PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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HESalvo

#7770
King Dude - "Music To Make War To"
Kind of hard to review because I can't seem to recall a single fucking thing after it has finished playing. I'll tell you this certainly is not music for war, it should have been titled "Music for getting topped by a slack jawed neo-fascigoth to". I can already guess which platitudes Pitchfork dorks would use to describe this; "cold, longing, somber." The reality is that it's laborious and trite and it's lifelessness isn't a positive. It's a good representation of the absolute bankruptcy of this genre. This is the type of guy who would probably use a totenkompf as a profile picture, fucking dweeb....oh wait.


HESALVO (formerly PureStench) : http://hesalvo.weebly.com

Bloated Slutbag

Quote from: totalblack on February 28, 2020, 11:27:35 AM
Quote from: Andrew McIntosh on February 28, 2020, 06:14:11 AM
Nice to see a few more people digging the drone. It's a bit of a love or hate thing I suppose.

Recently I've been getting back into the sounds of Alleypisser. Pretty much from the Jeph Jerman school of noise creation, although often building pieces up to crescendos more along the lines of the metal bashers. Often a nice grimy sound, low on the high end, and as much electronic source as acoustic. More emphasis on sinister than bluster. At some stage I might listen to some of Mikkel Rørbo's post Alleypisser material, but right now this is enough for me. He was interviewed in SI #9.

I've also been revisiting a lot of his material in the last several weeks. Honestly if you like Alleypisser it's worth it to listen to the Knækkede Stemmer material, I like it more overall. The LP on Järtecknet, the Lust Vessel tape, and the one that I released are all excellent. A bit more developed but same ideas. He's working on some new material for the last while as well, which has been sounding promising.

Really need to top up my Alleypisser. Scanning bandcamp, I don't think I'd realized there was that much in existence. Love the rugged sound, I can see hear smell the Jerman airs though as Andrew McIntosh suggests much more composed / deliberate in execution. Will also echo the plugs for Knækkede Stemmer, which again feels much more directed and often all the better for it. Very glad to know there's more on the horizon.
Someone weaker than you should beat you and brag
And take you for a drag

Bloated Slutbag

Mattias Gustafsson - Frusen Musik
Eight compositions for imaginary rooms, but perhaps not the sort of room you'd want to hang around in too long. Press play and close your eyes and don't blame me when things get more than a bit unsettling.

Thoughtful, considered ferric degenerations, unraveling unevenly through frigid subterranean passages, bare strains of music frozen and fractured, breaking off and tumbling into mercurial cracks and fissures to reveal, under lens of close introspection, still further fissures obscuring still further cracks. Somehow, it holds, or will hold, just, for the full sixty-five minute unraveling. An ill-fitted assemblage steeped at odd angles, but materially sound, rugged heavy duty chunks keeping things on track. So to say, not without a certain brutish quality. A genteel sort of brute, ill-coordinated, none-too-quick on the uptake but no less the lovable for it. See the poor bastard lurch and stagger in mildly concussed perplexity, half-deaf, half-blind, if not blind-drunk, to stumble in and out of the gutter, and then right back into the sewer. Where he belongs.

Here, deep down in the dregs, as the eyes become accustomed to the gloom, a pleasingly hideous plenitude of deformity looms dangerously close. Call it: microsonic muzak for concussed retards, interminably dragging through guttural gutter tones, broken machines, woozy bass-throb, rumpled magnetic tape stretched and spooling at different speeds, buckets of piss accidentally kicked and slopping over the edges.

The promo blurb name-checks Altar Of Flies, with some justification. This is a fair bit rougher than the last couple joints on B.A.A.D.M., and, again referencing the blurb, airs are shared with the Tapeworks, notably VII (Landmusik). The obvious AoF for sacrifice would of course be the recent full-lengths notably Rörelsen Mellan Rummen. Leaden quiver of mangled magnetic ribbon winds through waterlogged cave-like dwellings, muffled oscilla-belch and flits of discernible musical instrumentation dragged into widened chambers where sharpened industrial-grade metal scrape and the odd electronic hiccup occasionally unhinge otherwise unhurried proceedings. For the most part, however, this is very focused in atmosphere, the crushing brutality of the everyday apprehended in murky opacity, dangerously close but filtered through senses terminally dulled to, and by, the horror of it all. Buy that genteel brute another drink.
Someone weaker than you should beat you and brag
And take you for a drag

HESalvo

#7773
Quote from: Bloated Slutbag on March 01, 2020, 07:46:59 AM
Quote from: totalblack on February 28, 2020, 11:27:35 AM
Quote from: Andrew McIntosh on February 28, 2020, 06:14:11 AM
Nice to see a few more people digging the drone. It's a bit of a love or hate thing I suppose.

