PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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Baglady

EDGE OF DECAY - Halogeeni Helvetti CS (Freak Animal)
What to say? Just brilliant harsh noise. The label description is pretty accurate I think (compared EOC with old Ramirez and Knurl, if I remember correctly?). I smell some Treriksröset around "Venal" as well. Nothing to dislike for me here, whatsoever. Perhaps it could have been twice as long, but then I wouldn't play it as often. Great sounds bursting, crawling and cutting their way out of the speakers. Pace, variation, lows and highs, it all just works. I'm on my knees just lapping it all up here. I have no idea who's behind this moniker, but what does it matter. I want more. Noticed a couple of earlier releases, but they seem rather scarce in quantity.

SiClark

Quote from: Baglady on May 07, 2015, 05:19:36 PM
EDGE OF DECAY - Halogeeni Helvetti CS (Freak Animal)
Their EP tape is probably hard to get but I recommend getting the comp tape they are on - Voyeurs Of Modern Decay - there are several copies on discogs for good prices.

FreakAnimalFinland

There is 2 more tapes upcoming on international labels!
He is also very good in doing live noise. Just location in east of finland makes it kind of isolated from most of gigs in Finland...
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

DBL

#5163
Quote from: Baglady on May 07, 2015, 05:19:36 PM
I want more. Noticed a couple of earlier releases, but they seem rather scarce in quantity.
Pardon the ad, but: I have one copy of the first tape-EP (and some remaining copies of the "Voyeurs..." comp. tape) for sale here. Don't have any copies of the split-tape left, and it seems to be sold out from the label too...

Edit. EP gone!

Baglady

Quote from: DBL on May 07, 2015, 07:46:31 PM
Quote from: Baglady on May 07, 2015, 05:19:36 PM
I want more. Noticed a couple of earlier releases, but they seem rather scarce in quantity.
Pardon the ad, but: I have one copy of the first tape-EP (and some remaining copies of the "Voyeurs..." comp. tape) for sale here. Don't have any copies of the split-tape left, and it seems to be sold out from the label too...
Pardon this, pardon that. Check your email! Thanks for the tip!

FreakAnimalFinland

Talking of more obscure Finnish artists, new tape of ROTAT, called "mob justice", what a nice piece of noise rubbish it is! I could think of some Smell & Quim, perhaps Odal and such. Or perhaps if thinking compositional quality of GOLDENROD, perhaps that is good to compare. Everything is utterly coarse. Somewhat unfinished noise pieces thrown one after another, but hardly "cut up". Just short pieces of noise what vary from great to not-so-great, but even the latter ones just underlines that there is absolutely nobody in Finland doing it like this. Perhaps H.Ö.H. would compete with utmost primitivism, but Rotat has different angle to material. Damn that new H.Ö.H. tape was good! I'm seriously thinking the obscure & less known Finnish projects should be compiled to one good CD release! Latest, at this point unreleased, Fecal Fetal was also pretty neat, although has some flaws.. But very promising and most of all: different!

THE NEW BLOCKADERS & CREATION THROUGH DESTRUCTION  "Negative Mass " 12"
4iB
Hmm... In many ways there is something quite dull about this. First of all: 12"?! There is roughly 6 mins per side! And now when TNB has been doing so many collaborations, including 8 LP's of collaborations with dozens and dozens of artists... Now after many years, new items coming which are still nothing but someone using TNB sounds.... it has long felt like artist that leech into TNB's legacy. And should start to feel shame of this opportunism. Creation Through Destruction does fine job creating two solid pieces of harsh works. But it would probably warrant C-14 tape of edition of 50, unless TNB name tag would help there. It's not saying that this is bad. Just expensive, very limited 12" is utter exaggeration for what this material is. If it would be CTD tape on his own, it would stand as nice normal noise release. Now it is seen in utterly different light. For collectors of TNB, maybe ok addition to collection, but overall can't think who'd I recommend two shortish harsh pieces on high priced 12".
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Zeno Marx

Rupenus has longtime been an price-gouging, opportunistic asshole.  TNB/Organum - Raze 7" was $10-15 in the 90s.  90 seconds per side, and both sides are the same if my memory serves well.  500 copies, so costs are spread.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

Dr Alex

Quote from: FreakAnimalFinland on May 07, 2015, 08:15:54 PM

THE NEW BLOCKADERS & CREATION THROUGH DESTRUCTION  "Negative Mass " 12"
4iB
Hmm... In many ways there is something quite dull about this. First of all: 12"?! There is roughly 6 mins per side! And now when TNB has been doing so many collaborations, including 8 LP's of collaborations with dozens and dozens of artists... Now after many years, new items coming which are still nothing but someone using TNB sounds.... it has long felt like artist that leech into TNB's legacy. And should start to feel shame of this opportunism. Creation Through Destruction does fine job creating two solid pieces of harsh works. But it would probably warrant C-14 tape of edition of 50, unless TNB name tag would help there. It's not saying that this is bad. Just expensive, very limited 12" is utter exaggeration for what this material is. If it would be CTD tape on his own, it would stand as nice normal noise release. Now it is seen in utterly different light. For collectors of TNB, maybe ok addition to collection, but overall can't think who'd I recommend two shortish harsh pieces on high priced 12".

Both tracks supposed to be released on 10" vinyl but factory in which label press vinyls don't offer 10" so label suggested 12". After a long delay caused by my side (artwork) and some negotiating about one picture which RR sent me and I didn't want to include on artwork + countless emails about place where sticker will be... Fuck it all, I'm so glad that saw light of a day.

