PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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pentd

Aleksandr Scriabin / Nemtin / Mysterium:

https://youtu.be/xT92SvAIobY

2+ hours of apocalyptic power, play loud! (the back story is also pretty insane...)

Bloated Slutbag

#7261
V/A – Leather
Leather fetishists of the world, unite! You have nothing to lose but your, um, harness. Yes alright it needs work. Leather. Right, well, aside from a shared - and no doubt unhealthy - preoccupation with the tanned hides of dumb animals, it's hard to suss the unifying aesthetic. On the one hand, there's a clea- LICK THE BOOTS, CUNT! Er, what I mean to s- LEATHER BELT FRENZY! Well, it certainly needs to b- LORD OF THE COCKRINGS! Now loo- SOUNDS FOR BUTTPHONE!

Sigh.

At least Mania gets things going on the right shoe. Hefty iron-clad thud, echoes muffled by thick cellar door, hammering in slow succession against subtle backdrop of leather'd rub and slither, industrious backroom sweatshopping. Unhurried, leisurely, good time to nip out for a smoke, leave the heavy machinery to thud away. Soon however the slither becomes slather getting whiter, hotter, echoes swelling to bulging bass-heavy crescendo. Flits of feedback steal into the space, now fairly crowded with oscillating drone and faint, gloomy, downpitched beacons. Overall convincing display of leather machining done right, sober semi-bemused documentarian approach that seems to serve the title well.
  Encephalophonic, of course, sounds like Encephalophonic. Bonkers level schizo freak-out frenzy, spastic stutter-junk avalanche orgy. Tense, tight, poised, skins of dead animals chafing at the flesh, feel the burn. Masterful mess of mangled metals meet jagged hair-trigger shriek-drillage to output raw scrap-bashing rapid-panned clusterfuck excess.  The sound of Mania having an epileptic seizure, accidentally kicking over prized collection of scrap junk, going totally ape-shit in fit of purple-faced rage, fat pointy hack-sawn chunks careening about the room as frazzled electronics scorch ozone-tinged air raw. So pretty much completely un-Mania-like, but good working through of the channel pan, and of the earholes, to the get the blood good and properly pumping. Good and spurting. Don't ask me where the title fits in here, probably wearing leather skivvies while bashing meaty junk-stack, so to speak.
  Clinic Of Torture dish extended porn clip masked with grey, dingy fuzz-drone, drizzled drainage funnel choked with pronounced bilge flavoring. Heavier electronic agitations filth up the atmosphere, drawing attention into narrative which, fortunately, is barely parse-able. Just as threats of harshnoise proper promise to rip apart the dis-calm, the whole cuts out completely to welcome enthusiastic bevy of leather'd paddy-wacks. Call in the vocalist. Here you are good sir, huff and puff to your hearts content. Rough dirge-splurt churns out choked bilge flavorings, gathering rust, drudge, steam, salivation, paddy-wacks turned feeding frenzy of paddy-thwacks, ample word of encouragement punctuating sensuous gasp, coo, quiver.
  Flip that shit over and here comes the lord of the cockrings, aka Caligula031. Flattened greys of tremulous shivering essence, woozy murked psychedelia shining through even-keeled sheen. Now in comes the voice, dis-torted, dis-tended, relegated to textural duties, repeatedly swallowed up in the murk, and no, it ain't so pleased with these proceedings, can't imagine why. But what this does, see, is heighten the sense of drama, the sense of exceedingly irate individual and the end of his proverbial rope. No relent here, rather a slow build of progressively seering burn as lower extremities report esophageal uptick of flatulent turd-layers, rumbling through the shizzling storms of dry-welled seethe. A bit of ye olde stealth harsh, of which I may say I am the consummate sucker.
  Sadio then take the plunge into, pretty much, pure filth. Fully bilged gutter-tronics flecked with shithawked feedback squawk, booties shoved down throats to issue low-grade, low-end, turd burglary of rough, raw, rugged, crud-bilge. Basically total audiophonic wreck, redzone so flooded with crap as to beg the question. Nothing in the specific. Just, the question. In an attempt to get into the spirit of the thing, I started licking the boots with gusto but came away with bitter taste that still lingers. More of that shithawk squawk over mid-range overload, whining feedback just refusing to back the fuck off. Nasty!    
  What's great about the closing ditty, courtesy Grunt, is it picks up pretty much where Sadio leaves off, but just massively ups the layers of coarse granulated texture. So much shit is there chucked into this mix that one is left to wonder where the attentions are supposed to inevitably fall. Perhaps upon this cute little piece of wriggling sludge vomit. Perhaps to the collapsible crush of cantankerous junk-spew applying pressures from without. Or perhaps to the continuous drilling into aural passages via wheedling flits of abbreviated analog palpitation. When the massed pressure of over-encumbered layers pulls back for an instant or two, hint of scrap sources scour to the fore, but these instants are few and far between. Perhaps a good moment to shuck them skivvies and wiggle about about in ecstatic butt-fervor. I mean, what the fuck do I know? Very probably a leather'd thwacking is in order.
 
