PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

Previous topic - Next topic

Krigsverk

Norillag - Kombinat (CD Phage)

Got a whole bunch of new releases from Phage and popped this into the CD not knowing anything about the band/album; what a ride! In short: Old Test Department reborn! True metallic percussion bonanza, like a factory coming to life. Sweat, dirt, physical manual labour, it´s all there. But also quite refined at times - it does not get boring or one sided. The other Phage purchases can wait, this needs a few more spins. Best thing I have heard in this style since forever.

Baglady

Quote from: Fistfuck Masonanie on July 10, 2026, 03:29:21 AMCommando 15 - Arditi Moon (Brownhill Mafia)

New C30 from Commando. Love the artwork of the starry night sky, mountains, and skiers on this one.

The tape has two 15-minute long tracks. This has a press record and let 'er rip style to it.

Super tape, I agree! Loose and intuitive rippage. His gig here in Gothenburg a few days ago had a similar feel to it. Not too far from MSBR's more rough and raw works, I think.

k.p.g

#9962
TS - Homecoming at the Pralaya (Spice Channel)
Much more controlled and dreamy work from Ted on this one.  A-Side consists mainly of an industrial churning that peacefully builds and collapses onto itself.  B-Side features more field recordings, conversation and dreamy turntable. 

Energy Gradient - Motes (Cloister Recordings)
Short tape of extremely satisfying harsh mud fuckery.  Sounds churn out at a steady pace, but never really reaches the peak of similarly crunchy harsh noise.  Works well as a short listen to zone out to, as the sound eventually infects the entire room around you.  Each side end and an auditory rug pull can be felt.  Going to return this one into the listening pile, as I think more time with it is necessary.

Merzbow Pornoise 1KG, Tape 2 (RRRecords/Statutory Tape)
Tape 1 focused on loop sounds galore, tape 2 has some moments of that so far, but overall sounds like a much more synth and feedback-based affair.  Going to continue listening and see how it evolves.  Releases like this support my theory that this early Merzbow seems to have figured out the sound of that early 2000s Americanoise scene that dominated the Midwest about 20 years beforehand... only difference here is that the recording quality sounds far less dingy.

UPDATE: Spoke too soon about this tape's restraint on looping... Side B is practically just one long loop for the entire side.  Hah!  Was a fucking awesome loop at least.
Dead Door Unit
French Market Press
etc.

k.p.g

Altar of Flies - Intellectual Strangulation (Hasten & Korset)
At the recommendation of a friend a few days ago, I decided to give this one a spin as I drove into the Philadelphia sunset.  I think Altar of Flies is one of those projects where his best works are often the longer, self-released "jam"-style releases, such as this.  His careful composition on mainline records is thrown away for a little more free-flowing collision of tape loops and oscillator sputter that duke it out for supremacy in the mix.  A-Side ends on a wonderful piano melody that ends up sinking into the sea of dissonance.  B-Side on this edition is a side-long piece.  Great stuff.

The New Boyfriends - Live and Dangerous (Satatuhatta)
"HEY!!!"  .... "YAAAAAAAAAAAAAAAAAAAA"
Probably the largest crowd reaction I have heard for what could have very well been a violent noise set!  I say "could have been" because to my ears, the record here mostly reminds me of when I saw The New Blockaders live; some harsh moments, but a lot more acoustic churning of machines.  Still very good, and probably what I really needed to wind down for the night after a rather violent recording session of my own.  As I continue to type, more "HEY" sounds come across as more scrap is thrown about.  How fun!
If someone can verify for me, I heard that this performance took place at a festival that is essentially the Finnish equivalent of Coachella?  Very awesome if so; makes me stoked that a group whose live shows are known for being grand got to introduce probably a whole slew of new people to this thing we love so much!
Dead Door Unit
French Market Press
etc.

jvc

Can verify that Flow Festival could indeed be compared to Coachella in terms of programming and visibility in media. Finland's biggest newspaper mentions TNB in the festival review as one of the more gratifying performances of the day - even though the writer seems to consider them as a bit of a joke act.

k.p.g

Grunt - Chance to Be Cruel (Freak Animal)
Returning to the live arena, I remembered this Grunt C-30 being a good one before running into a copy at Sarvilevyt, so into the purchase bag it went.  As I listen now, I am glad to report that my original sentiment still stands.  A-Side does have some roughness to start, with some of the scrap metal assault producing unruly feedback that sounds like maybe it was not part of the planned live set.  This feedback is eventually reigned in though, and it becomes business as usual for Mr. Aspa from there.  Vocals are shouted in a way that they feel just as much part of the noise as everything else.  The once overwhelming metal now rumbles at a controlled pace.  Best part of this Grunt material though is the user of mixer feedback (as is the case with so much of it).  Very few use that tool quite as well, and it is always a pleasure to hear what Mikko can get out of that stuff.  Crowd erupts into applause at the very end; not hard to see why.

