If you are going to have a go at Burroughs, I most emphatically do not recommend any of the more experimental stuff. My first recommendation is and always will be
The Job. Originally conceived as a series of impromptu interviews, Burroughs "found that I had in many cases already answered these questions in various books, articles and short pieces. So instead of paraphrasing or summarizing I inserted the indicated material. The result is interview form presented as a film with fade-outs and flash-back illustrating the answers." In other words ostensibly very dry but occasionally prone to lush and spicy experimentalism. Really shows off WSB's quite superior frame of intellect. Paranoid delusions to the nth interspersed with the most insightful... insights what might be had in the written word. Oldy but goody, one I would guess that has been quoted and requoted over the many years since publication (1969):
QuoteQ: The Beat/Hip axis, notably in such figures as Ginsberg, want to transform the world by Jove and nonviolence. Do you share this interest?
A: Most emphatically no. The people in power will not disappear voluntarily, giving flowers to the cops just isn't going to work. This thinking is fostered by the establishment; they like nothing better than love and nonviolence. The only way I like to see cops given flowers is in a flower pot from a high window.
Thomas Bernhard has been mentioned, by myself among others. For power electronics fans, I would have to recommend
Woodcutters. From wiki:
QuoteThe whole novel is an account of what the narrator sees and hears while sitting on a chair with a glass of champagne in hand and, subsequently, at the table during dinner. Bernhard devastates with the axe of his prose (just like a wood cutter) the world of pretention and intellectual inconsistency, not only related to a certain Viennese scene, but to all that surrounds us
Basically comes off as book-length extended rant. Funny and furious as fuck, just keeps coming and coming, in repetitive hysterium, "I thought in the wing chair". Several quotes I have often thought could readily apply to our little world here, very quotable but hard to isolate a choice nugget. Sentences tend toward longish and utterly compelling, possibly the only book that I have ever read through straight, no stopping, till the very bitter(?) end.
Recently rereading Mikhail Artsybashev's
Breaking Point (1912). Perhaps one of the lesser known Russians of the pessimist tradition. First read when I was fifteen and it made quite the impression-- much like all my favorite writers a reassuring confirmation that in this world there exist others of a similar persuasion. Some wonderful speechifying throughout, particularly this scene at a club in which a particularly dour character declares his intention to kill himself at "a moment when it wouldn't seem particularly dreadful, but at the most ridiculous and futile". I recite verbatim, as I have on several forums in the past:
QuoteLet others live, if they can...I can't. For my part I won't because to me it's simply uninteresting. That's all. To me life is not a tragedy, nor a horror, nor a senseless episode, but merely uninteresting. Nature and beauty are so trivial, one gets so tired of them...love is so petty...humanity—simply foolish. The mysteries of the universe are impenetrable, and even should one fathom them it would be just as dull as before. Everything is as uninteresting as what we know already. In eternity there is nothing either small or large, and therefore even a match is a mystery and a miracle...but we know the match and it is uninteresting. And it's the same with everything. In the same way God would be tedious if we could see him. Why have a God at all? It's superfluous.
....And then I wanted to say good-bye, because I don't think we shall ever meet again...and if we do—it'll be just as boring as ever.
After which he pulls the fucking trigger! Class all the way. This is followed by a rash of suicides, from the character who preaches a gospel of universal annihilation, "Whenever I see a pregnant woman, I feel inclined to kill her..." to the idealistic student who trusts in the future of humanity, "He does not himself know in what, but he believes! Full of grief, full of tormenting agonies he believes without hope!" The only real "survivor" is the old and indifferent doctor, "drunken and decaying, murmuring rubbish to himself, ' I have been dead a long time' - perhaps the only sympathetic, even lovable character, whose only reply to the anguish of those whose pain he strives in vain to relieve is that he does not know.