Someone weaker than you should beat you and brag
And take you for a drag

FreakAnimalFinland

#7262
ehm.. some lessons learned about fooling around with small phone screen. Instead of replying previous message, accidentally managed to hit "edit" rather than "reply" for mr. Bloated Slutbags message. Luckily managed to return the old message back after erasing it, hah.

Quote from: Bloated Slutbag on March 22, 2019, 06:21:20 PM
V/A – Leather
    What's great about the closing ditty, courtesy Grunt, is it picks up pretty much where Sadio leaves off, but just massively ups the layers of coarse granulated texture. So much shit is there chucked into this mix that one is left to wonder where the attentions are supposed to inevitably fall.

This track is actually studio live. Most of Grunt recordings from 2018 was studio live noise recordings, this being only thing released thus far. Next week fairly similar material coming as 3". Not all studio-live, though. Just today was assembling discs to covers. I dare to say best Grunt noise so far. Yet, it will be quite brutal battle when on same batch is WORTH 3" and JAAKKO VANHALA 3" and SELECTED KILLING 3".

PS: Leather is sold out. Due packaging, it had to be limited edition...
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

cr

Quote from: FreakAnimalFinland on March 22, 2019, 07:01:48 PM
This track is actually studio live. Most of Grunt recordings from 2018 was studio live noise recordings, this being only thing released thus far. Next week fairly similar material coming as 3". Not all studio-live, though. Just today was assembling discs to covers. I dare to say best Grunt noise so far. Yet, it will be quite brutal battle when on same batch is WORTH 3" and JAAKKO VANHALA 3" and SELECTED KILLING 3".
Sounds fantastic! Will these be similar in presentation to the Mania/Umpio/Sick Seed 3" set?

ConcreteMascara

v/a - Noise War 5xCD - Audio Dissection / Industrial Recollections
Some words about the 5th, bonus CD only. Having no prior experience or attachment to this compilation prior to its re-release on the above labels, it's interesting to look at the old posts here on this forum and see the absolute shitstorm these bonus tracks kicked up years before the compilation was ever even released. cries of "destroying the legacy" and "insulting the past" show up more than a few times. I presume this is part of the reason why all of the new tracks were included on a separate, standalone CD. and if the disc is judged on its merits alone, outside of the scope of the larger issue, it stands quite tall. 5 tracks, all brutally harsh, all good. Encephalophonic is the odd-man-out as the relatively "youngest" artist on the roster but he delivers one of the best tracks on the disc, if not the best. absolute harsh, churning supremacy. no dead space, just noise. it's a very self-contained and complete feeling track. the kind that could do well on a biz-card CDr. then there's Kazumoto Endo who delivers another dose of harsh, with a slightly more cut-up feel. but the cuts are still pretty slow and the sections get to be heard. nothing as brutal as Killer Bug but not as weird as a lot of material under Endo's own name. also a fair amount of crunch to the mix that works well with the standards set by the comp at large. then Skin Crime comes in to deliver a dose of nasty harshness that's far removed from the lurking danger of more recent releases. sounds like maybe some abuse tape loops over feedback, crunch and metal abuse. again very much in line with the compilation and very satisfying. next, K2 delivers some heavy panning and crispy harsh textures. I really, really dig this. feels like a nice bridge between the analogue scrap era and the recent Nintendo DS digitalia. and then we get one of the American cut up masters to take us out, Sickness. His "American Merzbau" is surprisingly rough and dry sounding. very worn. nice cut ups of scrap metal banging and scraping, well placed silence and reverb. while I dig it, I think maybe it would have been better served sitting earlier on the disc. but instead we're left with metal scraping and sudden silence.
so if you like your noise harsh, stuttering and full of energy check out this great capstone to a legendary compilation.
[death|trigger|impulse]

http://soundcloud.com/user-658220512

FreakAnimalFinland

Quote from: cr on March 22, 2019, 08:00:41 PM
Quote from: FreakAnimalFinland on March 22, 2019, 07:01:48 PM
This track is actually studio live. Most of Grunt recordings from 2018 was studio live noise recordings, this being only thing released thus far. Next week fairly similar material coming as 3". Not all studio-live, though. Just today was assembling discs to covers. I dare to say best Grunt noise so far. Yet, it will be quite brutal battle when on same batch is WORTH 3" and JAAKKO VANHALA 3" and SELECTED KILLING 3".
Sounds fantastic! Will these be similar in presentation to the Mania/Umpio/Sick Seed 3" set?

