NOISE RELATED RANDOM TALK TOPIC

Started by FreakAnimalFinland, August 05, 2024, 09:53:12 AM

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Commander15

I feel that in my context of making noise the mono is often the right way to go. When the aim is set to do fierce and immediate noise, that isn't multitracked, the mono really brings the right amount of punch and immediacy into sound. Many times i feel that stereo recordings that i have made sound a little thin due to channel separation of the sources. Horses for courses!

Of course i tend to sum the sessions and tape masters into double mono in the end to preserve the optimum volume level.

Krigsverk

It is true, mono feels a bit more powerful for some sounds. I usually record in stereo though, and then I adjust things in the mastering by working with the "stereo width" settings. If you narrow down the separation of the stereo you can hit that spot where you still have some of that stereo movement between the channels, but tamed down to get more of that "mono-punch".

FreakAnimalFinland

I almost exclusively master everything into mono-bass. Regardless of format. Indeed, especially with live recordings, it's something people should look into more often. Stereo bass frequencies tend to create the distant, a bit phase-error vibe feel, while just doing mono bass and stereo high's will sound much better almost without exception.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Commander15

Quote from: FreakAnimalFinland on October 09, 2024, 03:54:11 PMI almost exclusively master everything into mono-bass. Regardless of format. Indeed, especially with live recordings, it's something people should look into more often. Stereo bass frequencies tend to create the distant, a bit phase-error vibe feel, while just doing mono bass and stereo high's will sound much better almost without exception.

So do you split the master files into three separate tracks where the one track is in mono and contains all the bass frequencies and two other tracks have the bass cut out and panned into left and right?

FreakAnimalFinland

no, there is actually tools for that. Anyone using something as reaper, should have for example plugin called "Stereo Enhancer". Or something similar. Use of this is as simple as you have like 3 slides, one for low, one for high and the crossover Hz. So, put low frequencies to 0% stereo and leave highs to 100% stereo, and then find the good sound spot for crossover. Usually if you are doing mono bass at 200, 100.. something like that, stereo sound will still sound full, but with more compact bass. I am sure you can find such hardware for mastering purposes or countless similar plugins, but this mentioned one probably comes as default in reaper.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Manhog_84

Genocide Organ's Finland gig sold out lighting fast. To compensate, I bought the early bird ticket for Tower Transmission 2025. Sigillum S, Arktau Eos...Looking good already, so it's time to check out that festival for the first time.

Balor/SS1535

Anyone going to the VOD fest?  I looks amazing---especially with the opportunity to visit his store.

Moran

Quote from: Fistfuck Masonanie on September 28, 2024, 01:36:58 AMTourette – Matiere Arrachee CD (Flag Day Recordings)

A focus on "micro" sounds from various sources. Contact mic being dragged carefully over surfaces, modular synths and synths in general, abruptly cut electronics panning in and out of the mix.

All carefully curated of course with very well thought out dynamics and structure. With all of Tourette's material, there is always careful planning and immaculate execution. Tracks build tension well from the addition of full-bodied and sweeping synth chords which play a dominant role on this release. 

Definitely elements of progression from the subtle detail and dynamics of both 2021's album Échancré and 2012's Brûle Mon Ame album which heavily played on strong and abrupt contrast of sounds. Matiere Arrachee constructs more intentional and gradually building crescendos of sound with a well-calculated pullback on dynamics that lead into ambient moments.

Maybe none of this is surprising as a description if you've been paying attention to his past work, unless you jumped from his Troniks album to this, but the album is executed flawlessly. A really immaculate 32 minutes. Among an already accomplished discography this is essential and immediately enters my top releases of the year.

I know it's very crude and not at all well-executed technically, but for some reason, I love the album cover. The contrast of vibrant colors and detailed texture fits the release perfectly. And I'm sure like everything else on this release, that was very intentional.
Sounds good. I'll get it if and when it becomes available from a nearby distributor.

FreakAnimalFinland

Most of today went into listening UNCODIFIED CD's. Wrecks of Tomorrow (OEC) and Erased People (Dunkelheit). Latter is probably notch better, but both very nice. Makes me think almost to start topic for project. Its somewhere on fine line of getting noisy enough to constitute NOISE, yet most often atmospheric, droning, oscillating, brooding soundscapes that almost get to "power electronics", but perhaps still remain somewhere in realms of "harsh industrial" like Dunkelheits sticker says on the CD cover.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

FreakAnimalFinland

I was listening to science program which in a way was completely unrelated to noise, more related to sports and physical activity, where one of core ideas of healthiness of activity was defined by psychological idea of "flow", where something is not too easy, not too difficult, and also something you like to do and it tends to distance person from most nuisance that is around. Just getting into zone and doing something that captures you into sort of full involvement in activity. 

