PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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dmkerr

Listened to part of the Incapacitants "Box Is Stupid" set this morning, but now I feel the need to go home and listen to "Black One" tonight.

bitewerksMTB

THE FOG soundtrack is awesome! Has some really great synth sounds going on.

Scat-O-Logy

Quote from: GEWALTMONOPOL on August 20, 2013, 04:27:10 PM
I wish they'd persued Black One further into the abyss but they wanted art, horn sections and other boring crap. I can respect the decision but I've left the vessel.

"Black One" is another one that I have pretty much ignored due to not being able to find it on wax for a reasonable price. Now listening it from Sunn O))) bandcamp and I can tell straight away I'm in for something massive. I'm so happy that Southern Lord has started to reissue these Sunn O))) classics, first "ØØVOID" and now this. Can't wait to grab it!

I can see your point about the "artier side" of Sunn O))). It's definitely not for everyone, especially not for those who has followed Sunn O))) from the beginning and has a certain idea about what they should sound like. I guess I like the "artier side" so much because when I started to listen Sunn O))), I had really hard time enjoying the simple guitar drones so I decided to start with more varied albums such as "Monoliths & Dimensions". Then I heard the Boris collab and thought it was absolute shit but little by little I started to like it and soon loved it. "Altar" is quite important album to me personally because it changed my way of understanding the music. I'm not that close minded anymore when it comes to music and I guess it's, at least to some extent, because of "Altar", even how weird it might sound.

Quote from: GEWALTMONOPOL on August 20, 2013, 04:27:10 PM
ULVER - Wars of the Roses

Better than last time I listened. Much better. Actually very good. Possibly excellent. It only lets itself down on the last track with a very wooden narrative by their most recent member. The guy from the impressively boring Guapo. His name escapes me. They should have picked David Attenborough or someone with a bit more fire in his voice for the narration. Brian Blessed perhaps.

This is indeed quite good album. I really like "September IV", epic shit! By the way, I re-listened "Messe I.X-VI.X" and it sounded pretty good actually. "Shri Schneider" is still a mess it was on the first time and I'm still disgusted by the lyrics on "Son Of Man" but other than that it's quite good. About "Son Of Man", who the fuck starts a track singing "Forgive me father for I have sinned". For fuck's sake!!!

eyestrain

Burial Hex/Crown Of Bone Split (Crucial Blast): Clay ain't standing out with his best work here, but its exemplary as a mashup of his old tortuous cthono-tronics and his more recent synth-heavy (sans beat) work. Dolorous cries writhe amidst the almost-metal vocals he's been utilizing for the last few years. A melancholy drone lulls amidst the background and that's about what you get for a near thirty minutes. If Ruby's words were decipherable in any way whatsoever, or if they were included in the release, I'd probably find a far greater interest. It's all too abstracted this way. Darkness for darkness' sake isn't much to write home about. Crown Of Bone is just what you'd expect from the Crucial Blast oeuvre and from a project that does tribute albums to horror flicks and has splits with groups like Steek Hook Prostheses, Wilt, Blue Sabbath Black Cheer, Funerary Call, etc and was also one-half of Demonologists. Looking at the project's website, it appears they've got 30 releases out and/or pending in less than 2 years. This says it all about what the sounds contained herein might be like....creepy noise then BOOM - noise wall. The end.

In regard to SunnO))), I always got the biggest boner over White2, but that might be because the first time I heard it was the first time I went to the beach; sat on the shore with headphones and tripped on mushrooms while listening to the album. Still resonates in a similar way, most times. Saw them perform during the Black One era and that was tits, but when the album came home, I might have played it twice. Ebay'd it for the Jewish price people are willing to pay and bought about 15 more worthwhile releases.

Quote from: Scat-O-Logy on August 20, 2013, 09:22:43 PM
About "Son Of Man", who the fuck starts a track singing "Forgive me father for I have sinned". For fuck's sake!!!

