PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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GEWALTMONOPOL

I agree with Ochu being a very worthy name (although I fail to see much more than a superficial connection to the current scene of Swedish tape nerds) among some of the other greats from Sweden. With only a couple of tapes, a split 7" and a few compilations in a 12 something year existence it's not fair to call him underrated. I would call that flying under the radar which means lot of people have simply missed or overlooked him. Anyone who discovers Ochu will be very glad that they did so.
Först när du blottar strupen ska du få nåd, ditt as...

FreakAnimalFinland

#4246
yep. I recall mr. Ochu not being very impressed in what happens Sweden these days (or lets say few years back). I would assume he would fall better into lineage with "industrial" side of things. But at the same time, same as with Alfarmania or Proiekt Hat, I think noise people can find inspiration from good craftsmanship with noisy and textured sounds. It's not just keyboards or sampled church bells kind of things or quite easy synth sounds what several better known Swedish projects are responsible.

Indeed, I guess most bands fall into category what GEWALTMONOPOL well described flying under radar. Rated as highly as it's possible can be under such circumstances. Nevertheless, one could assume IF OCHU would have had visual presence of TREPANERINGSRITUALEN or BDN, I'm quite sure even ltd 50 tapes would be now sought after expensive cult items... Under rating music may be good way to say it. Lots of other things get praised for other reasons than offering great stuff.

EMACIATOR "Dormant" tape
Hospital productions
This is perhaps project I often referred "beard drone" or other less praising names. First side is kind of less memorable stuff. Harmonic and relaxing new-age-esque drone, but merely driven through distortion. It's decent to listen to, yet to me - just like slow waves of ambient or keyboard muzak - this remains hard genre to make personal. B-side is reason why I listened it multiple times anyways, since it starts with kind of same thing, but offers more substance. Perhaps the two chord guitar work in end of piece is too easy, but more happens in piece what makes it interesting than basically one simple tone chord from beginning to end.

INHALANT "Scapela" tape
Propulsive Audio
Short tape single from 2006. Like tape reviewed few message ago, this is also 30 copies edition. More just harsh noise brutality here. Restless electronic noise what appears first as chaos, but what reveals to have mechanical quality, where patterns start to emerge even if we talk of nearly abstract work. It goes on like machine, although with touch of hand. B-side adds further aggression and noisiness, despite material is just mix of the first side (studio-live), it indeed is able to process whole sound into powerful violent madness! Although far from classic release, instense stuff that's pleasure to hear! 2010 Inhalant published LP and CD, and after that no releases. Did it stop there?

SHALLOW WATERS "IV" tape
Jeff of Immaculate:Grotesque and guy known also from Em Dath Rir. Five self released tapes appeared between 2006-2008 and full length LP by Hospital Productions in 2008 and then nothing? So what we have here is like punk version of Slogun. Excuse me of funny description, but think of heavy synth noise walls, crunchy and loud (not far from Immaculate:Grotesque) and high pitched screamy voice from beginning to end of track. Utmost overdriven and blown up sound what appears like almost not fitting your speakers. Vocals are slightly buried, but well audible due being quite clear. No effects beyond rugged input overdrive - I assume. One track about hungry poor opressed people. Other track about dictators. That's what I was talking about punk. A4 size sheet of xerox folded many times, filled with images of social injustice. SW does their thing quite well, and I have liked most of what they've done - but to certain extent. PE what remains just "noise with vocals" in theory is ok, but many times it can create unpleasant situation where someone shouting lyrics just distracts from good noise. Or vocals would require more musical drama than just "lets make some noise".. Can't fully decide is SW succeeding to overcome those obstacles.