QuoteFlow in positive psychology, also known colloquially as being in the zone or locked in, is the mental state in which a person performing some activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity.

It lead me to think about noise from such perspective. I have a bit of hesitation to consider noise as cathartic or as way to cope with negative emotions. I rather believe it could be also way of re-evaluation of things we have been told are negative emotions. Rather facing life as is, than resentful and bitter way, looking to escape the reality.

However, at the same time, many times of process of actual noise making, when you finally get into the zone - so to say - I would say it's quite unlike a lot of music creation. Transition from hurry, aim, composition, many other elements, that you simply are in flow of sound and feeling, and it is no more "jam" nor it is about searching for sound. It may be hard to put into words, what is the state of noise experience in moment when its full involvement and you simply realize its been hours that was spent in the flow. Regardless did you even push rec at any time. Just experience it as it was happening.

Most of noise I tend to play, is done first purely as experiment, as way to find something, but eventually realizing something indeed has happened. If considering this immersion wouldn't be merely "idea" to toy with, but some far more deeper phenomena in human mind, it makes me also think about purpose of FLOW in noise in general. As a listener, who seeks immersion and flow, rather than "good song"?
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Moran

#55
Quote from: FreakAnimalFinland on October 22, 2024, 05:26:02 PMHowever, at the same time, many times of process of actual noise making, when you finally get into the zone - so to say - I would say it's quite unlike a lot of music creation. Transition from hurry, aim, composition, many other elements, that you simply are in flow of sound and feeling, and it is no more "jam" nor it is about searching for sound. It may be hard to put into words, what is the state of noise experience in moment when its full involvement and you simply realize its been hours that was spent in the flow. Regardless did you even push rec at any time. Just experience it as it was happening.
I think this is partly because of the relative lack of preconceptions on what noise should be, like compositional rules, social function and such that conventional music is nearly always concerned with, so one can get in the flow with less mental obstacles than when making other music. I happen to find that most music I enjoy has the qualities of "flowing" and being regardless of the genre.

tisbor

Quote from: FreakAnimalFinland on October 16, 2024, 05:05:24 PMMost of today went into listening UNCODIFIED CD's. Wrecks of Tomorrow (OEC) and Erased People (Dunkelheit). Latter is probably notch better, but both very nice. Makes me think almost to start topic for project. Its somewhere on fine line of getting noisy enough to constitute NOISE, yet most often atmospheric, droning, oscillating, brooding soundscapes that almost get to "power electronics", but perhaps still remain somewhere in realms of "harsh industrial" like Dunkelheits sticker says on the CD cover.

Definitely worth of a thread! Corrado's work is quite unique in the Italian scene today. Perhaps the only other Italian project that dabbled similiar territories and atmospheres is Cazzodio.

PSYWARRIOR84

Quote from: FreakAnimalFinland on October 22, 2024, 05:26:02 PMI was listening to science program which in a way was completely unrelated to noise, more related to sports and physical activity, where one of core ideas of healthiness of activity was defined by psychological idea of "flow", where something is not too easy, not too difficult, and also something you like to do and it tends to distance person from most nuisance that is around. Just getting into zone and doing something that captures you into sort of full involvement in activity. 

QuoteFlow in positive psychology, also known colloquially as being in the zone or locked in, is the mental state in which a person performing some activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity.

It lead me to think about noise from such perspective. I have a bit of hesitation to consider noise as cathartic or as way to cope with negative emotions. I rather believe it could be also way of re-evaluation of things we have been told are negative emotions. Rather facing life as is, than resentful and bitter way, looking to escape the reality.

However, at the same time, many times of process of actual noise making, when you finally get into the zone - so to say - I would say it's quite unlike a lot of music creation. Transition from hurry, aim, composition, many other elements, that you simply are in flow of sound and feeling, and it is no more "jam" nor it is about searching for sound. It may be hard to put into words, what is the state of noise experience in moment when its full involvement and you simply realize its been hours that was spent in the flow. Regardless did you even push rec at any time. Just experience it as it was happening.

Most of noise I tend to play, is done first purely as experiment, as way to find something, but eventually realizing something indeed has happened. If considering this immersion wouldn't be merely "idea" to toy with, but some far more deeper phenomena in human mind, it makes me also think about purpose of FLOW in noise in general. As a listener, who seeks immersion and flow, rather than "good song"?
I was having the same thought this morning experimenting with my synthesizer. Trying to make something "musical" with a single synth can quickly become boring and mundane. However, hours can pass like minutes when exploring noisy textures, detuning oscillators, and balancing ADSR. I like the comparison to the flow of physical activity. I recently got back into skateboarding after having a severe injury, which is a difficult, uncomfortable, but completely gratifying activity. Similar to Noise,  they are usually misunderstood, the possibilities are endless, and the process frees the conscious mind from all distracting thoughts and unnecessary mental wanderings/wondering.