Only better! Same outer diameters so they fit the series, but instead of hand assembling them from raw prints, this time it's all pro-manufactured. Ordered them custom made, as sort of "gatefold" where cd is easier to take from the pocket. Stronger cardboard, nicer surface etc. All releases were too good to start saving $$ in presentation...
Vanhala 3" is supreme. Hard to compete with. It's basically the long-under-work album that was semi-announced years ago.
Worth kills, as most harsh noise guys know by now. Selected Killing is Encephalophonic+Grunt collaboration project that combines high energy electronics from Italy and conceptual acoustics+vocals from Finland.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Bloated Slutbag

Quote from: FreakAnimalFinland on March 22, 2019, 08:07:13 PM
Vanhala 3" is supreme. Hard to compete with. It's basically the long-under-work album that was semi-announced years ago.

insane
Someone weaker than you should beat you and brag
And take you for a drag

Bloated Slutbag

Quote from: ConcreteMascara on March 22, 2019, 08:00:59 PM
v/a - Noise War 5xCD - Audio Dissection / Industrial Recollections
Some words about the 5th, bonus CD only. Having no prior experience or attachment to this compilation prior to its re-release on the above labels, it's interesting to look at the old posts here on this forum and see the absolute shitstorm these bonus tracks kicked up years before the compilation was ever even released. cries of "destroying the legacy" and "insulting the past" show up more than a few times. I presume this is part of the reason why all of the new tracks were included on a separate, standalone CD. and if the disc is judged on its merits alone, outside of the scope of the larger issue, it stands quite tall. 5 tracks, all brutally harsh, all good. Encephalophonic is the odd-man-out as the relatively "youngest" artist on the roster but he delivers one of the best tracks on the disc, if not the best. absolute harsh, churning supremacy. no dead space, just noise. it's a very self-contained and complete feeling track. the kind that could do well on a biz-card CDr. then there's Kazumoto Endo who delivers another dose of harsh, with a slightly more cut-up feel. but the cuts are still pretty slow and the sections get to be heard. nothing as brutal as Killer Bug but not as weird as a lot of material under Endo's own name. also a fair amount of crunch to the mix that works well with the standards set by the comp at large. then Skin Crime comes in to deliver a dose of nasty harshness that's far removed from the lurking danger of more recent releases. sounds like maybe some abuse tape loops over feedback, crunch and metal abuse. again very much in line with the compilation and very satisfying. next, K2 delivers some heavy panning and crispy harsh textures. I really, really dig this. feels like a nice bridge between the analogue scrap era and the recent Nintendo DS digitalia. and then we get one of the American cut up masters to take us out, Sickness. His "American Merzbau" is surprisingly rough and dry sounding. very worn. nice cut ups of scrap metal banging and scraping, well placed silence and reverb. while I dig it, I think maybe it would have been better served sitting earlier on the disc. but instead we're left with metal scraping and sudden silence.
so if you like your noise harsh, stuttering and full of energy check out this great capstone to a legendary compilation.

All agreed. Mostly. The bonus disc was for me actually the main reason for picking up the reissue. Particularly impressed with the Sick dedication, what fucking nerve, what a way to bring it home, and in fact imo a perfect end to the set, as in the whole five-disc set.
Someone weaker than you should beat you and brag
And take you for a drag