Perhaps this is because they're currently wanking off as faux-classical. That is essentially the sort of lyrics, just in English instead of Latin or the like, you get with Pärt, Penderecki, etc... Seems a little shallow seeing as I noticed the name of St. John Of The Cross mentioned in their write-up on the album. A man of great wisdom like that would certainly denounce wanking of this sort. Wankers. They sorta fit together in the world of art like O'Malley was mentioned. That is, someone from the metal community shows an interest in something besides metal and people are scrambling over one another to praise and pay them. When I think of Nazoranai playing some huge festival or KTL performing in all these galleries and museums I just have to scratch my head. All these people who feign interest - seems exhausting. I must admit, I think O'Malley's greatest work is the Ideologic Organ label; aside from the SunnO))) albums released on it.

On a lighter note, also replayed Sewer Election's Vittra Sönder several times today. Love the last few releases by Johansson.

Scat-O-Logy

Finally got a copy of Dead Beauty/Dancefloor Wreck which I always considered as one of my favorite PE EPs and now, when I finally got the chance to play it on my turntable, I seriously got a hard on. So fucking powerful that it made my cock tingle and the lyrics made me giggle. Fuck yeah!

FreakAnimalFinland

Back in those days, I visited the site where it happened and soiled it with urine... considered taking some photos of this piece of "performance arts", but then thought perhaps it better stay personal tribute rather than exploitative public piece.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Scat-O-Logy

Quote from: FreakAnimalFinland on August 21, 2013, 07:26:23 PM
Back in those days, I visited the site where it happened and soiled it with urine... considered taking some photos of this piece of "performance arts", but then thought perhaps it better stay personal tribute rather than exploitative public piece.

Hah, great! N. Penttinen, who sold me this 7", told me he thought about visiting the other cunt and getting her autograph (apparently she lives not too far from him) but unfortunately he didn't. Would be a real nice little addition to this already amazing package. I guess the fact that even a friend of mine who don't really care for noise/PE, decided to keep his copy of this EP, tells a lot about the strength of this material. Really happy to finally have it in my collection!

Now playing Kuristusote, a CS that I had really hard time tracking down but thanks to N. Penttinen and Vomitgore, who generously passed the tape for me instead of grabbing it himself, I finally have it. To my surprise, this CS consists of pretty much all the same material as the 15yrs of BU box set, just different takes and maybe a little bit more grainy quality. Very good nevertheless and a nice little addition to my BU collection.

kettu

Quote from: Scat-O-Logy on August 21, 2013, 07:56:33 PM
Quote from: FreakAnimalFinland on August 21, 2013, 07:26:23 PM
Back in those days, I visited the site where it happened and soiled it with urine... considered taking some photos of this piece of "performance arts", but then thought perhaps it better stay personal tribute rather than exploitative public piece.

Hah, great! N. Penttinen, who sold me this 7", told me he thought about visiting the other cunt and getting her autograph (apparently she lives not too far from him) but unfortunately he didn't. Would be a real nice little addition to this already amazing package.

shes making more succes stories with her dirty cunt. so in a few years maybe youll be able to catch a camshow of mommy+son/daughter, or something along those lines.

great seven but sometimes you have to eat or pay electricity bill.

eyestrain

Sewer Election & Frederikke Hoffmeier Aska (iDeal Recordings): An improvement, leaps and bounds (!), upon the debut collaboration. Utterly menacing in the mental psychosis sorta way. The sounds on this LP are a little less in the realm of "obscure" as compared to Den Blege Grå Tone. A little more straight to the gut. Never liked any of the Puce Mary material that I've heard, but after hearing Mikko's praise of Success and the excellence contained herein, I think I'll be investigating that new LP. Any foreigners have a rough idea as to what any of the words, lyrics, ideas, concepts are on this or were on the previous work? Would be curious to know.

Elend Sunwar The Dead (Prophecy Productions): Still. The. Best. Album. Ever.

Dead Can Dance Toward The Within (4AD): Don't usually go for live albums - by any group, any genre - but Dead Can Dance is always an exception to the rule. Love every second of this.

