NOISEXTRA - A podcast about noise

Started by FreakAnimalFinland, May 31, 2019, 12:16:12 PM

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absurdexposition

Quote from: FreakAnimalFinland on October 27, 2024, 08:56:01 AMAs huge as this fest seemed (judging on bandlisting, the names and the numbers), it is curious that without following IG, I didn't even have idea it was happening. I was talking with some Finn noiseheads who mentioned "I heard FLAW Fest went very nicely" and I was first thinking is it some sort of Flow fest spin off or something. Then seeing couple of comments on SI forum about it. I don't think I saw anything on S&W forum either. Of course, success of the fest displays he is doing the promotion right way and works, but I tend to think that besides aspect of promotion in terms of "selling tickets", there is something in the leaving mark in search-able public internet. IG stories come and go fast

How the fest was promoted was curious. Seems like it was only on Instagram and the fest's blogspot (plus a couple ads on WCN podcast). By all accounts it was a success with 150-200 in attendance, so perhaps just basing promotion on lineup names alone was enough, but I had multiple tickerholders write me asking if I knew anything about the fest, if it was still happening, if the promoter was legit, etc. because even they hadn't seen any updates months after buying their tickets. I know Roman wouldn't do something half-assed and clearly should have been trusted all along (and again, the lineup was truly formidable), but part of me had earmarked the fest for potentially disappointing turnout given the lack of wider promotion — I'm glad it was such a success without reliance on a large promotion campaign, but a bit strange that "usual" promotion routes like forums (was there even a Facebook event?) weren't tapped. Maybe the turnout could have been 200+ as a result?
Primitive Isolation Tactics
Scream & Writhe distro and Absurd Exposition label
Montreal, QC
https://www.screamandwrithe.com

Confuzzled

Quote from: FreakAnimalFinland on October 27, 2024, 08:56:01 AMF.L.A.W. Fest / Ohio Report
QuoteGreh is back from his noise adventure and is here to tell us all about it. He attended the F.L.A.W. Fest and also played an after show as Black Sand Desert. He gives us a full rundown of his entire trip and gives his thoughts on just about every set.





For the ExtraNoisextra segment on the patreon, Greh tell us about all the noise he's been listening to.
https://www.noisextra.com/2024/10/23/f-l-a-w-fest-ohio-report/


Connellys have a bit trouble to tone down their enthusiasm to talk on podcast, and let Greh tell about his trip to the FLAW fest, hah! Not bad, though, just funny that suddenly Mike & Tara have been talking about fest bands and line-up and... "oh.. maybe we should let Greh talk, he was there" -type of situation.


Truth! I love Mike & Tara's enthusiasm. I could have sat through a 3 hour chat on the FLAW Fest. Shame Greh didn't get the chance to do interviews at the show but then he would have missed out on those stellar performances.

FreakAnimalFinland

New episode with Atrax Morgue. Traditional at this time of year. No More CD, when it came out, was almost shocking. Well, it still is! They discuss how nobody did it like this then, but neither nobody did it since. And if they did, it wouldn't be same, since Marco was (mostly likely) just doing it, naturally creating material that he did, and someone else, copying idea and creating this with intent to create it like AM did, simply would not have the same spirit. I personally prefer other AM over this one, but the sheer insanity of the album can be appreciated pretty damn high.

https://www.noisextra.com/2024/10/30/atrax-morgue-no-more/
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

FreakAnimalFinland

https://www.noisextra.com/2025/01/01/noise-year-ends-noise-year-begins/

Noisextra back after about 2 months hiatus. Basically recollections of good things and good releases happening during 2024. Good news is that they're working on written material based on Noisextra interviews.
I am sure that these days there are so good voice to text -type of programs, if you pay the license, that it can actually do it without being ridden with mistakes, hah.
There is so much of "oral history of noise", that even starting from Merzcast era interviews, besides Merz-talk, I think most artists had stories worth to immortalize into a book form.
Or remember that multiple interview series of field recordings, that would probably make good book alone. Well, let's see what noisextra folks decide to do.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Dave

#304
Quote from: theotherjohn on September 16, 2020, 02:06:20 PMPart 1 of the Dominick Fernow interview was another good episode! Here's some assorted links I gathered whilst listening to it:


Astronaut Ice Cream Headache: https://astronauticecreamheadache.bandcamp.com/releases
Prurient split on Beeshu Tapes: https://www.discogs.com/Prurient-Potassium-Cyanide-Dogbane-Sentiment-Persistence/release/857257

This is Dave who used to run Beeshu Records, was 1/2 of Astronaut Ice Cream Headache, played guitar in The Pottyshots, and was 1/2 of the short-lived PCDS, and so on and so forth. Thought I'd let you all know that my current label Kaji-Pup just put out a CD compiling the best of Astronaut Ice Cream Headache's work, transferred in 24-bits in the 2020s. This new release features the bonus track "Underwater Cave Diving Stress." It's the first time these finalized versions have found their way onto a physical format release.



You can snatch up a copy HERE. The digital downloads are elsewhere on the AICH Bandcamp, and you can also stream the tracks for free on Spotify, Apple Music, and so on. Be warned though, AICH sometimes stretches the definition of "music." It's certainly not for everybody!

Kaji-Pup also put out a Blu-ray within the past few months that compiles the best of my more refined experimental-adjacent film and video work, made between 2000 and 2014. It's a tight ninety minutes. Fewer than 100 copies remain. You can buy one HERE. It includes a film that features original noise music from Prurient. You can find some of these titles on Vimeo but the image quality is better on the Blu-ray and the work hangs together better as a proper sequence.

Anyway, it's been a minute since I've listened to the Noisextra episodes with Prurient (which I enjoyed!), but I thought I'd chime in here. Indulge me for a second . . .

Here is a photo of the first-ever Prurient live set, which I only have hazy memories of:



Dom was not embellishing when he said that—in the early days at least—we would try to sell tapes by approaching random people on the street or at school. This makes me chuckle because that's very much not my m.o. now. And circa '97-'98, cassettes were not seen as that viable a format for proper releases. A lot of people still had tape players in their cars, but they often went unused. I remember trying to put some of the early Beeshu stuff on consignment at an Exclusive Company in Brookfield (suburb west of Milwaukee) and the clerk said, "We only accept ones and zeros." This was right before when people started being able to burn CDRs with their computers; after maybe ten or so years of that, when CDRs had lost their luster, more boutique indie labels started putting out small runs of tapes, and cassette culture became more normalized again (at least as I see it).

A big influence on the Beeshu Records thing was the label Vinyl Communications. They'd started out as a more typical sort of punk label, but by the time I'd caught wind of them (through Matt Simmons) they were putting out noise (The Haters, Merzbow, Crash Worship, Zipper Spy), electronic music (Lesser, Spacewurm, Titwrench), novelty records (Melba Jackson, and Longmont Potion Castle, before he was more well known). The message was kind of an "anything goes" mindset, not puritanical. I liked a number of the prominent indie labels of the day (Dischord, Digital Hardcore Recordings, Warp, certain things on Matador, etc.), but the Beeshu ethos had something to do with not ever becoming interchangeable with a single genre. I think the need for Hospital arose because Dom and Matt wanted to be more noise focused and press ahead with more releases in that vein than I could keep up with. And the rest, as they say, is history. Or history in the making.

I still make music from time to time under the name Tired of Triangles, and I'm presently working on my third novel. My second one deals with nineties punk stuff, among other things, and you can snag a copy HERE. Down here in Florida I was involved in a recording project Leila M. & Tired of Triangles, but I haven't played out in a while. Still buy the occasional noise release, but am more of a dabbler, not well versed.

Cheers.

FreakAnimalFinland

https://www.noisextra.com/2025/01/29/in-conversation-with-paolo-bandera-sigillum-s-the-sodality-sshe-retina-stimulants/

I'd suppose with this type of veteran artists, could be good idea to restrict episode into something very specific. While 90 minutes can appear as pretty long interview, it isn't enough to really go deep into it. No matter would it be old Italian scene, any of his projects or bands he is involved with, feel like interview is urgently running through everything that would have been good to dedicate entire episode, hah.. Good, yes, but almost every reply tries to keep it compact and clearly many of the interesting stories remain untold. Of course, they do mention that Bandera would be welcomed as another visit. Certainly good to listen to and recommended!
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net