Bloated Slutbag

V/A - Elävä Olento Koneena
Four-way statement of intent from Pääte. The intent: deliver downtrodden dribbles of dilapidated semi-acoustic murk, shuffle forlornly along cratered pathways, divest all joy, revel in the brooding atmosphere of rumpled tape head warble, to be duly listed on discogs as Non-Music. The result: check!
   Label boss HÖH kicks things off, laying down a set of three indistinct tracks, clearly taking no chances with the messaging. And yes, as far as the four-way proper: message received. One might almost call it visionary, if the vision weren't obscured by grubby layers of tar and sludge. As the slow dis-jointed medley of hand-cranked machinery lurches to ear, the eye is drawn to the cover art - kinda stylized antique Luddite-cum-Victorian contrivance - the head nods sober approval. Sober is another descriptor I wanted to drop. Out for a stroll down the back alleys of decayed ill-kept factories, noisome sewage flows filling the nostrils, the essential gritted, gritty, griminess really starts to impress. At several intervals one is invited to pause, wipe the spectacles free of accumulated soot and grease, to take things in, perhaps to inspect the various species of slime sticking to the shoes, to dwell on the wretched but somehow horribly beautiful state of permanent decay spreading through the deteriorating soundfield. I'm tempted to engage in a good, hard, chin-stroke, but think I'll first need to duck out of view, don't want to frighten the nihon neighbors or nothin'.
   Music to get completely shitfaced to, to keel over into table full of empties to, and to suffocate on own vomit to, preferably in that order.
   Over the three-track HÖH course, not a moment's break in atmosphere. Finger taps against the wind-ruffled tape recorder, this thing working? Jammed hurriedly back into jacket pocket. Low end tape distortion - or maybe just the chafing of the inner fabric - obscures faint clicks, clatters, general background rustling. Longish snouts snuffle around in crumbly dirt piles, grind of slow turning tape wheels caught in uncooperative wheedle, groan, cat call. Repetitive clod-clod-clod meets dialog of muffled bonk, cycling transistors whirring in rumpled, disconsolate, sympathy, the occasional distorted blurt, or accidental mic-scrape, to stylishly crudden-up proceedings, final dash of rusty hinged squeaking for the win.
   O Ratel Ratel launch flabby loosed-skinned bulk of ill-hefted rumble logs, lumbering through somewhat constrictive belchings of amplified hum. Contrictions feed threat of crunch, never quite to get there, but dropping fattened load of mis-matched machine tools into the filth mixture. The resulting battle of scratchy scrape-texture and more suffocating thunder burble eventually outputs quite overbearing pressures, nothing like harsh, but quite full-in-the-body, or bodily functions. I wouldn't quite call this industrious, but at least good to know some fat flatulent grease-slob is in there doing the dirty work. Hold my seat while I take a piss.
   Return to find the tape flipped over and the sense of drama considerably upped. Cryptofascisme skulking about, stalking suggestively through slow-creep tensions of cavernous sub-basement drear, shivering deliciously in the wake of reverberant trash-bin percussions. Grainy contrast of labored corrugated sheeting, fleshing out the field with inelegant atmospheres of grim and heavy drudge. Dramatic pose struck with shovel in hand. Clang! Down it comes, consequence of grizzled sizzle-buzz surging in deliberate waves of even-measured rasp, channel pan almost completely maxed with resounding washes of metal-tinged dirge.
   Missing mark the return of the downtrodden, principally of the percussive persuasion, padded out with muffly clunk, clod, ker-plunk, and clong. Cumbersome barrels manhandled across the uneven flooring, stumbling, repeatedly dropped in exhalations of unceremonious thud. Background ambiance of fizzling drone-scrape, coming in half-measures, on the fritz, frazzled, ground-down gears struggling to carry things forward. At a key juncture, the background suddenly cuts to the fore, as though one of responsible parties has suddenly popped out for leak, leaving the garage door open to reveal previously hidden cracks and craters, ugly pock-marked granite face flushed with hollowed out, whining, seashell backwash. But this, too, peters out almost as quickly, mournful aha moment of badly corroded parlor music to signal ignominious end.
Someone weaker than you should beat you and brag
And take you for a drag

Zeno Marx

Quote from: Bloated Slutbag on March 20, 2019, 04:52:17 AM
Incapacitants – Zouvneree cd (Alchemy)
Holy laser noise, Batman!
Listening to Stimbox and thinking back to the lazer noise deal.  Are we talking about anything similar?
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