Receipt of this: I got tape with TNB raw sounds, I record my two track and mixed it all together. I didn't used TNB sounds as soundsource or similar. Both artist can be heard clearly.

+I still hate insert because it supposed to be printed on just one side with other dimensions (without background part). You, who have record, will easily figure out what I'm thinking.

Andrew McIntosh

Quote from: FreakAnimalFinland on May 07, 2015, 08:15:54 PM12"?! There is roughly 6 mins per side! ... can't think who'd I recommend two shortish harsh pieces on high priced 12".

Snippets of sound on 12" vinyl must be the new noise trend.
Shikata ga nai.

Nil By Mouth

Quote from: FreakAnimalFinland on May 07, 2015, 06:38:41 PM
There is 2 more tapes upcoming on international labels!
He is also very good in doing live noise. Just location in east of finland makes it kind of isolated from most of gigs in Finland...


Yep! I will release next week a new tape

Zeno Marx

The Dave Brubeck Quartet - "Take Five" 1959 - what an amazing song and huge recording.
CxOxCx - Animosity 1985
CxOxCx - Eye for an Eye + 6 Songs 1984/1989
CxOxCx - Technocracy + "Bound" from V/A Rat Music III 1987/1987

Charlemagne Palestine - Ssingggg Sschlllingg Sshpppingg 2015 - what a fucked listening experience.  it starts off weak and typical of contemporary Palestine recordings, but then it settles into some nice minimalist sound, eventually building layers of voices, percussion (possibly field recordings of a parade or something), and Nitsch-like dissonant brass and organ tones.  I kept pausing it because I thought someone was outside, in another room, behind me, next to my ear...really disorienting and paranoia-building.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

Andrew McIntosh

I'm not sure the name Four Cornered Room Staring At Candles is meant to mean, sounds a bit Funeral Doom to me. But the release "Noise Is Violence, Violence Is Life" is pretty good for a straight up, low fidelity Noise collection. Five short-ish tracks that sound like they're from the same session, mostly two layered tracks of squealing feedback, buzzing lead buzz and husked and whispered vocals colliding clumsily and charmingly. A lot of pedal manipulation seems to come in later, building the sound more thickly, and there's more of a stereo effect later on building the sound even more. Hardly demanding but just the thing if you want some simple, straight-up Noise.

Filthy Turd's been around for a while I understand, but I've never been inclined to listen until now. "Witches Love The Taste Of Filthy Turd" is a clever little release, three tracks made up in the same way, namely a collage of roughly recorded loops mostly made from voice through effects of kinds, with a lot of extraneous sound included. It's like a fuck-you, fuck-fidelity version of the tape experiments sixties minimalists would engage in, only with a lot less seriousness and a lot more fuck-you. Almost dada-esque phrases are chanted, repeated and discarded, occasionally audible (I think - something about "go back into the past and fight" or something). This is a pretty good release, entertaining in fact as well as being actually interesting, but with a nice sense of bottom level humour that makes me think of Smell & Quim.
Shikata ga nai.

Baglady

RODGER STELLA - The Final Programme 7" (I Dischi Del Barone)
At least superficially themed around some key scenes from the Ken Russell flick Altered States, this is a great piece of plastic. No big difference between the two sides really, but that doesn't matter. Wobbly, wild panning, psychedelic noise. The label website mentions CCCC, so I kind of expected a swirling tornado ride. This is not the case, but I still get the reference somehow. Very addictive EP, and maybe the best yet from IDDB. You need this.

urall

James Rushford & Joe Talia – Manhunter
Wow, i can't believe i only heard this album just now, but it's been on repeat the last couple of days. A beautiful mix of field recordings, synths, tape loops(?), deformed voices,... Absolutely excellent stuff.

absoluten calfeutrail

Pleasure Brothers 'Ecstasy' CS Altered States Tapes (2015)
A very recent set of diminutive downcast tape murk from Sydney resident Tony McKey. Both sides offer unadorned looping electronics with natural grit. These repeated gestures sit well short of demanding attention, and in some senses this approach is well-worn territory – but for me this material is strangely engaging. It is gently austere, bleak in tone, and doggedly modest. Somehow fitting for an artist attempting to maintain residence in inner Sydney today. I don't know how these young people pay the fucking rent.

Grunt 'Sacrosanct Imperium' CS Freak Animal (2015)
Having spent a couple of months now with 'Myth Of Blood', this companion piece sits agreeably in the district established by that recent full-length monstrosity. B-side assault 'Gas Fumes' is the treasure here – violent, agitated electronics eventually settling into uneasy drones. I noted with interest the almost unhinged vocal delivery that marked many key tracks on 'Myth Of Blood', and the tactic is sustained here. While still a part of the continuum through 'Seer Of Decay' to 'Petturien Rooli' and onwards, Aspa's vocal execution now often appears fucking unbalanced rather than commanding – and this recent material is served well by the approach.

Knækkede Stemmer 'Marts (Musik For Død Akustik)' CS Total Black (2015)
Staunch 2014 minimal tape works from Mikkel Rørbo. Resolutely repetitive as any of Rørbo's previous work, these compositions are assembled from nonchalantly maltreated looping gestures with visible seams. Brief liner notes reveal Analogue synth and violin as source sounds. These are exceptionally unadorned components, which gradually lead to fascinating surfaces and a peculiar atmosphere. 

Macronympha 'Keystoned' CS Bacteria Field (2015)
Macro as Joe Roemer solo outing. Largely comprised of predictable but succulent ingredients - looping crumble, hard cuts, and a generally sketchy character. Occasional dives into subdued cavernous passages and instrumental curveballs also occur throughout however – by no means a furious assault for the duration.