Reverorum Ib Malacht What Do You Think Of The Old God, We Call Him Judas? (Ars Luminis Finis Temporis): Still holding strong after all these years. A group that constantly holds my attention. Funny to hear this now after 9,223,217,684 Circle Of Ouroboros LPs, EPs, splits and demos and realize that this is the best subaquatic black metal.

Looking forward to soon hearing Ata Ebtekar's Dear Iran, Miniature Engines Throb in Time for Your Beating Heart and Bilskirnir's Wotan Redivivus. Wasn't too moved by the Barad Dûr split and the Marblebog (have yet to hear one enjoyable song by this band) split wasn't much to reside over either, but at least a step above some other recent works, so we'll see... Just can't give up on this guy after so many solid albums. With this and the new Der Stürmer immanent, this is looking to be a nice year for NSBM.

Zeno Marx

Quote from: eyestrain on August 22, 2013, 01:11:58 AM
Elend Sunwar The Dead (Prophecy Productions): Still. The. Best. Album. Ever.
I wouldn't argue with that.  I was completely unaware of them until I was gifted that album.  Their other albums are good, but nothing like Sunwar.  I rarely see anyone mention them.  Good reason why I never heard of them.

Quote from: eyestrain on August 22, 2013, 01:11:58 AM
[Dead Can Dance Toward The Within (4AD): Don't usually go for live albums - by any group, any genre - but Dead Can Dance is always an exception to the rule. Love every second of this.
DCD was two bands; one studio, one live.  It's different now, though.  They were an amazing live band, and it is unfortunate that they didn't open the songs up a little bit and improvise.  Brendan's brother, along with a few others in the crew, were entirely capable of exploring songs.  I think they wanted it as well.  I can remember a couple of instances when they allowed for a little indulgence, and the musicians came alive in those moments.  You could see it in their faces that they would both do well with it and desired to go there.

Napalm Death - Peel Sessions - that first session with Steer always surprises me with how beautiful it is.
Christina Kubisch - Licht Himmel 2006 - one 49-minute track - somewhat reminiscent of Anne Gillis and the new deal like Nehil Grzinich, but only hints of that - didn't care for this album becaust of the digitalness; popping and percussive booms that were more drum n' bass in tone than warm; digital sounds and effects that weren't good.
Oi Polloi - Fuaim Catha 1999 - too varied, but when they're thick, tribal, and aggressive, it works as well as it ever has for them.
Deformed Conscience - Constant Strife 7" 1993 - one of my top-20 HC EPs - brutality that marries crust and HC so incredibly well - one of the best band names of all time.
Slang - Glory Outshines Doom 2012 - something is off about this album - all the elements are there, but as a whole, they still feel 2nd tier - massive production and interesting guitar work.
Exmortes - Lord of Temptation 1990 - I'm not sure what this is - some oddball shit that would have fit perfectly in an Ax/ction//Fudgeworthy mailer flyer - great times.
Hermaphrodit - Surgical Cut by Purulent Womb of Genital 1995 - recommended whackadoo death.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

eyestrain

Quote from: Zeno Marx on August 22, 2013, 04:06:03 AM
Quote from: eyestrain on August 22, 2013, 01:11:58 AM
Elend Sunwar The Dead (Prophecy Productions): Still. The. Best. Album. Ever.
I wouldn't argue with that.  I was completely unaware of them until I was gifted that album.  Their other albums are good, but nothing like Sunwar.  I rarely see anyone mention them.  Good reason why I never heard of them.

When I listen to this album I feel like John Balistreri - Yes! Yes! YEESSSSS!!!

It's all ferocity and null of cheese. No posturing ala metal, and no genre-specific mythology. A wonderful thing. I recall reading an interview where the main fella basically shrugged the music off as, "Yeah, I could write this in my sleep." If that's the case please come and improve at my house forever. Please.

Also, not sure if it'll ever be published anywhere, but I remember there bring a track on their soundcloud - http://soundcloud.com/apoisontree - that was very Portishead-like based on the W.B. Yeats (win!) poem "Men Improve With The Years". Very different from their norm.