Recently I've been getting back into the sounds of Alleypisser. Pretty much from the Jeph Jerman school of noise creation, although often building pieces up to crescendos more along the lines of the metal bashers. Often a nice grimy sound, low on the high end, and as much electronic source as acoustic. More emphasis on sinister than bluster. At some stage I might listen to some of Mikkel Rørbo's post Alleypisser material, but right now this is enough for me. He was interviewed in SI #9.

I've also been revisiting a lot of his material in the last several weeks. Honestly if you like Alleypisser it's worth it to listen to the Knækkede Stemmer material, I like it more overall. The LP on Järtecknet, the Lust Vessel tape, and the one that I released are all excellent. A bit more developed but same ideas. He's working on some new material for the last while as well, which has been sounding promising.

Really need to top up my Alleypisser. Scanning bandcamp, I don't think I'd realized there was that much in existence. Love the rugged sound, I can see hear smell the Jerman airs though as Andrew McIntosh suggests much more composed / deliberate in execution. Will also echo the plugs for Knækkede Stemmer, which again feels much more directed and often all the better for it. Very glad to know there's more on the horizon.

Alleypisser (and his other projects) has always been one of my absolute favorite analog/found sound manipulation artists. He layers it all so well. The Antonin Pagaille tape he did on Imminent Frequencies is a hidden gem too; great analog synth work without being "wanky" nor repetitive, just nicely inbetween.
I had an interview with him if you haven't read it, pretty interesting thoughts:
http://hesalvo.weebly.com/alley.html
HESALVO (formerly PureStench) : http://hesalvo.weebly.com

Andrew McIntosh

#7774
Took totalblack's advice and have been listening to Knækkede Stemmer for the last couple of days. Very much along the lines of the Alleypisser project, in fact. Perhaps a bit more sedate - "Med Tyste Stemmer & Lukkede Øjne", being mainly piano music, I wasn't expecting and am not sure how I feel about it. I think overall the project leans more towards acoustic sources? The baby crying sounds in "I et mellemrum" are an interesting challenge to listen to. Although that definitely sounds like a synth tone on the first unnamed piece of "Første Portræt (Et Hult Menneske)", and on the first part of "Angst", so obviously still mixed. Perhaps each sound is more defined in the recording/mixing. Anyway, this bloke knows what he's doing and deserves much credit for it.

EDIT - "Andet Portræt" might be my personal favourite of that collection. Nice, long, considered pieces.
Shikata ga nai.

CANONIC

K2 - Tekhnodrug

I had to listen to the first works of K2 since a long time. Tekhnodrug was released in 1993 and must be, unfortunately, one of the oldest recordings available (if someone has the recordings of 83/84 I'm interested!).
I was very positively surprised by the very industrial sound rather than noise. I don't know exactly what the relations between the Japanese scene and the European industrialist were, or how it all went so well, but the result is very good.
In fact one of the last things really good that I have listened to lately!
CANONIC's Bandcamp
http://canonic.bandcamp.com/

Andrew McIntosh

Norwegian noisechap's Sindre Bjerga's "Half Moon, Half Wasted" release, from 2005, is a nice little bit of low fidelity, blown-out, dirty sounding and distorted electronic drone (I'm assuming a synthesiser but could be wrong), that is pretty nicely minimal but oscillates a little bit on side two then stops half-way to do some kind of feedback-ish hissing and swelling (sounds like a bit of short-wave radio, maybe), and much the same sort of thing on side one. Extreme hard panning to both sides. There's also this squiggling distorted stuff over it that sounds like an issue with the leads used to record but was left in anyway. Has an atmosphere not entirely unlike Chop Shop. He's very graciously allowed a long unused weblog to host an upload of it, and checking, it seems to still be working.

https://sindrebjerga.wordpress.com/sounds/
Shikata ga nai.

Soloman Tump

METGUMBNERBONE 'Anthropological Field Recordings For The Dispossessed' 2CD
I ordered this from Old Cafe Europa as well as a couple of other items.  I was going by the sales pitch on their website rather than any previous knowledge of the group - improvisation and novel recording locations is something I am interested in.  The first CD starts with a loud male scream and a vast natural reverb trail - excellent.