Baglady

#7270
BAD KHARMA - 96-98 4xCS (Bonbon Tapes)
How many were doing industrial noise of this caliber/kind in Sweden in the 1990's? Not many I think? Five titles spread over four tapes (1xC90 and 3xC60), all recorded onto a 4-track between '96 and '98 in northern Sweden. Kaibatsuri is basically eight tracks of mostly tapeloop oriented noise, and quite harsh, most of the time. Points of reference are scarce. Although I come to think of a strange marriage between ONE DARK EYE and S*CORE, this is still elusive and hard to pin down. It simply just hammers on; fierce, with great timing and variation, in a steady pace. Absolutely brilliant.
Salt from '97 picks up almost literally where Kaibatsuri ended, with some of the previous source sounds still ringing, but geared up and a notch harsher. Three longer tracks of mangled tape splatter, feedback, derailing electronics and whatnot; it's a beautiful mess. There's a certain wailing druggy almost outer spacy feel to the whole recording which sends me off to the same mental regions as MACRONYMPHA's Crack, without necessarily sounding too much like it when zooming in on details. A great continuation of Kaibatsuri, and the two recordings makes an unflagging meatgrinder stuffed with questionable prescription drugs.
Tape Werk, recorded '97-'98, sounds very different. Much more fragmented, consisiting of many shorter pieces. Some intense collages of a multitude of sounds, som where just one single sound is bent and turned inside out. More crisp, less... tapey. While sounding more grandiose, almost Aube-ish at certain moments, it's also less coherent than the two previous recordings. Very all-over-the-place. There are so many good parts here that fly by way too fast. Enjoyable, but too schizo for my ape brain.
Krshna, recorded in '98, starts out deceitfully calm, droning away with dragging crackle and a pulsing synth. Suddenly interrupted by wild junk noise combined with some hard-to-stomach break beat samples. Yikes! Thankfully that doesn't last too long, and the rest of the tape is occupied by a wide variety of wild shit. All out harsh noise, humid throbbing loops, tape mess etc. Something for everyone, and while it is schizo, it feels less rushed than Tape Werk. A winner!
Last tape in this box, Kriyayoga, feels lika a summation of the three before it, all in a big pile, sort of. Rather confusing to sit down and listen to, but a pleasant thing to have running while doing domestic chores. Lots of great parts that I'd gladly hear more of, but alas.
BAD KHARMA is, again, hard to pin down. His often very sparse and anonymous covers and layouts probably doesn't help him, but then those were probably of less importance. Seems he just enjoyed doing noise (it does sound like he's having a good time), and that's all there is to it.  Going through this box I come to think of Lasse Marhaugs albums from the same time span, Science Fiction Room Service and White Inferno, which both seem to inhabit the same corner of noise as BAD KHARMA did. This playful yet serious, searching and exploring kind of noise which can't be lumped together with any specific subsubgenre. They're not aping japnoise or the american crunch or whatever was going on at the time. Makes good sense that they ended up doing a series of collaborations. Two individuals from rural corners of their nieghboring countries, logical!
The box, although limited to 50 copies and released 12 years ago, still comes cheap. Worth it for the first and third cassette alone.

brutalist_tapes

was blown away by how good the americanoise compilation is, because i was considering (now buying) the re-release. i am contemplating also buying the noise war 5xcd, because, like i thought maybe two cd's of rusty americanoise could be too much, it was simply just an enjoyable experience! i wonder how many of these massive comps that are rock solid there is?

Bloated Slutbag

Quote from: Zeno Marx on March 24, 2019, 10:30:50 PM
Quote from: Bloated Slutbag on March 20, 2019, 04:52:17 AM
Incapacitants – Zouvneree cd (Alchemy)
Holy laser noise, Batman!
Listening to Stimbox and thinking back to the lazer noise deal.  Are we talking about anything similar?

Good question. I wanted to take the time to give it the response it deserves. So, let's see. Just to consult my extensive notes here...

Ah yes, here we are. The answer is: no.
Someone weaker than you should beat you and brag
And take you for a drag

Bloated Slutbag

#7273
Quote from: Bloated Slutbag on March 26, 2019, 04:16:01 PM
Quote from: Zeno Marx on March 24, 2019, 10:30:50 PM
Quote from: Bloated Slutbag on March 20, 2019, 04:52:17 AM
Incapacitants – Zouvneree cd (Alchemy)
Holy laser noise, Batman!
Listening to Stimbox and thinking back to the lazer noise deal.  Are we talking about anything similar?

Good question. I wanted to take the time to give it the response it deserves. So, let's see. Just to consult my extensive notes here...

Ah yes, here we are. The answer is: no.

More seriously. Zouvneree seems one of the more Mikawa-driven of the recent Incaps, sitting cleanly inside a crisper, cleaner, digital-sounding range of wheedling, mewling, squeal and scree. Rapidly ascending and descending overlap of criss-crossed sweep and swoop. Fuzz and feedback making way for more laser-pointed precision, free-wheeling psych extremes never quite losing the sense of strictly delineated range of movement. Gear would have to factor strongly into the equation. With Stimbox, different gear, different times, just, different.