Outdoor Horse Shrine / Euronet - Foal in the Wormhole / Contemplation of the Dust (Absurd Exposition)
I have heard nothing but good things about this split tape since it came out, and it's really not hard to see why!  From the jump, both artists here mean business.  Outdoor Horse Shrine kicks off his side rolling into the redzone of Americanoise crunch that eventually morphs into a mid-range zone out.  It was a surprisingly peaceful and psychedelic middle portion of this track that had me begin to drift off before the end kicks back with CRUNCH.  Now I am paying full attention as a cascade of yells and low-end slab see this side out.  This still fairly new act continues to dazzle on everything I hear from him.
This split would mark my first experience listening to Euronet, and I am quite impressed with what I hear.  I know that Felix performed on the WCN podcast and gave a gear breakdown, but I am not one to really dive into what people are using to produce sound nowadays.  What matters is if it sounds good, and this certainly does to me.  One thing that is funny to note is that it seems like people associated this project a lot with more digital style of noise.  I hear this and I am like "in what world?"  Sounds like a big ol' pedal and tape loop affair to my ears!  Run that through some sort of feedback chain and everything just crumbles onto itself.  The true sound of love; fantastic stuff. 
Between this tape and Quadrist, Absurd Exposition has somehow put out 2 of my favorite splits in recent noise memory.
Dead Door Unit
French Market Press
etc.

Obedient2

#9966
Couple of quick mentions for the new Pain Appendix full length on Freak Animal: This thing is a beast. Junk metal but in short, sharp bursts and presented in a very "PE" way. This project feels very focussed and deliberately assembled, but I may just be projecting order onto chaos.

Sick Seed- Do the Wrong Thing Very classic-sounding PE which is almost minimal in its approach. Vocals are used sparingly (e: although perhaps more than I realised, often buried in the mix). I'm probably not explaining this very well, but if Power Play felt sharp, this one is more like being stuffed into a burlap sack and beaten. I love the motif of "no guilt, no shame, no regret, do the wrong thing forever." A very confident and satisfying release.

Got the new Contortus on the turntable now. How is each successive release from this act better than the last? The record sounds fantastic and is very heavy duty. The quality across that particular March 2026 FA batch of SSRI, BU, Night Wolf, Cov Ops and Contortus is frankly insane. The first batch from a label in a while where I have wanted to pick up all of it.

k.p.g

Caspar Sonnet - Illusionares (Andromache Records)
Recently received a generous box of gifts from the artist when I placed an order with them.  Out of all the releases included, this one would have to be my favorite.  Liner notes say it is comprised of tape, feedback and lap steel.  To my ears though, artist sounds more like he's rhythmically smashing the lapsteel in real time.  It's raw and primal in a very beautiful way.  Side B shows a little more composure to it, with more tape dynamics and some airy mechanical sounds to close out the performance.  Really solid stuff, definitely an artist to keep an eye out if you haven't yet.
Dead Door Unit
French Market Press
etc.

RURAL RESISTANCE

OCHU Ljud för efterblivna (Verlautbarung) TAPE

"Sounds for retards"? Yes please, if they sound this good! I think this is pretty fast-paced material in the context of Ochu. At least if my memory serves me right many other releases of his have been more mellow. There are two long tracks but the scraping and scrunching that goes on inside their frames is pretty intensive.

As the case always is with Ochu, this release really strikes a chord in me in many ways. The presentation is full of earthy colors, understated images and textures of paper, topped off with a coarse piece of string and a shrapnel of wood. The sounds are organic, this time focusing heavily on wood in its different forms. I recognized some of the more tape-y sounds that go on in the background from the recent Gothenburg gig, a sort of abstract otherwordly whistling and such that pairs well together with the more concrete and hands-on sounds. The live show that was performed as a duo exhibited the use of branches, logs, pinecones, planks, gravel, bark and so on, and you can hear those sounds on this album too.

