Altar Of Flies The Violent Blow (A Dear Girl Called Wendy): Absolutely brilliant! Flawless blend of field recordings and menacing sounds.
Altar Of Flies Female (Peripheral): My favorite ever of
Gustafsson's output. So fucking harsh and well-assembled. Maybe I'm mistaken, but I don't sense the "angst" the label describes. Seems to be a loving family man and a true musician. No aimless transgression here.
Altar Of Flies Let New Life Rise In The Face Of Death (Sprachlos Verlag): Ditto from
The Violent Blow, although maybe 15-25 minutes too long to really be enjoyed in full absorption.
Altar Of Flies Förruttnelsen (Release The Bats): The most cliche of the above...sounds reminiscent of P.E. and death industrial.
Altar Of Flies Rabbit Hole (Järtecknet): The most "electro-acoustic" of this lot. Focusing more on the sources than maybe the executed sounds themselves. Still enjoyable, of course!
Blodvite Falskt Spektrum (Järtecknet): It's Blodvite...what could possibly be wrong with this!? So incredibly good...
Lettera 22 True Form (A Dear Girl Called Wendy): That good 'ol, perfect harsh noise. Lovely collage cover.
Body Collector Vulture Saw (Gaping Hole): His later output is criminally underrated. While Mikko was just talking about artists' aimless use of stops and silence, I always thought this fella had nailed it.
Indulge in the other great
Gaping Hole releases:
http://gapinghole.snse.net (
Piss Horn,
Joshua Norton Cabal,
Mania,
Paranoid Time,
Rusalka,
Haemorrhaging Fetus ,
Fissure,
Wince, etc...)
Kam Hassah Hidden Door (I Just Live Here): Bass-dense harsh noise spread over minimal changes in 40 minutes. HNW without being HNW. Perfect!!
Litüus Litüus (Brave Mysteries): Atypical drone/ambient that is highly refreshing and subtle. Very excited to hear his forthcoming release on
Mazurka Editions in the coming months.
V/A Americanoise (MSNP/Audio Dissection): Words cannot describe. A beauty of the hay day of harsh noise. Loved every 2+ hours except for the
Namanax track which suffered from a lackluster loop.
Tourette Brûle Mon Ame, Broie Mon Corps; Remodèle-Moi A L'image D'un Chien (Phage Tapes/Skeleton Dust): A million times more thrilling than
Jardin... (which was rather thrilling).
V/A Contemporary Harsh Noise Vol. II - Disconnection (Skeleton Dust): I think this was summed up rather well a page or two back. Easily forgotten.
V/A We Gave Them The Future And They Wanted The Past (Unrest): What a killer comp! Was surprised that
S.T.A.B. Electronics was the highlight of it all for me...couldn't stand his output thus far. Anyone else shocked that
Cremation Lily's track was blatantly
Slogunish?
Jessika Kenney & Eyvind Kang The Face Of The Earth (Ideologic Organ): Where
Aestuarium was an unmoving work of classical stylings, this is a mastered slab of experimentation and traditionalism. Has been on constant play for months.
Absurd Der Fünfzehnjährige Krieg (World Terror Committee): The best covers album ever?