PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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eyestrain

Clew Of Theseus "Oran" 2xC50 (Cathartic Process): I've always preferred later day Clew. His first years of harsh noise were certainly fine, but once he entered into "ambient" territories, well they've progressively become essentials in my brain. Meridian had it's drone-ish moments, but they were more in the style of J. Crumer; steady crescendos of fixed sounds, neither overly aggressive or too light either. Definitely the highlight of those "early works". Oran opened up something entirely different though. The best parts of Soliloquy For Lilith and Ligeliahorn combine into one miserable, dystopic mass. Lots of acoustic sounds (bell, guitar, harmonica, piano, etc) and field recordings mangled together into 100 minutes of captivating moods. Even with each piece being 25-minutes or so, they're able to hold a solid ground despite the minimal progression. Moments remind me of Alio Die, particularly the second piece, if all the psychedelia were dropped and we were just left with a shell of the project.
I never picked up the editions with the 44-page artbook or the 8" lathe, but I can only imagine the imagery would add to an already harrowing listen.

Clew Of Theseus "Rehearse The Right Life" C32 (Husk Rec.): Whereas Oran seemed to have received a pretty professional sound at Ben's own hands, he let the fidelity drop magnificently with this tape. The whole piece is mangled by warbling and decaying cassette shifts. I'm strongly reminded of the amazing first track on Aural Holograms' Vol. 1, except this lasts for the whole half-hour. The effect is intoxicating and otherworldly. First side is the darker, more terrestrial aspect of the tape, while the flip is a bit more floating. The deep end of the recording has reduced itself greatly, and we get a successful manipulation of the start. It's like the discovery of something too fucked to be true, but the realization inevitably sets in that it is indeed true. Rehearse... is like capturing the segue in sound. I can just transpose this over many a film where that shock takes place. Just make it last longer. A very heady and intense album. Think of early M.B. experiments with synth and tape, but more emotional... less cold, but only ever so slightly.

Zeno Marx

Quote from: eyestrain on September 03, 2015, 04:05:21 AM
The best parts of Soliloquy For Lilith and Ligeliahorn combine into one miserable, dystopic mass.
Name drop of the year, but I can believe it.  I thought he exposed his love for Jackman beautifully on Meridian, and for no good reason at all, I didn't investigate further.  After such great reviews, I'll have to change that.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

eyestrain

Quote from: Zeno Marx on September 03, 2015, 04:59:22 AM
Quote from: eyestrain on September 03, 2015, 04:05:21 AM
The best parts of Soliloquy For Lilith and Ligeliahorn combine into one miserable, dystopic mass.
Name drop of the year, but I can believe it.  I thought he exposed his love for Jackman beautifully on Meridian, and for no good reason at all, I didn't investigate further.  After such great reviews, I'll have to change that.

Zeno, with your love for drone and ambient, I'm sure you'll find something to at least not hate, hehe. I'd definitely recommend his The Death Urge LP on Verlautbarung also. That's more intense, but still really fantastic!

greylake

Bunch of IRM lately. Don't know what to say other than I'm entranced. Shall say more later.

eyestrain

John Hassell/Brian Eno "Fourth World Vol. 1 - Possible Musics" CD (Editions EG): Scott Foust called this "superbly creamy and the perfect music for a hot night" in Swill Radio's recent update. We're hitting the hottest days of the summer in early September in Pennsy which is fucking atrocious, but anyway I needed some music to make it all better. I've always associated Eno discs with the library, so I trotted over and sure enough they had this. I've never tried to penetrate any of Eno's work before. An old roommate would always play some album by him, or at least a song, that was just a flurry of baby chicks tweeting. Drove me nuts, haha, and I wrote him off! Actually, I do own "The BBC Sessions" bootleg LP that Il Cane Lento released, but that's rock 'n' roll - and really good too.
The disc itself is rather disorienting, but in a slow and subtle method. Percussion is soft and constant, but the fogginess of the album convinces me its sporadic. Vocals, that could be male or female, are disembodied through effects and become something closer to a flute playing lackadaisically. Or maybe that's a synth? What is obviously a synth holds a similar space – that "lazer wind" noise that only works sometimes. And it does here. The "hot night" association is correct though. There's a presence of sticky, humid equatorial breezes happening during the whole album. The sinuses are thickening up, the sweat is rolling out of all the pores, the raised temperature in the brain making everything a little hazy, spirits entering the mind. Almost like a strange world music made up of all the "wrong" instruments. It's a pretty interesting and enjoyable listen. I think I'll savor this one for some time before I try anything else by Eno.