I think something Ochu said in the WCN interview about recording some of his stuff in an island setting has influenced the mental images that the sounds conjure up for me quite a bit. Even at the Gothenburg show I did what I usually try to do at almost every show I attend: I listened to parts of it eyes closed. And the images that rose to my mind were something like a secluded shoreline with reeds, some grey clouds in the sky, parts of furrowed rock visible in the sand. The images were somewhat historic, even prehistoric, or maybe there were different moments with different timelines, it's a bit hard to explain. Beetles carving their way into fallen trees, primitive huts dismantling due to erosion...

This is one of those albums that changes drastically when the listening volume is modified. At louder volumes it can sound quite abrasive and if you barely twist the knob it's more round and even soothing. Nevertheless it's quite a heady recording. I wonder what the song titles are about?

k.p.g

Various Artists Tearing the Wings off of Butterflies (Reanimated Miscarriage, reissue)
New reissue of an underrated classic of '90s underground.  May feel silly to say, but everyone here truly does deliver.  I think large part of that is Brewer's dark murk looms largely over everyone.  Incapacitants track sounds much more low end oriented than I am accustomed to.  Macro's sleaze is heavier than usual.  So on and so forth.  Similar to how Mother Savage "red zoned" everything, it sounds like Keith had some sort of dubbing trickery to bring everything into the same gravely negativity that I usually associate with Taint.  Despite being such a long tape, I feel like it flew by.  I want it back.  Damn.

Rectal Pus - The Butt Box, Tape 3 (Reanimated Miscarriage)
Blasting teenage nihilism.  Nothing better!
Dead Door Unit
French Market Press
etc.

Obedient2

Contortus still glued to my turntable. Who mastered this? It's one of the best-sounding noise LPs I've ever heard. It has a physicality and dynamic range that doesn't always come through on recordings.

NocturnalLibrary

Skuggsidan

Mo*Te Vs. Industria Masoquista - Peak Time Align / Hipócritas Y Ciegos (2023)
Cassette tape

After Mo*Te's excellent Throw A Stone tape I decided to dive into this split tape with Ecuadorian project Industria Masoquista and I was pleasantly surprised by finding a more raw and pure noise approach on this tape which nonetheless has strong mind freeing qualities that I like a lot. Let's listen and dissect this tape below.

Listening journey

This split tape by Mo*Te and Industria Masoquista features both projects performing in full pure Noise form offering us two sidelong pieces of continuous intense sound. Mo*Te does still operate in his excellent Drone like approach on his side but also provides a more blank canvass to us in terms of the effect of the Noise on our minds. Just see it as the sonic equivalent of a minimalist two colour line painting versus a similar painting but with variations appearing as you move your eyers from left to right. The grind, grit, crunch and murky edge of Mo*Te are there combined with the aleatoric twinkling and a short melodic intermezzo of keyboard and synth tones but the progression is much more subtle and the piece moves more like an unending rich mass of molten rocks which is even more the case for Industria Masoquista's side which is even more monolithic and a classic "fill tape side" kind of full length piece. Like a straight jam the piece really scrunches forward through layered murky metallic distortion and screeches only interrupted at times by delay affected at times quite funny sounding vocal bits. The totally diffuse wall nature of the side makes it much like a state of sonic matter you are straight into and afterwards are taken straight out of once the tape ends but has its musical (melodic?) moments hidden in the lava too. The art of appreciating wall Noise really becomes more the "feeling" of the Noise grabbing you rather than the sonic qualities, immersion or mind imagery the textures might conjure up and I like it.
I sell, archive and write about Noise released on selected international labels through The Nocturnal Library and create music as Insomnia Index.

vorago

Quote from: Obedient2 on July 15, 2026, 11:40:58 PMContortus still glued to my turntable. Who mastered this? It's one of the best-sounding noise LPs I've ever heard. It has a physicality and dynamic range that doesn't always come through on recordings.
It is mastered by Mikko Aspa. Mixing and recording by me V-A Puumalainen

Obedient2

Thanks, that checks out. The last Grunt CD also sounded totally monstrous.

k.p.g

Erik Nystrand - Brain Damaged by Head Meat (Head Meat)
I gave this one two listens this morning!  It's just that good!  Undoubtedly, Nystrand knows how to make excellent harsh noise, but to have all of these sounds erupt from a guitar is downright impressive.  The B-Side is about to wrap up on my second playthrough, and each bashing crunch just fills me with glee.  Imagine if I had coffee along with this tape... it would be over.  Excellent stuff.
Dead Door Unit
French Market Press
etc.