WHITE CENTIPEDE NOISE PODCAST

Started by WCN, October 18, 2021, 11:45:20 PM

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k.p.g

Fair to think that, especially when there is so much greatness in Koji's recorded output.  However, some of those live discs, in my experience, have some might behind them.  The one Joe mentions in this interview actually is a great example of that.
Dead Door Unit
French Market Press
etc.

WCN

#886
OUT NOW!
Henry Rial of MALLARD THEORY on AFTERBLAST

Henry Mallard returns to WCN on AFTERBLAST to discuss his newest ducks named after noise legends, his recent health journey, listening to MACROPRURIENT when he was 10 years old, current strengths and challenges of Pittsburgh noise scene, close collaboration with Ken of DEAD DOOR UNIT, releasing EMIL BEAULIEAU and his current relationship with RRRon, MALLARD THEORY playing in Sweden, moms ordering Pulse Demon from Walmart, his favorite foods, and much more.

Full episode on Patreon!
Video: https://www.patreon.com/whitecentipedenoise/posts/afterblast-with-168195745
Audio: https://www.patreon.com/whitecentipedenoise/posts/afterblast-with-168195470

ALSO - the deadline to sign up and receive an exclusive WCN gift has been extended! You can sign up now and still receive a WCN sticker pack, enamel pin, or flag!

Harsh Noise label and EU based distro of American Imports
https://whitecentipedenoise.com/

k.p.g

Just like the Jim Haras AFTERBLAST, this one is generational and easily one of the best entries into the WCN podcast catalogue.  Great insight on local scenes and the recording process, with a great deal of humor interjected!  Could have had this one go on for another hour, easily. 

When the Mallard speaks, you sit your ass down and LISTEN.
Dead Door Unit
French Market Press
etc.

WCN

#888
OUT NOW
Jeph Jerman of HANDS TO on WCN Podcast

Jeph Jerman is a sound artist active since the early '80s, known for his early work as HANDS TO, as well as groups such as CITY OF WORMS and BLOWHOLE, and now recording and performing under his own name. Jeph works with rough, raw, organic sounds - both played and captured - to create deeply penetrative work that defies easy categorization.

In this conversation, we talk about his early experiments with body sounds, his approach to recording and degradation, the importance of listening and attention, field recording, improvisation, and the evolution of his practice over more than four decades.

Full version of the episode:
https://www.patreon.com/whitecentipedenoise

Harsh Noise label and EU based distro of American Imports
https://whitecentipedenoise.com/

FreakAnimalFinland

Good stuff! It is interesting to hear how Jerman says both things. That if he had money and production possibilities, the sound would have been something else, way clearer. But very quickly the lo-fi production is afterall his trademark sound that brings something unique to it.

It could have been interesting to her about this deep listening style of his, how important is the sound system. If his recordings tend to be lo-fi and non-musical. A lot of people who listen music, seem to be fully ok to blast their phone speaker or little radio, but deep listening noise, could be interesting to hear how much "audiophile quality" would have meant for Jeph. Is it listening to the creation, or listening to compromised small version from little tinny speakers.
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