Quote from: Baglady on April 01, 2023, 01:18:05 AM
I should get my hands on that latest Grunt HN disc.
All gone from here, not sure if any distros carry it anymore.
Main differences are that Kraniometria (also gone here) was analogue noise, but digital recording. Mistake, sure, but those sessions consists like 3 hours of noise and out of some sort of brain malfunction, easiness of recording directly to digital felt that it would be both different from usual plus not using huge pile of tapes. At some point there was idea to put out 3xCD of harsh noise.. or 3xtape.. this material certainly would have benefitted of all-on-red dubbing on ferric tapes. Would change tone of sound a lot. But well, that session is past now. Since then done so much. Hehku is vastly better, both in noise itself, but being also recorded on tape deck. Not lo-fi, but well, we know what tape does for noise...
Despite there has been couple PE oriented Grunt releases, this year will most likely bring some experimental harsh noise releases. Work on progress. Lets see later.. Will be different from former recordings.
I was reading Shocktilt issue with Ulex Xane interview and grabbed something to listen.
Underground Australia comp tapeCipher
Funny to think I was under impression Underground Australia comp tape came "while ago".. well, relatively speaking of course. Maybe that none of Cipher design reeks of vintage, it's not so obvious that this tape is already 20 years old. Not only that, but looking at the line-up, I don't know how many of artists who were featured then, would be if Cipher was to do volume 2? Plenty has happened since!
A9 track wins for best song titled. B9 was so energetic harsh noise blast, I had to walk to check out from j-card what is playing right now as it is pretty damn intense. I suppose I have pretty much complete "early discography" of Cipher, and I do have lots of other too, till very recent ones. Always grabbed the new batch when it came, but it just feels that it is sure I do not have 150 releases of his in my shelves! At some point, depending where was living, one had to reject objects that were just too space consuming to keep...
MIKAWA / CRACKSTEEL split live tapeCipher
Cipher release of live recording of Mikawa and Cracksteel include Soddy's liner notes, live photos, live poster and such stuff. Mikawa side is high pitched, fierce and ripping. You'll hear the audience yell (.. soddy & facialmess??) KING OF NOISE!! Or on other side there is CRACK FUCKING STEEL -chanting repeated over and over again, haha. Noise itself, good, but nevertheless the kind of digital recorder 00's live feel, were the style of sound of recorder color entire piece quite a lot. Not bad by any means, but also clearly live documentation, not so much ALBUM. Sound fits well Mikawa's torturing high frequency electronics, while Cracksteel doing massive harsh noise blasting has probably had more nuance and detail when it happened and recording just gives you hint how nice it must have been.
TRUCIDO "Salvation" mCD
Autarkeia
Tape version of this Trucido was one of the first things I ever got from Spastik Soniks label. Along some very early Death Squad stuff. Didn't remember it would be THAT limited. CD edition helped situation a bit, but it feels as if 150x editions of all old DS tapes on now seemingly defunct Lithuanian label perhaps didn't give exactly amount of attention that DS tapes could have deserved? Or maybe I am biased, and rating those simply and brutal noise tapes higher than many do? One thing is that regular digipaks barely do justice for the hand made brilliance of the original tapes...
Trucido sounds like a bit more loose and lazier version of old Death Squad. Sound is HEAVY, crunchy, simple... A lot of people who have heard the later days Death Squad may associate his stuff to treble electronics, vocals, samples and such.. but early DS was all about blown out bass heavy harsh noise. Ultra crunchy and often also having these minimal grinding loops going for ages. It would be close to sound you associate with Dead Body Love, Magazine era The Rita or something. Not "PE", not "experimental sound art", but sheer brutality. Trucido is not best way to start, but if you got all the old DS stuff, you may proceed into getting Trucido too.
Ars Sonitus "Transfuturism Manifesto" CD
IMPULSY STETOSKOPU 2023
I absolutely hate transhumanism, which is the main response against futurism in this particular release. On other hand, I looove noise manifests - even disagreeable ones! Getting in mail hand numbered 100 copies, real glass mastered CD of one of earlierst Polish industrial artists who boldly resigns from industrial music tradition in favor of transfuturism... what is there not to like?!
Sound itself is pure industrial-noise, and whatever the manifest says, noise says more, and noise is full of sweat, dust, violent spasms, vintage noise machines... quite contrast to what intellect says. In this case, I firmly trust the noise and its message is energetic and PHYSICAL, which feels totally opposite to vibe of manifest...
Have listened this already 3-4 times, thinking... I must write something more about it, than just mention it on "playlist". So.. lets see. Its one of those things that have been luring me to listen over and over again.. just like couple years old TORBA LP. I was in intent to listen big pile of vinyl LP's from the stack of "to be listened", and ended up listening all day just this one Torba LP! What is so good about it? Or this? I guess trying to get it on writing may clarify that question to me too.
Meanwhile, only 100 copies of this CD exists, so Ars Sonitus (older Polish artists living in france) album, check it out:
https://www.youtube.com/watch?v=8Z7TDtsVwGM