Michael Francis Duch "Tomba Emmanuelle" LP (Sofa): There must be some great power emanating throughout the Emanuel Vigeland's mausoleum. This doesn't even touch the surface of performers there, but I feel privileged to have heard this LP as well as Huntsville's "Past Increasing Future Receding" LP and Nicola Vinciguerra's "Plays Tomba Emmanuelle". Each of these three offer sounds of immense expansiveness (redundant, yes, but...). MFC's offering is the most monosyllabic of the bunch, but this does not mean the most mundane. Instead, I would say it captures the atmosphere (admittedly I've never been there – I'm going on assumption) more accurately than the others I've mentioned. A solo double-bass drones for the first half of the LP, somehow replicating itself constantly through the reverb in the room. It becomes a trio, but through only one hand. The natural acoustics of the instrument seem to fade away for the greater part of the whole album and we are left with something otherworldly. I could easily be convinced this were an Eleh recording at various points. I cannot even begin to fathom the melding of these sounds with the drab and overwhelming paintings that cover the whole space. The high ceilings swallowing up an ocean of sounds and relaying them back to the hearing field with a new, fascinating presence. Almost as if they've exited this sphere briefly, to visit the figures in the walls while being given new life. I sense a lot of thoughts on death and temporality being unavoidable were you to witness this. Listening to the record isn't too far in and of itself.

Dr Alex

Listening now "Dog" and "Love" cds from Bizarre Uproar. This is just rough transfer from tape to cd. It's sucks because tracks aren't separated. Anyway, it's good to have this material.

SiClark

Pretty sure the artist got the original files from the label for these re-release CDs.

Leatherface

In Search of Death "III" cd (Death continues records) - Review on Traumatic Static Webzine:

REVIEW - IN SEARCH OF DEATH - III - CD
IN SEARCH OF DEATH - III - CD
DEATH CONTINUES RECORDS/DCRCD007
HARSH NOISE/POST-INDUSTRIAL/RHYTHMIC NOISE/DEATH INDUSTRIAL
COMES IN A JEWEL CASE WITH INSERT BOOKLET.
IN SEARCH OF DEATH IS:
XAVIER H.


FEATURES TEN UNTITLED TRACKS, OR SIMPLY
I-X:

This is the third album by IN SEARCH OF DEATH, but the only to be released
so far.Albums two and then one may possibly be released in that order, going
backwards, sometime in the future...But this hasn't been decided upon 100%.
No tites. No gimicks. Just filthy audio structures that decay and collapse
in repeating loops of sonic destruction.Track one creeps up on us and introduces
the album with dense, windswept textures and low pummeling rhythms that climb in
volume.Faint traces of melody can be heard if you listen closely but the overall
sound is very grim and forboding.Like being in the heart of a mechanical structure
as it exhales slow, deep breaths in it's sleep.Number two is an entirely different
animal.Loud, pounding industrial rhythms.Fierce and mechanical.Like tribal drum
patterns being mimicked by heavy duty pistons with great force.Static comes in
tones that sound like forcefully peeling back skin.Nerve shredding and anxious.
Musical machinery.Clicking patterns repeat as if to say that time is precious as
spoken samples in a foreign tongue narrate a situation that is probably better left
untranslated.I am reminded of the works of MIND OF GOD at times.Mostly due to the
repitition found here.Track three builds on the claustrophobic blasts of black winds
that rumble quietly, yet with force.A void of ambiance lies within and brings us into
percussive segments that sound like something being hammered down to form a tempo.What
sounds like the spinning wheels of an antique sewing machine is heard creating secondary
rhythms as the billowing ambiance persists.Synth strings with a Funeral Doom quality to
them are tossed in the mix to create an experience like listening to a nightmare as it
slowly unfolds.Number four comes on harsh static over pulsing beats and harsher static
textures that once again sound like they are ripping their way into you.Muffled metallic
percussion's join in and add momentum.The tracks so far are built on a similar foundation
as the works of NON, but done in a more "Industrial factory" type of way.A song is heard
in the form of men whistling as they clash in labor at what sounds like a train yard or
coal mine. That whole "Whistle while you work" thing.The sounds of the Industrial Revolution
are in full swing here.Dirty and grimey stuff.The fifth of these ten tracks begins with hazy
sonic blasts that build on repetition over a deep undercurrent of black ambiance.Looped static
meditations that feel like they dig deep into your sub-conscious.What sounds like loud steam
powered constructs begin to pound out in primal fury only to be crushed in the wake of huge
slamming rhythms.It sounds like iron fists punching reinforced steal doors.Rapid fire machine
gun blasts are looped and fire off in your direction.For a brief period things quiet done a bit
to let the machines shine as they demonstrate their fury...But only until the next cacophanous
assault.Track six is a little longer and a little different.It starts with what appears to be
a ceremonial song playing on an old record.Chants and hand drums fill the air in celebration as
a man narrates the event in a dialect I don't speak.Afterwards we are once again tossed into the
sounds of heavy machinery.A mantra of churning mechanical rhythms.The language of the factory in
full swing.Grinding, squealing, buzzing, un-oiled and cold creations that serve one purpose and
know nothing else.Truly hypnotic...You will find yourself drifting away into a world of cogs,
wheels, belts and pistons.At the same time there is a strangely "organic" feeling to this record
as well.Like each part is a living organism...That they all work together to complete a single
task.Like carrion all chewing on one stinking corpse.From an unseen speaker we hear what sounds
like a WWII era orchestral demonstration.This closes the piece and brings us to the relentless
rhythms of number seven.Dense, bass-heavy blasts with the recklessness of an out of control
panzer tank rolling through a surburban neighborhood.Brass synths add even more of a militant
vibe and help the pace, flow and overall movement.A building essence of suspense you could say.
Vibrational metallic ringing chimes in the distance and static bursts come like blades to skin
you alive.Lacerating with the demand of bloodshed.Foreign voices speak in unison as if repeating
back a command to show that it has been understood.Eight is a demonstration of organized chaos.It
sounds like some ancient contraption spiraling out of control in it's last moments.Reckless and
dangerous.This comes in looped intervals as another machine is heard clunking like a jackhammer
of some sort.Screeching devices scream out over and over like enraged prehistoric beasts.Circular
rhythms spin in slow and heavy movements.Thumping thuds join in and all becomes a mass orgy of
animated rust and metal.Industrial intercourse in progress.Number nine is the longest track on
the album at nearly nine minutes.It starts with large, dull thuds like those of Roman war drums.
Strange semi-melodic notes match the tempo and almost sound like carnival music.Punchy synth
strings only add to the circus vibes.The drums slowly pick up the pace over time but it still
sounds quite miserable even then.Heavy and corroded bass synths bleed out in dense, muffled
displays of deep distress only to soon vanish and start all over again.This one certainly
stands out among the rest.It almost sounds like it could have been an extended intro to an
earlier DEATH IN JUNE record.We end with ten...Moaning sub-bass and whining high end tones
in a sea-sick up and down motion.Like the audio representation of nausea.Sounds of weapons
and war are heard echoing like long lost memories or Post-Traumatic flash backs.Scenes of
death and violence over an anxiety inducing soundscape.The last two tracks are sort of a
strange turn in a way but, oddly enough, it works.

