PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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Obedient2

#9975
Couple of quick mentions for the new Pain Appendix full length on Freak Animal: This thing is a beast. Junk metal but in short, sharp bursts and presented in a very "PE" way. This project feels very focussed and deliberately assembled, but I may just be projecting order onto chaos.

Sick Seed- Do the Wrong Thing Very classic-sounding PE which is almost minimal in its approach. Vocals are used sparingly (e: although perhaps more than I realised, often buried in the mix). I'm probably not explaining this very well, but if Power Play felt sharp, this one is more like being stuffed into a burlap sack and beaten. I love the motif of "no guilt, no shame, no regret, do the wrong thing forever." A very confident and satisfying release.

Got the new Contortus on the turntable now. How is each successive release from this act better than the last? The record sounds fantastic and is very heavy duty. The quality across that particular March 2026 FA batch of SSRI, BU, Night Wolf, Cov Ops and Contortus is frankly insane. The first batch from a label in a while where I have wanted to pick up all of it.

k.p.g

Caspar Sonnet - Illusionares (Andromache Records)
Recently received a generous box of gifts from the artist when I placed an order with them.  Out of all the releases included, this one would have to be my favorite.  Liner notes say it is comprised of tape, feedback and lap steel.  To my ears though, artist sounds more like he's rhythmically smashing the lapsteel in real time.  It's raw and primal in a very beautiful way.  Side B shows a little more composure to it, with more tape dynamics and some airy mechanical sounds to close out the performance.  Really solid stuff, definitely an artist to keep an eye out if you haven't yet.
Dead Door Unit
French Market Press
etc.

RURAL RESISTANCE

OCHU Ljud för efterblivna (Verlautbarung) TAPE

"Sounds for retards"? Yes please, if they sound this good! I think this is pretty fast-paced material in the context of Ochu. At least if my memory serves me right many other releases of his have been more mellow. There are two long tracks but the scraping and scrunching that goes on inside their frames is pretty intensive.

As the case always is with Ochu, this release really strikes a chord in me in many ways. The presentation is full of earthy colors, understated images and textures of paper, topped off with a coarse piece of string and a shrapnel of wood. The sounds are organic, this time focusing heavily on wood in its different forms. I recognized some of the more tape-y sounds that go on in the background from the recent Gothenburg gig, a sort of abstract otherwordly whistling and such that pairs well together with the more concrete and hands-on sounds. The live show that was performed as a duo exhibited the use of branches, logs, pinecones, planks, gravel, bark and so on, and you can hear those sounds on this album too.

I think something Ochu said in the WCN interview about recording some of his stuff in an island setting has influenced the mental images that the sounds conjure up for me quite a bit. Even at the Gothenburg show I did what I usually try to do at almost every show I attend: I listened to parts of it eyes closed. And the images that rose to my mind were something like a secluded shoreline with reeds, some grey clouds in the sky, parts of furrowed rock visible in the sand. The images were somewhat historic, even prehistoric, or maybe there were different moments with different timelines, it's a bit hard to explain. Beetles carving their way into fallen trees, primitive huts dismantling due to erosion...

This is one of those albums that changes drastically when the listening volume is modified. At louder volumes it can sound quite abrasive and if you barely twist the knob it's more round and even soothing. Nevertheless it's quite a heady recording. I wonder what the song titles are about?

k.p.g

Various Artists Tearing the Wings off of Butterflies (Reanimated Miscarriage, reissue)
New reissue of an underrated classic of '90s underground.  May feel silly to say, but everyone here truly does deliver.  I think large part of that is Brewer's dark murk looms largely over everyone.  Incapacitants track sounds much more low end oriented than I am accustomed to.  Macro's sleaze is heavier than usual.  So on and so forth.  Similar to how Mother Savage "red zoned" everything, it sounds like Keith had some sort of dubbing trickery to bring everything into the same gravely negativity that I usually associate with Taint.  Despite being such a long tape, I feel like it flew by.  I want it back.  Damn.

Rectal Pus - The Butt Box, Tape 3 (Reanimated Miscarriage)
Blasting teenage nihilism.  Nothing better!
Dead Door Unit
French Market Press
etc.

Obedient2

Contortus still glued to my turntable. Who mastered this? It's one of the best-sounding noise LPs I've ever heard. It has a physicality and dynamic range that doesn't always come through on recordings.

