electro-acoustic / experimental nature. Sound collage is pretty good, though. I can't much give credit to free jazz drumming on few moments of side, but the mix of rhythm, sound collage, voice loops, tape manipulations, field recordings etc is very good. The more I listen to it, more I like it. Cutting of vinyl is great, and the stereo effects and layering really work with perfect clarity and very nice equalization. Perhaps lovers of french electro acoustic will find this album more appealing than those waiting for early days industrial domination.
B-side has 3 shorter tracks, where 1st one seems like logical continuation of A-side, and then 2nd one enters to darker realms. Deep humming , creaking (doors?), suffocating human voices with slow long delay effect making it nearly as loop. Screams, gasping air, growls. Tortured violing strings making anti-music.
Last track has metal/drum cumbal percussions, some sort of simply wind instruments. Could it be even kazoo whistle? Human voice howls, tape manipulations, very drastic dynamic changes on sound. While layers of echoing sounds float deep down, suddenly you may be assaulted with utmost unmusical drum percussion. Not really percussion at all, just like someone would hit clean uneffected drum set while others try to make experimental ambient on background and some guy thinks kazoo whistles is cool musical instrument and decides to ruin if for everybody. Well, just the insanity of the track is something I do appreciate. When put in contect. Be album completely like the last track, it would be probably horrible. Now, it seems to have some logic. Little. But still some.
Not much of old releases exist besides of these, except tapes. I think I wait for the Tesco re-issue CD set, maybe some good tape materials will be there?