[will continue writing later....]

Andrew McIntosh

Does anyone else remember, or even know more about, Danger Hilton, the Swedish Power/Death Electronics project that based itself on Rastafarianism? They did a download only (there may have been physical versions, I don't know) release, "Smoke Over Ethiopia, Fire In Israel", which I've only just gotten around to giving a proper listen to. It's a nice little release. More interesting than entertaining, but has its moments. Reasonably short pieces that sample a lot from reggae and movies featuring Rastas, varying between semi-harsh and atmospheric. Puts a bit of emphasis on delay for obvious reasons, and looping samples. Plenty of feedback, samples and so on turned up enough to feed back. Funny how it works - maybe reggae types need to borrow a bit from PE. Two longer pieces, "Health Dub", which loops a basic sounding reggae beat with feedback and distortion, and "Freedom of Spirit, Freedom from S", more drone based with trad. PE shouted vocals (although set back in the mix). I suppose there's some connection with Green Army Fraction since they did a split (didn't the chap from GAF go to India to become a sadu or something?). Whatever the case, this seems halfway between a "joke" project and something a bit more serious, but whatever the intentions, it's an interesting little bit of experimentation to me.
Shikata ga nai.

burdizzo

Hah! Yes, a friend of mine gave me a disc he'd burned of this a few months ago. Your description of it is pretty spot-on, though I'd say the overriding amateur feel and the samples would put it more firmly in the "joke" camp for me. I'd be way more interested in hearing the split w/ GAF, since that was clearly a project with serious intent - and far better music, to boot. Not that some of the GAF titles on "Black Power" wouldn't raise a wry smile, but it seems that Danger Hilton's are obviously for laughs!
I must say, I do miss GAF. Loved the music and the attitude. I had heard he went to India, all right, but apparently he went back to Sweden and had a daughter. This was ages ago I heard this. Also was supposed to be having a new CD on L. White a few years ago, but nothing surfaced, sadly.

Bloated Slutbag

#7780
See bottom of this post for digest commentary.

TEF / Scathing - split
Dadadrumming strikes again with more TEF! This time squaring off against not-unworthy newharsher Scorching. Or Searing. Or Scalding. One of those damn descriptors whereby implications as to certain much-prized earhole incinerating temperaments are duly measured. Definitely on the upper end of the Harsh Scale first postulated in 1963 by Dr Scorchyerheadoff. According to the doctor, The measurements of the peak harshness and spectral brutality distribution of a high-brutality, short-duration sphinct-rupturing discharge source indicate a peak harshness of 54,000 °Fucked to 68,000 °Fucked over the wavelength region from 450 nm to 300 nm (republished in Professor Blumpy's "Tinpot Shit-Pails Hurled All Over The Room, Ripping Holes In Filthed-Out Distortion Walls, vol 52"). It's all a bit technical really, but the point is, the shit is hot. Both sides of it, the one nicely complementing the other, the inner ear follicle thingies necessarily guaranteed their never-to-be-recouped incinerations.

Scathing- that was it!- kicks things off with five untitled ditties, separation of which seems at first formality, but which works out advantageously as the side rounds out. The first thing I did when the sounds hit was check discogs for some pictures of the project in action. Live, very much looks to be your straight-up pedal-driven harsh. On this recording, however, almost unquestionably the sort of digitally sourced abrasions also to be found in earlier Worth and some of the other acts appearing on the Lead Lozenges label. The said representation is here much more "pure" in its hole-smoking convictions, though, seldom straying from straight-for-the-jugular whitewashed blisternment, rapid-fire dynamics at some reduced remove, all inevitably in thrall to the Scorchyerheadoff Principle (ibid). Honestly, as to whether the digital sourcings are real or imagined, it's hard to tell, and when the shit is this shit-hot, it's even harder to care.

Untitled, first through third: subsurface busy-ness rushing haphazard from one spectral coordinate to the next. Go deep and gorge on exquisite sub-spastic detail, tensions twisting on a wild ride, plunging down bewildering disarray of collapsible rabbit-holes, spine herked jerked and snapped in fevered dimentia, never settled for more than the most fleeting of intervals, repeatedly cut-off, zipped, zapped, hacked. Rabbit-hole-ous interruptus. Pull back now and indulge the char-blackened high-end, whitesheeted scathewalls subsuming the particulars in purplefaced ferocity, blueballed nut-strangle, redzoned oblivion.