Quote from: Zeno Marx on August 22, 2013, 04:06:03 AM
Quote from: eyestrain on August 22, 2013, 01:11:58 AM
[Dead Can Dance Toward The Within (4AD): Don't usually go for live albums - by any group, any genre - but Dead Can Dance is always an exception to the rule. Love every second of this.
DCD was two bands; one studio, one live.  It's different now, though.  They were an amazing live band, and it is unfortunate that they didn't open the songs up a little bit and improvise.  Brendan's brother, along with a few others in the crew, were entirely capable of exploring songs.  I think they wanted it as well.  I can remember a couple of instances when they allowed for a little indulgence, and the musicians came alive in those moments.  You could see it in their faces that they would both do well with it and desired to go there.

This I could believe and it's a shame to consider. Of course the album is mere repetition, and if I weren't a fanboy I'd be much less interested. But alas...

I felt the same when seeing Wovenhand earlier in the year. After attending several jawdropping shows by them, this was obviously play-by-the-record-and-feed-the-family touring. I can just turn the volume on high at home and save $100 by not driving to Philly. Thanks.

Gotta renege a hair on what I said about recent Bilskirnir recording. Der Wolkenwanderer was a solid EP and had the title track from this new full length. Of course the inclusion of the "Mourning Soul" cover - definitely my favorite Absurd song - made the conclusion easy. Indulging in Pyhä Kuolema at the moment as I impatiently anticipate their new guy. Even though 90% of the album's worth is lost on my American ears, I still adore this thing.

Zeno Marx

There's growing dissonance in the DCD fanbase that they've been basically playing the exact same set for a couple years now.  It's by the numbers, so you could compare one performance to any number of others and only find maybe :30 second differential between performances.  Like Rush.  Like a machine.  That isn't what people want out of a DCD experience, and it certainly wasn't what they were used to seeing.  Makes it easy to not bother going to see them.  That, and the ticket prices are out of hand.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

eyestrain

Quote from: Zeno Marx on August 22, 2013, 05:54:07 AM
There's growing dissonance in the DCD fanbase that they've been basically playing the exact same set for a couple years now.  It's by the numbers, so you could compare one performance to any number of others and only find maybe :30 second differential between performances.  Like Rush.  Like a machine.  That isn't what people want out of a DCD experience, and it certainly wasn't what they were used to seeing.  Makes it easy to not bother going to see them.  That, and the ticket prices are out of hand.

Crawling out of inactivity to get a more fruitful retirement perhaps? Never saw the prices, but some of the European venues they were playing seemed way over the top. I might be wrong, but pretty sure they played the Theatre Of Australia. Christ...

Zeno Marx

I wouldn't think money is a problem for Lisa, but maybe for Brendan.  Her discography is plentiful since working on soundtracks and becoming a desirable player in Hollywood.  She has to be getting some decent residuals now and for a long time to come.  She has to be a multi-millionaire, and if not, she needs a new agent.

Touring has become such an ugly, expensive business.  Their band used to be almost ten deep.  I cannot remember now exactly.  It was a lot of people just on stage.  And they were trucking timpanis, dulcimers, countless other instruments, etc.  All those players were multi-instrumentalists, and they took full advantage of it.  It was quite a sight to see all those people on various percussion instruments, playing the tiniest of roles to bigger parts.  No room for ego when they go from playing stringed instruments to picking up a triangle.  Robert Perry was a force.

If you haven't check out the full video for Toward the Within (on youtube), you're cheating yourself.  It's amazing on yet another level to the album.  In particular, "Oman" is a thing of utter beauty and spiritual fury.
http://www.youtube.com/watch?v=nsPNSG8M7HM&feature=share&list=PL1A9588B398C73DC7

and "Cantara"
http://www.youtube.com/watch?v=CVjmSfUEnJI&feature=share&list=PL1A9588B398C73DC7
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

eyestrain

Holy moly, thank you! That's some breathtaking footage.

With the way Lisa Gerrard says "dahling" like she's drinking Pinot Grigio at a polo tournament, I think she's alright financially.