NocturnalLibrary

Skuggsidan

Mo*Te Vs. Industria Masoquista - Peak Time Align / Hipócritas Y Ciegos (2023)
Cassette tape

After Mo*Te's excellent Throw A Stone tape I decided to dive into this split tape with Ecuadorian project Industria Masoquista and I was pleasantly surprised by finding a more raw and pure noise approach on this tape which nonetheless has strong mind freeing qualities that I like a lot. Let's listen and dissect this tape below.

Listening journey

This split tape by Mo*Te and Industria Masoquista features both projects performing in full pure Noise form offering us two sidelong pieces of continuous intense sound. Mo*Te does still operate in his excellent Drone like approach on his side but also provides a more blank canvass to us in terms of the effect of the Noise on our minds. Just see it as the sonic equivalent of a minimalist two colour line painting versus a similar painting but with variations appearing as you move your eyers from left to right. The grind, grit, crunch and murky edge of Mo*Te are there combined with the aleatoric twinkling and a short melodic intermezzo of keyboard and synth tones but the progression is much more subtle and the piece moves more like an unending rich mass of molten rocks which is even more the case for Industria Masoquista's side which is even more monolithic and a classic "fill tape side" kind of full length piece. Like a straight jam the piece really scrunches forward through layered murky metallic distortion and screeches only interrupted at times by delay affected at times quite funny sounding vocal bits. The totally diffuse wall nature of the side makes it much like a state of sonic matter you are straight into and afterwards are taken straight out of once the tape ends but has its musical (melodic?) moments hidden in the lava too. The art of appreciating wall Noise really becomes more the "feeling" of the Noise grabbing you rather than the sonic qualities, immersion or mind imagery the textures might conjure up and I like it.
I sell, archive and write about Noise released on selected international labels through The Nocturnal Library and create music as Insomnia Index.

vorago

Quote from: Obedient2 on July 15, 2026, 11:40:58 PMContortus still glued to my turntable. Who mastered this? It's one of the best-sounding noise LPs I've ever heard. It has a physicality and dynamic range that doesn't always come through on recordings.
It is mastered by Mikko Aspa. Mixing and recording by me V-A Puumalainen

Obedient2

Thanks, that checks out. The last Grunt CD also sounded totally monstrous.

k.p.g

Erik Nystrand - Brain Damaged by Head Meat (Head Meat)
I gave this one two listens this morning!  It's just that good!  Undoubtedly, Nystrand knows how to make excellent harsh noise, but to have all of these sounds erupt from a guitar is downright impressive.  The B-Side is about to wrap up on my second playthrough, and each bashing crunch just fills me with glee.  Imagine if I had coffee along with this tape... it would be over.  Excellent stuff.
Dead Door Unit
French Market Press
etc.

bogskaggmannen

CAMPSITE LOVE s/t LP (Satatuhatta)

A lot of this reminds me of a strange nightly encounter at a hiking trip, where I was lying in a tent in the dark, hearing some horses messing about in the edge of the stream amidst our saucepans... A rather laidback scrabbling with found metal, stones, coupled with "drunken" tape dreamlike ambiences from gargling religious new age sounds. Daddy goes wild on the grogg. A quaint character, little akin of the works of Creep Of Paris, but in another setting. There's a nice balance between genius and plain stupid - especially in the third track where the monotonous bird scream works annoyingly well with the early Marduk/Burzum whatever intromusic. A rackety ending with metalbouncing, glass jingling and a wobbling oldster. Nice stuff!

k.p.g

Moozzhead - Sideboob Shenanigans (Freak Animal Records)
This man and his shenanigans...  What a fun recording!  Clocking in at just around 45 minutes, all of these tracks are just some of the most solid harsh noise you can hear.  What stands out about these recordings too is just how much fun it sounds like Osku is having across it all.  With each synth stutter or contact mic stabbing, I can picture the man with a grin on his face.  It's well deserved too.  Cheers!  I could use a beer with this one...
Dead Door Unit
French Market Press
etc.

Skin Flick

Quote from: k.p.g on Today at 09:54:16 PMWhat stands out about these recordings too is just how much fun it sounds like Osku is having across it all.

This is a big reason why I love Moozzhead. It's good natured, fun pervert noise and it shows in all his work.