Toward the end, probably the fourth Untitled, and a distinctly filthier wallowing in blown-out distortions, the whitesheeted scathewalls suddenly in fierce competition with fractured textural dynamics. Here a bit of a reprieve from the merciless 'hole smoking, but also occasioning opportunity to take in the punchy spikes of mangled underbrush chopping up the unsightly scathescape, the sources even less certain than previously postulated and the perfect counterbalance to set the scene for TEF.

TEF, of course, is TEF. And if that doesn't scan, well, your 'holes are in desperate need of some serious edumucatin'. That edumucatin' comes fast and hard as only TEF TEFs. Exacting precision and focus, meticulous, obsessive. Obsessively compulsive disorders viciously hacked and splattered across the full frequency spectrum, dynamic spasms exploding in violently unhinged de-rangements, on the knife-edge of the most precarious balancing act...yet delivered with an elegance, grace, artistry and attention to detail second to none.

I wanted to use the word "hyperspastic" but actually this is one rough motherfucker, heavier, dirtier, smellier than the full length Framework previously issued on Dadadrumming. Part of this I readily concede could simply be format-dictated projection on my part. But. What I'm hearing, or projecting, is something more in line with the split 7-inch on White Centipede, where the more hyper of the spastics takes a back seat to the arid landscapes occasioned fragments of percussive thumpa-thumpa, acoustic-metal-smacking-heavily-down-on-acoustic-metal, and raspberried psychedelic twizzle-snort.

The shit, is, as ever, completely out of its fucking gourd. But still, at least by TEF standards, the sense of being invited to stick around, explore some of the territory, get a right gander on this here vicious shriek-attack slamming down from the upper-right, that there bled-out bludger thump ripping along the lower left, or the epileptic feeding frenzy ripping throughout the channel pan, dislocated spasms ripping appendages out of socket, rendering perspective well and annihilated. A nice little round of synth-driven psychedelic thump-loop, a legit pretense at coherence, rapidly lr'd scrap-bash ripping through the teeniest of dead calm respites, eyes rapidly blinking in the blissed surging sss-pastic exposure.

FUCK! Every time I think I got a handle on things and am sure to complete a sentence intact here come the insane hyper-spastic incisions, the outlying proto-ripper-bilge abortions, the frenetic herkily-jerkily splick-splack shudder, the Total SPRACKER-jurg-HUCKA-kerLUNK-swebber-flershsxperk, to to... Total Earhole... To render the narrator a spastic fucking mess. Total Earhole Fuckfrenz-

TEF, is TEF.


Digest spew
TEF is TEF. This time counterbalanced out by newish chap who sure knows his scathe-wash. His scorch-wash. That principally upper-ended earhole-drilling excess of non-relenting persuasion. His HARSH. These two projects deserve each other, one seldom straying from straight-for-the-jugular whitewashed blisternment, one surprisingly rough, and filthy, in deferral to more hand-crafted non-spastics. Total Earhole Fuckfrenzy meets exquisite sub-spastic negotiations of the most intricate of collapsible rabbit holes. Rabbit-holous interruptus.
Someone weaker than you should beat you and brag
And take you for a drag

Theodore

Earlier this morning - Bob Marinelli / Outermost CS on Distorted Vision : Oh, Marinelli starts and it has sounds i dont like at all, dont have the vocabulary to fully describe them but think the sound glass does when you clean the windows, it goes with them for around 7 minutes and then it totaly changes to a more 'clasic' harsh noise form, till the end. Yes, that's what i wanted to listen, perfect ! Track ends abruptly, leaving me want more like the last part and i ask why the first 7 minutes ? - Outermost, white noise like, not a lot happening, i have listened him much better, i was expecting some crazyness.

Continue with Lasse Marhaug - Feed Feel CS on Bawler : Tape is a C40, a small part of it is included in his Tapes CD set anthology, dont remember which. Hm, it is similar style / sound like the Outermost though more 'electric' , maybe 'richer' too. I am thinking i probably am in mood for destructive, physical, mercyless noise but i say fuck it i ll listen this. Lay back, closing my eyes, it's hypnotic, and sounds better when you dont pay attention to it. Just before the end it lifts me up, like saying dont sleep, flip sides. B-Side same, but now i have a feeling it goes somewhere, there is something to come. I follow, i wait some minutes ... No, it doesnt go anywhere, lay back again, maybe i need sleep, awake whole night. But soon ... heavier, faster, full ! Lows, pace, and it goes, giving more ! Fuck me ! The beast woke up ! I knew it !