SARAH'S CHARITY "Illusion Of Enlightment" tape
Posh Isolation 011
Christian Stadsgaard's project what pre-dates Posh Isolation label. Several tapes and some other formats 2006 onwards. Very lo-fi recording what appears to be guitar noise and electronics barely able to penetrate microphone. It sounds as if sounds basically compete which manages to come through, and it gives recording charming broken & vibrant feel. However, tape is hardly anything that special or memorable compared to good stuff of Posh Isolation! Lo-fi drone noise one side, extreme painful feedback b-side. Competes with Prurient "arrowhead" with this...
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octis


mdtdeath

The New Blockaders - Changez Les Blockeurs

FreakAnimalFinland

WINDSCALE "s/t" tape
Actual Noise
Cabal and Jim Fellahean from Fellahean, Electro Static Orchestra, In Verse and Burden. Starts quite generic with buzzing synths. When vocals come in, it instantly brings into my mind this is someone wanting to be MITB/Bastard Noise, but electronics lacking the fine detail what separated MITB from many others, and vocals that totally lack charisma. Final moments of A-side is quite neat echoing metal object sounds. Not noise, but like artistic interpreation of distant factory sounds. B-side even more painfully obvious MITB noise works worship, but dull line-in electronics, that often sound like digital simulations makes it pretty hard to enjoy. It lacks all warmth of analogue recording and sounds they pull out from equipment sound more often goofy than fierce. Vocalist does his best to shoult his lungs out, but simply style of sound recording kills this.

CROSSE HUMILIATION "A Very Young Rider " tape
Chondritic Sound
Greh of Hive Mind and guy from New Pledgemaster doing very nice release of dark and heavy synth layers and distorted vocals. Second tape, from 2008, ltd 77.  Sounds like basic method is modulating some percussive/noisy elements via synth, and adding overall synth noise there. Vocals have very nice effects in each track. I would recommend if you like bassy and dark death industrial, but want edge of noisiness in sounds as well. Some of the power is lost in droning slow b-side, where vocals appear more sqealing, but still very good and recommended tape!!

CULTS "Feasting" tape
Chondritic Sound
Greh + Draheim collaboration from 2008 which sounds pretty close to what one could imagine. It has the synth noise heaviness known from noisiest of Greh's works (Black Sand Desert etc), but also rough and broken hand made noises perhaps courtesy of Draheim. It's very distorted and loud and blown out by extensive input gain distortion.

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urall

Mnem - Engrama & Mnem - Golyma
Really great stuff: loops, drones, ... - only got to know this very recently - now listening to downloads at work but def picking up some vinyl

FreakAnimalFinland

DAMION ROMERO "Missing Link" tape
Hanson
Master of organic drone. While mentioning drone being tough genre, especially all sorts of easy distorted waves of synth and such, DR does something differently. Charming textural analogue decay, couple layers operating with different levels, communicating with eachother in seemingly easy and simple manner - but making basically all his releases great pieces to listen to! This is no exception. Too bad Hanson covers on these tapes are quite lame.

KRISTIAN OLSSON "Paltkoma" tape
Styggelse
More versions of this? Discogs says ltd 30 single sided tape. At least my copy cover says ltd 60 copies and material is on both sides, although abruptly cut in middle. Very close to Alfarmania aesthetics in all ways. Great flowing lo-fi collage of sound from industrial wastelands. Suffocating atmosphere created from all things rusty, melancholic and dirty. Noise only exists in all the dust covering sounds, but there isn't any too obvious distortion pedals and such.
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FreakAnimalFinland

HOSTAGE PAGEANT  "SUBSERVIENCE" tape
Narcolepsia
Current USA harsh noise artists. Just received tape today. It's good basic stuff. Distorted harsh things, occasionally longer part going on, fast cuts here and there, short grinding loops here and there. Few of these methods remind me of Sickness, Encephalophonic, Endo, etc, but there some odd laziness in noise itself. While cuts, and distortion all work well, way of smashing noise out of objects happens in kind of lazy pace, and often in moment of cutting from sound to another, there is lack of ongoing energy. In one hand, it gives tape slightly unusual feel, but not sure is it all good thing. Satisfactory tape nevertheless.

RULLA "Arserection" tape
Trash Ritual
mr. Keränen doing harsh noise before he decided to start working under his own name. Chaos of distorted electronics. Not bad, but he certainly improved later on. Should add tape on EST to near future playlist pile. It's one of his strongest works, I think. Could be good to compare with this.
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hkso

Quote from: FreakAnimalFinland on April 17, 2014, 02:38:31 PM
KRISTIAN OLSSON "Paltkoma" tape
Styggelse
More versions of this? Discogs says ltd 30 single sided tape. At least my copy cover says ltd 60 copies and material is on both sides, although abruptly cut in middle. Very close to Alfarmania aesthetics in all ways. Great flowing lo-fi collage of sound from industrial wastelands. Suffocating atmosphere created from all things rusty, melancholic and dirty. Noise only exists in all the dust covering sounds, but there isn't any too obvious distortion pedals and such.