Kaaoskultti

#58
Quote from: PSYWARRIOR84 on October 23, 2024, 02:24:00 PM
Quote from: FreakAnimalFinland on October 22, 2024, 05:26:02 PMI was listening to science program which in a way was completely unrelated to noise, more related to sports and physical activity, where one of core ideas of healthiness of activity was defined by psychological idea of "flow", where something is not too easy, not too difficult, and also something you like to do and it tends to distance person from most nuisance that is around. Just getting into zone and doing something that captures you into sort of full involvement in activity. 

QuoteFlow in positive psychology, also known colloquially as being in the zone or locked in, is the mental state in which a person performing some activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity.

It lead me to think about noise from such perspective. I have a bit of hesitation to consider noise as cathartic or as way to cope with negative emotions. I rather believe it could be also way of re-evaluation of things we have been told are negative emotions. Rather facing life as is, than resentful and bitter way, looking to escape the reality.

However, at the same time, many times of process of actual noise making, when you finally get into the zone - so to say - I would say it's quite unlike a lot of music creation. Transition from hurry, aim, composition, many other elements, that you simply are in flow of sound and feeling, and it is no more "jam" nor it is about searching for sound. It may be hard to put into words, what is the state of noise experience in moment when its full involvement and you simply realize its been hours that was spent in the flow. Regardless did you even push rec at any time. Just experience it as it was happening.

Most of noise I tend to play, is done first purely as experiment, as way to find something, but eventually realizing something indeed has happened. If considering this immersion wouldn't be merely "idea" to toy with, but some far more deeper phenomena in human mind, it makes me also think about purpose of FLOW in noise in general. As a listener, who seeks immersion and flow, rather than "good song"?
I was having the same thought this morning experimenting with my synthesizer. Trying to make something "musical" with a single synth can quickly become boring and mundane. However, hours can pass like minutes when exploring noisy textures, detuning oscillators, and balancing ADSR. I like the comparison to the flow of physical activity. I recently got back into skateboarding after having a severe injury, which is a difficult, uncomfortable, but completely gratifying activity. Similar to Noise,  they are usually misunderstood, the possibilities are endless, and the process frees the conscious mind from all distracting thoughts and unnecessary mental wanderings/wondering.

Yes and yes. Much is talked on here about the experience of playing analog material whilst exploring the different sounds adn textures as if it were (and it is) one, overall cathartic or rather interesting experience. I agree that music should be more than a catharsis (however if it's not, it's fine for me too), but here is one thing that confirms what was written above.

Now, I'm one of those days in which everything just falls down and down, without room to breathe for your thoughts to stray from that endless murmuring and lameting which comes in hand with depression. I was, like, lying in bed writhing and wriggling (if you understand me here), hopeless. Just like in Saint Vitus' "H.A.A.G.", consumed by the void.

But then, out of no particular reason as I wasn't interested in music, but rather as a simple way to think about anything else, I turned on the amp. A simple Behringer reverb pedal and a voice modulator. Had no intention of even recording, but as soon as the noise came in, felt like an urge to do it. I simply improvised for some moments and ended up recording 2 songs from the session. And after that, my depression was gone. And I mean it, like if I'd have taken medicine or something, it thus vanished. Maybe a psychoanalytic case of Sublimation, in which an instinct is internally transfigured into a drive which allows the negative energy to flow off consciousness, and achieve some kind of satisfaction which is profoundly impacting.

Time flies while messing with the gears. My music isn't even very good, but the flaws kind make room for something special here. Nonetheless, the neverending possibility aspect, all the while made from simple material, makes room for true satisfaction regardless of how bad or good your music might turn to be; and that is even so that while producing music I don't feel as if what I'm doing is not going to turn out as good as I wished it to be, but get that feeling when listening to the material recorded. "If considering this immersion wouldn't be merely "idea" to toy with, but some far more deeper phenomena in human mind, it makes me also think about purpose of FLOW in noise in general. As a listener, who seeks immersion and flow, rather than "good song"?" - this is the FLOW of NOISE. Pedals are angelic creatures.
ZOB ZYGGLAN - Brazilian Power Electronics - https://zobzygglan.bandcamp.com/

PSYWARRIOR84

Quote from: Kaaoskultti on October 29, 2024, 06:26:59 AM
Quote from: PSYWARRIOR84 on October 23, 2024, 02:24:00 PM
Quote from: FreakAnimalFinland on October 22, 2024, 05:26:02 PMI was listening to science program which in a way was completely unrelated to noise, more related to sports and physical activity, where one of core ideas of healthiness of activity was defined by psychological idea of "flow", where something is not too easy, not too difficult, and also something you like to do and it tends to distance person from most nuisance that is around. Just getting into zone and doing something that captures you into sort of full involvement in activity. 