Both tapes so and so.
"ἀθάνατοι θνητοί, θνητοὶ ἀθάνατοι, ζῶντες τὸν ἐκείνων θάνατον, τὸν δὲ ἐκείνων βίον τεθνεῶτες"

Major Carew


CLINIC OF TORTURE "Rohrstockliebe" tape box

The project has been hit and miss for me (of the releases i've heard that is) but i'm always interested in it due to the soundtrack type approach, but with a harsher edge.

A side is very much as COT describes : Ripping & distorted, very much in the red.

B side sounds like Klaus Schulze going through feedback assisted cock & ball torture and / or a Sherman Filterbank.

Very good all in all. Artwork isn't as in your face / immediate & striking as previous COT releases and leaves your eyes having to do some work which I quite liked. Nice neat envelope tape box.Highly recommended.

Andrew McIntosh

Listening to the split cassette release of Club Moral and Etat Brut (which is just titled "Club Moral Stocklist 002" on the Archive.org page I downloaded the files from), released originally in 1981, although the version of "Eating Limbs" apparently was made in 1979 - it's hard to imagine a more stripped down, rawer and more minimalist version of electronic nearly-music. Club Moral's basic formal is some kind of synthesised rhythm track or sequenced track (using an EDP Wasp), with a few constantly, almost dementedly, repeated words sufficient as lyrics. Most tracks are short, except for "If You're Looking for Trouble", which just takes the same formula and extends it over seven minutes.

Etat Brut, at the least, sounds like using more than just two tracks of the four track, and combines different sound elements, although mostly, again, synthesised rhythm pieces with tapes of incongruent material or just more synthesised blurts. Or, just grubby synthesised tones and pulses ("Machine" 4), or just tape loop collage ("Machine" 5). Whatever the sound source, it's minimal and raw.

Makes me want to declare "fuck off nowadays Industrial!".
Shikata ga nai.

Yrjö-Koskinen

#7784
SEKTION B - When Democracy is no longer enough CD
This 2017 full length should first and foremost be described as the deutschest of deutch-PE imaginable. Much like expert carvers of hieroglyphics in Ancient Egypt, though, Sektion B have always managed to produce a very distinct style of their own, even without even once stepping outside the boundaries of the "typical" features of the culture to which they belong. The vocals, the heavy monophonic synthesizer basses and the noise all have their particular characteristics, and taken together they are usually impossible to mistake for anything else than Sektion B. The most conspicuous thing, which I know to be a turn-off to some, is the contrast between chaotic synth/noise bursts overlayed with multiple vocal tracks on the one hand, and a very clean and lap-topish production on the other. Many tracks are constructed in a way which could well be old school Genocide Organ, or even something like Terror/Degeneration era Grunt, but the production is wholly different. I don't know the analog/digital proportions as far as the sound sources go, but it's clear that there's been a whole lot of professional grade EQing and mastering work going on. Samples and vocals are clearly audible even in the most massive shitstorm, each sound layer is detectable with little to no phase cancellation.

I am generally into underproduced stuff, at least when it comes to noise, PE and (to some degree) black metal. Most other forms of music, I've learned over the years, usually benefit from a deliberate production: a dirty rock or hip hop track is almost always better off faking the filth and lofi rather than simply embracing it. Because of this, it would seem likely that I would balk at Sektion B's utterly German insistence on proper propduction, on a proper CD. That isn't the case, though. This is actually extremely vibrant, violent and atmospheric. The comparative cleanliness and clarity works to the advantage of the recording, and I can't really explain why, except that all the mixing and mastering has been done by someone who "gets" the genre and has managed to make it work. It should also be added that the attention to detail isn't limited to the production, since the tracks are very complex and well constructed as well. You may begin listening to this as a slab of power electronics, but in the end there is much to be gained from focused listening and analysis, because there's a lot to be discovered. This is a great album, I've been through it several times, and I will keep revisiting it.
"Alkoholi ei ratkaise ongelmia, mutta eipä kyllä vittu maitokaan"

Ahvenanmaalla Puhutaan Suomea