ALTHOUGH I AM NOT SURE WHY IN SEARCH OF DEATH CHOSE
TO RELEASE THE THIRD ALBUM FIRST...I AM GLAD TO HAVE
IT IN MY HANDS.AN EXCELLENT DEBUT.CORROSSIVE INDUSTRIAL
SOUNDSCAPES FOR ALL YOUR POST-APOCALYPTIC NEEDS.
GREAT STUFF:

10/10
-ABATTOIR-

http://deathcontinuesrecords.blogspot.com/
https://www.facebook.com/deathcontinuesrecords
Posted by ABATTOIR STALAG at 10:02 PM


http://traumaticstaticwebzine.blogspot.be/2015/09/review-in-search-of-death-iii-cd.html

FreakAnimalFinland

Quote from: bitewerksMTB on October 17, 2014, 09:09:39 PM
DISGUSTING SANCTUM debut tape; side project of Coma Detox performing 'death industrial' which sounds like you'd imagine- gritty, murky, lo-fi. Someone needs to offer him a
full-length LP deal for both CD & DS.

Not yet full length album deals, I assume, but those two tapes that now came out, really good! I wasn't too impressed by short sample on youtube, but when I started to listen tapes, I was instantly hooked. Both tapes have received decent time. I think would be good to underline that songs are very well put together. Maybe short computer clip gave me impression of just random hissing and humming, but no.
Actual songs, which are different from eachother. Vocals, samples, rhythms, raw noise. Variation of sound sources and atmosphere. Perhaps not THAT far from Coma Detox. Both have sort of similar suffocating, murky and unpolished atmosphere. This is less aggressive. I'd say even better than Coma Detox. Recommended!
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Ashmonger

Concrete Mascara - The Pursuit of Hedonism in a Police State (C40, Vanity Recordings/Black Psychosis): I like the 7" that F&V released, but didn't really find it overwhelming, so I mainly decided to get this because of the packaging. And well, that packaging is obviously great! Got to say though I'm still not sure what to think of Si Clark's artwork. It has a very own style and is recognizable and it's non-cliché for PE, so that's cool, but it's got a bit of a comic book style, which I still find hard to link to this kind of music. Anyway, the whole package is great and lot of work went into that, which one can appreciate.
Musicwise, I think it's the same kind of hars PE as the 7", little vocals, only added as extra effects, not so much as typical vocals with lyrics. Better than the 7", so besides the packaging it certainly was a good decision to get this.

Encephalophonic - X (CD, Freak Animal/Audio Dissection): First release I got from this project. Nice Harsh Noise, with quite some 'calmer' parts alternated with outburst. Interesting sounds, quite clean recording, though at times it feels as if it would be better if more would happen at the same time. Nice pics in the layout, though it's a bit funny to see all these posters of 'mainstream' Black/Death Metal bands.

Eskatozoa - Cosmic Elements Coalesce (CD, Bestial Burst): Don't know what genre this would be best classified under, but this is some pretty cool stuff. Synths and bass are mostly used. Sounds cosmic. Feel a bit helpless trying to describe this, other than that this is some really nice stuff!

Zyklon SS - Nagger Torture Chamber (C30, Filth&Violence): Another nice ZSS release! Goes further in line of the former releases. And when it comes to music, samples and layout it's hard to imagine a better match for band/project and label!

The Vomit Arsonist - Only Red (CD, Malignant Records): First reaction would be to say 'just more The Vomit Arsonist', which in my book is good, but it just doesn't do it justice. Then again, I feel like he really has found his own sound, even layoutwise there's a similar approach to the former albums (being the little use of colors, black background, minimalism...), but I think each album manages to have new elements added. Such as the good use of 'beats', can't remember that being a much used element in the former albums...

a_2_g_2

Quote from: FreakAnimalFinland on July 08, 2014, 05:06:46 PM
VENTA PROTESIX tape[/b]
A dear girl called wendy
Oh fuck, what a turd emerged from corners of noise I've done my best to block in my mind. Anime/hentai/computergame/4chan whatever noise from italy, that perhaps has some talent in cutting & editing, but jesus christ how shitty this "distorted nintendo game" sounds... I'm sure there is handful of people to worship this, though...
Funny to see Venta Protesix mentioned on here. What you wrote is even funnier.