And as far as the Stimbox lasers. One should probably refer first to the vast majority of artists coming out of Japan, any one of whom would have had as much or more on the laser side of noise. Quick list off the top of the head: Merzbow, Pain Jerk, Incapacitants, Monde Bruits, CCCC, Astro, Aube, MSBR, Masonna, Thirdorgan, Government Alpha, Gasolineman, Kazumoto Endo. Plenty of laser action, none of it really defining any of the projects (unless one is inclined to want it to). I'd again chalk it up to gear plus general predilection for more dynamic, high energy blasting of the Le Shit. (Mileage may vary.)

<trigger alert! about to jump off the deep end>
Plus, and not to put too fine a point on it, a healthy spirit of wtf aka willingness to experiment.  A lot of these folk were/are serious gear fetishists, as often seemingly willing to be led by as much as to lead the gear. A matter of willingness to take the good with the bad and the ugly, to let the sound speak for itself. But... perhaps that willingness has always- and will always- be there. Forever locked in battle with the apparent fetish of the moment. And the winner is...
Someone weaker than you should beat you and brag
And take you for a drag

ConcreteMascara

Mo*Te - Taste Die Mad CD - Audio Dissection/Industrial Recollections - a nice middle ground between the monolithic excellence of Life in a Peaceful New World and the less dynamic, but still enjoyable Cuffs reissues which came out last year. The album takes the format of three shorter tracks followed by b-side long track. personally I enjoy the "intro" track "Acid*Voice" and the last "White Donor" the best. each have similarities in the layered sounds that really sound good to me. some alarm/mechanical whirring that pans left and right and in and out of focus. steady low end rumble. that good stuff. "Acid*Voice" even has vocal snippets and grainy crumble. mm mm. "Gap in the Gap" and "Distension" are more straight forward in their harshness and very good in their own right. One thing I can say, Mo*Te knows how to use slow panning to create space and dynamics with a relatively small amount of layers in the tracks. I'm reminded in some ways of techno producer Regis's early and mid period works, which were massive slabs of sound, expertly modulated and extremely satisfying. short version, get this reissue!

Encephalophonic - Surgical Mods CD - Freak Animal - spanning 3 years of recording and 4 years of releases, Surgical Mods brings Encephalophonic's limited and OOP material together in a cohesive compilation. what you expect: razor-sharp harsh noise that only relents occasionally to bring you down with ultra-negative samples. what you get: razor-sharp harsh noise that only relents occasionally to bring you down with ultra-negative samples. i am a huge fan of when short clips of acoustic guitar show up, such as in the first track. "Spastic Emotions", the 2nd track delivers some segments which get a little close to laser noise, in the best way possible. from his split with Mo*Te, it definitely feels influenced by him in the best way possible. the next 4 tracks are from two 7"s, all of which fall in line with the quality and style of the 3 CD albums released over the years. special standout of the 4 is "Moaning Sex" which is exceptionally damaged sounding. really crispy and brittle. and then my favorite of the bunch is the only unreleased track here which is just goddamn great. electrified in a way that makes me think of Martin Seligman's experiments regarding learned helplessness. brutal, piercing, relentless. glad this one finally saw the light of day! And to end it out, "My Inner War" from the Noise War reissue which is fantastic and I already reviewed.

Cracksteel - Blood Purge CDr - Chi Omega Institute - Cracksteel is completely unfamiliar to me. I've heard the name here and there over the years and so I finally picked up this reissue of the 1996 tape of the same name. Two huge slabs of churning noise. the title track just doesnt stop for its 20 min+ run time. the general nature of the rumble is hollowed out with a hint of bass. the sounds, barely even layers at times can get a little wonky here and there, but I dig the exploratory nature of it. what I believe are vocals show up too later on and the occasional ugly flange or phaser. my first listen I was in bumper to bumper traffic for the entirety and it worked quite well. 2nd track, "Silver Disaster" starts of quite. the lovely sounds of cables being unplugged and plugged back in. electrical feedback, bass hum. the kinds of sounds I still use in my recordings. love it. then after a few minutes it kicks instantly into blast mode, but with a lot less heaviness than the 1st track. more dynamic but less satisfying in some ways. i've gotta give this one some more time but I will say it's got me interested in digging into more Cracksteel in the future.
[death|trigger|impulse]

http://soundcloud.com/user-658220512