I think it is 60 copies that was the edition... I only did one version of cover and never reprinted it since I found it a bit of a halfmeasured release. The abrupt cut is probably because I had run out of tapes in right length...

octis

#4254
Taint - Whoredom

Keith is a genius . As many said before : pure classic .

octis

#4255
Remesh ‎– Choke

superb eerie dark ambient from this fantastic duo out of the israeli tophet.
http://www.discogs.com/Remesh-Choke/release/1730767


HOGRA

NOISEM "Agony Defined" LP
DEL RIOS "III" cdr
OFF! "Wasted Years" LP
Your Girlfriend Is A Dirty Filthy Fucking Whore "...and She Likes Cum In Her Bum" cdr (private distribution)

Ashmonger

Caligula031 - Bachelorette Party (tape, Institute of Paraphilia Studies): Good power electronics, interesting samples, interesting subject about which I know nearly nothing, nice layout as well.

Concern - crude vignettes: box-harp & speakers (tape, Dokumentarisk Agenda): Tape seems much shorter than 20 minutes. Only listened once up to now, not too certain what to think of it, must play it again.

Caen - Middlefield (LP, Urashima): Also Gordon Ashworth, very atmospheric, somewhere between Drone and Ambient?! Good, really liked it.

Nyodene D - The Mouths that Reap the Harvest (LP, Urashima): Well, it's Nyodene D and I haven't heard a bad release from him (now to be honest I've far from heard them all), but I feel like this is not his best. And there's a trumpet in one track, I understand the choice for the instrument, but I don't really like it. Didn't really like it in Manifesto either.

Lettera 22 - lack of attention (CD, Ljud & Bild Produktion): Ah, good stuff again, mix of Harsh Noise and calm parts with talking, furniture moving, sounds of the surrounding (what's this called, music concrete?!). Anyway, I seem to like this more than just pure Harsh Noise. At least in Lettera 22 the combination of the harsh sounds and the calmer parts works really well.

deathcamp

#4258
ISOMER - Face Toward the Sun (Tesco) - Too much synths? Too much of "martial" parts? Anyway, I don't like it.

NYODENE D - The Mouths that Reap the Harvest (Urashima) - Perfect for me, even pleased by the trumpet on the last track. Oppressive and powerful death industrial!

GENOCIDE ORGAN - Live In Japan (Tesco/Teito) - Surely not as great as "Remember" but a solid live release, and a nice looking LP.

FreakAnimalFinland

DOG HOLOCAUST "vol IV" tape
Thorax Harsh Cassettes 12
Well, noise wall collaboration of Nolan & Dan. Half an hour of very much predictable HWN, but at the same time - enjoyable! Some brown paint is painted over front cover to frame tasty fetish picture. Otherwise just standard j-card packaging. One guy does electronics, one guy metal junk and feedback. Not far from works of Heinz Hopf for example. This is what brings me to:

HYPNOSIS "Moon of death and other recent works " LP
Urashima
Dan and Skull Defekts guy collaboration. Is it good? Yes it is. No doubt. But I have started to wonder what's the point of all the collaborations if collaborator does all the time what he basically does in his other works too? Of course we can see things like mr. Keränen mentioning in his interview in SI magazine after listing multiple collaboration projects, semi humorously that "I do always the same". In such cases, where harsh noise blends with improv/jazz, free form metal, etc it seems just fine. In case where one has multiple projects where many are just tape loops and tape manipulation.. point? Well, of course: good stuff. Can't deny that. But still, how many tape loop/tape manipulation projects one would need? I'd think labeling it simply as collaboration project of these guys would have felt more valid than impression of new band. So in other words, if swedish tape noise and tape loop stuff is your thing, LP is worth to grab. Anything new or unusual, then not.

LUST FOR YOUTH "Growing Seeds" LP
Avant
Electro pop with cute snotty elements.  I think I prefer tapes over albums.

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