He also did a split with kazumoto Endo and Vomir. I even bought his shirt that he was selling on his bandcamp

Dr Alex

Quote from: a_2_g_2 on September 19, 2015, 04:52:33 AM
Quote from: FreakAnimalFinland on July 08, 2014, 05:06:46 PM
VENTA PROTESIX tape[/b]
A dear girl called wendy
Oh fuck, what a turd emerged from corners of noise I've done my best to block in my mind. Anime/hentai/computergame/4chan whatever noise from italy, that perhaps has some talent in cutting & editing, but jesus christ how shitty this "distorted nintendo game" sounds... I'm sure there is handful of people to worship this, though...
Funny to see Venta Protesix mentioned on here. What you wrote is even funnier.

He also did a split with kazumoto Endo and Vomir. I even bought his shirt that he was selling on his bandcamp

Horrible laptop glitch noise! I had some releases but I gave it to some enemy.

Dr Alex

Red Light - Red Light tape

Absolute masterpiece! I like everything here! Nice narrative vocals with some sick screaming, piercing feedback and heavy electronics. Thanx a lot Mikko and Keith Taint (???) for making this release available. I bet this is Keith's project. US accent, feedback Taint-like piercing and rape themes. HIGHLY recommended!!

AXNAAR

#5353
Mutilated Slut - Acid Attack.
Great tape! Never a dull moment. Completely satisfying harsh noise! Cheers to the Major! Absorbed in this tape right now, brings to mind other incarnations of the artists cannon but on a page not displayed much before - long unrelenting assault! Buy or miss out!

Bloated Slutbag

#5354
Incapacitants - El Shanbara Therminosis cd reissue
While I inwardly celebrated the '07 reissue of this '95 GROSS classic, I never investigated further. Got multiple copies of the tape, none of which I will ever part with yup yup thank you very much wanker tis I, and that has always quite sufficed. Till I noticed one day that the reissue's got a Whole New Track on it! Instant boOoiing, right? Well... count me among the chorus of those who've been less than enthused with a good part of Mikawa 'n pal's recent recorded output. I actually hesitated a good fifteen seconds before doing my duty as Hopeless Harshnoise Sucker(tm). "El Shanbara Therminosis 2007" appears to be an updated remix of the original ('95!) source materials. "Original  ('95!!) source materials", wood. "Updated remix", wilt. As the end product leans heavily on the former, the case for potential wood may be made. Before that, a brief confession. However much wood the earlier Incaps incarnations may inspire, El Shanbara was always to be filed in the Novelty Incaps category, along with the ever-smile-inducing-if-very-slightly-cringe-worthy Cosmic Incapacitants (from 1996). You had that pandering-to-Macro-saturated-overseas-market Heavy Meaty Thunder squeakily smoothed out under combined squiggling gyrations of the Theremin Brothers doing "The Mikawa" like a couple-a well-lubed ruskie-fuckas. The net results, however, were raw as fuck. Like some weird comical self- parody Incaps managing to completely rip the sphincthole a newbie. If complaint were to be snuck into any of the above, it would hinge on the pointlessness of two separate tracks of the essentially the same damn thing. But hey, it's a tape and much of the tapes released outside of Japan (on, say, LTZ and Old Europa) follow a similar format. So the question really is this: how pointlessly redundant would it be to release a third track of the same damn thing? In a word, not. While the original tracks do possess the mentioned- quintessential – rawness in spades, I have to say that the theremin, while I'm sure it looks great on stage, partially detracts from the net effect on the earhole. Maybe if they had gone with a different title I never would have noticed or cared. So there you go. What's in a name you say. The updated reworking that is "El Shanbara Therminosis 2007" may lack some of the- quintessential – rawness but on the plus the theremin is largely buried under dense punishing layers of saturated filth. When the squigglies do, inevitably, poke their heads up they can be annoyingly prominent, but these are kept to a relative minimum and for the most part this sounds rather like a damn good live recording.
Someone weaker than you should beat you and brag
And take you for a drag