QuoteFlow in positive psychology, also known colloquially as being in the zone or locked in, is the mental state in which a person performing some activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity.

It lead me to think about noise from such perspective. I have a bit of hesitation to consider noise as cathartic or as way to cope with negative emotions. I rather believe it could be also way of re-evaluation of things we have been told are negative emotions. Rather facing life as is, than resentful and bitter way, looking to escape the reality.

However, at the same time, many times of process of actual noise making, when you finally get into the zone - so to say - I would say it's quite unlike a lot of music creation. Transition from hurry, aim, composition, many other elements, that you simply are in flow of sound and feeling, and it is no more "jam" nor it is about searching for sound. It may be hard to put into words, what is the state of noise experience in moment when its full involvement and you simply realize its been hours that was spent in the flow. Regardless did you even push rec at any time. Just experience it as it was happening.

Most of noise I tend to play, is done first purely as experiment, as way to find something, but eventually realizing something indeed has happened. If considering this immersion wouldn't be merely "idea" to toy with, but some far more deeper phenomena in human mind, it makes me also think about purpose of FLOW in noise in general. As a listener, who seeks immersion and flow, rather than "good song"?
I was having the same thought this morning experimenting with my synthesizer. Trying to make something "musical" with a single synth can quickly become boring and mundane. However, hours can pass like minutes when exploring noisy textures, detuning oscillators, and balancing ADSR. I like the comparison to the flow of physical activity. I recently got back into skateboarding after having a severe injury, which is a difficult, uncomfortable, but completely gratifying activity. Similar to Noise,  they are usually misunderstood, the possibilities are endless, and the process frees the conscious mind from all distracting thoughts and unnecessary mental wanderings/wondering.

Yes and yes. Much is talked on here about the experience of playing analog material whilst exploring the different sounds adn textures as if it were (and it is) one, overall cathartic or rather interesting experience. I agree that music should be more than a catharsis (however if it's not, it's fine for me too), but here is one thing that confirms what was written above.

Now, I'm one of those days in which everything just falls down and down, without room to breathe for your thoughts to stray from that endless murmuring and lameting which comes in hand with depression. I was, like, lying in bed writhing and wriggling (if you understand me here), hopeless. Just like in Saint Vitus' "H.A.A.G.", consumed by the void.

But then, out of no particular reason as I wasn't interested in music, but rather as a simple way to think about anything else, I turned on the amp. A simple Behringer reverb pedal and a voice modulator. Had no intention of even recording, but as soon as the noise came in, felt like an urge to do it. I simply improvised for some moments and ended up recording 2 songs from the session. And after that, my depression was gone. And I mean it, like if I'd have taken medicine or something, it thus vanished. Maybe a psychoanalytic case of Sublimation, in which an instinct is internally transfigured into a drive which allows the negative energy to flow off consciousness, and achieve some kind of satisfaction which is profoundly impacting.

Time flies while messing with the gears. My music isn't even very good, but the flaws kind make room for something special here. Nonetheless, the neverending possibility aspect, all the while made from simple material, makes room for true satisfaction regardless of how bad or good your music might turn to be; and that is even so that while producing music I don't feel as if what I'm doing is not going to turn out as good as I wished it to be, but get that feeling when listening to the material recorded. "If considering this immersion wouldn't be merely "idea" to toy with, but some far more deeper phenomena in human mind, it makes me also think about purpose of FLOW in noise in general. As a listener, who seeks immersion and flow, rather than "good song"?" - this is the FLOW of NOISE. Pedals are angelic creatures.
I've heard many people talk about the driving force to participate in music or art is ultimately to release emotions but I don't think that is really true although it may seem that way. This world is based on creation, if we depress those natural creative gifts, we become depressed. The emotions are the subconscious hunger pangs for creation; catharsis doesn't seem natural.

I'd like to hear what you came up with because I am looking for folks to work with. I've been pushing myself to create with more authenticity and originality lately. I like the idea of flaws and getting past trying to make "good" songs. Much of noise has no involvement with songs anyways, but that is refreshing because familiarity and homogeneity are trappings that stifle authentic creation. Which is why music seems dead and lifeless, whereas Noise seems like a young sapling in an empty forest.