A. LICHT / T.SHIRAISHI "Our lips are sealed" CD
RRR/Pure
I picked this up today from shelves just as I didn't remember at all what it was. Merely 20 minute piece of free-jazz noise. Or jazz? Well, basically one can use that reference merely due usage of saxophone. Trying to play through some dance-music oriented Nocturnal Emissions CD's before this, and being forced to eject disc before losing my will to live, this disc felt perhaps even more amazing than it is.
For some reason, it sounds really painful. Shirashi's saxophone is more of Borbetomagus than jazz. It's short and most irritating sounds, almost just equivalent or screeching glass. Nothing musical really. Alan Licht is NYC guitarist known for playing with Lee Ronaldo etc. His role here is to abuse Twin Reverb, Digital Delay, Turbo Rat, Tube Screamer, to create noisy electronics. After CD ended, I checked out from discogs what this really was and turns out I just didn't remember it was originally part of Pure series, but happened to have this RRR jewelbox version in my shelves too. For whatever reason, I don't see this mentioned even in list of Pure CD's I made here:
http://www.special-interests.net/forum/index.php?topic=3097.0Perhaps famous names (Shiraishi, founder of Fushitsusha) may create situation where one doesn't necessarily want to check it out. Or lets say, to me it often seems that there is big gap between people who will only check noise made by well known artists, and the others will stay as far as possible if there is even remote link to sellingpoints including famous rock groups.
That Pure topic should be certainly resurrected. Entire Pure series feels like needing to be revisited!
NMPERING / JASON LESCALLEET "Love me two times" 2xCDIntransitive Recordings
Too bad my copy of the item is so heavily scratched, first disc keeps skipping... Not that this would be rare or hard to find to have good copy in mint condition. Lescalleet has always been brilliant. I have less experience with Nmpering. Perhaps length alone makes this too long to really make one big impact, but it's listening pleasure consisting over and over again "what a great sounds" -feelings. There is strength and vision in composition too, but tasty sounds themselves are the real power of this release. Lots of physical objects and carefully adjusted sound textures.