RUPTURE / SLAVESTATE split 7", fast era of Rupture and good aggressive blast from Slavestate.
RUPTURE / EXTORTION split 5", humor rock from Rupture and Extortion squeezes in 3 songs of hc/punk with aggressive screaming voice. Couple songs reach pretty close to power violence stop&go energy.
V/A TESTAMENT 5x7" BOX
RRRecords
I remember buying this very cheaply from recordstore in Brooklyn/NY. Thought I made great bargain deal, but seems like this killer 1991 compilation isn't that rare of wanted in first place. Now 9 copies for sale at discogs from 15 to 30 euro range.
Zbigniew Karkowski does really nice dense collage of experimental industrial sounds. Think of layering Bats Tou Tai era Merzbow and Vivenza over eachother and you got this noisy, but not distorted, dense sound cloud approaching, where a lot of things happen. Great stuff. I guess I should look into this guys work. Any recommendations?!?
Leif Elggren does some hummin ventilation, Kent Tankred has been during 1988 at EMS studio doing nice humming and echoing industrial clatter. Phauss work with loud phaser effect plagued percussion hasn't aged very well, but 2nd track with sound collage works much better. Rune Lindblad has 3 tracks spread over one side. Heavy breathing and brief sounds of tortured woman. Nice.
Jane Studer with musique concrete kind of stuff. Often one or two sounds at once, cut and assembled into very good results. Animals, nature sounds, but also loud noises what sounds like moving wooden furniture or something. Machines. Helicopters flying. Agog does close to that, but noisier, more tape manipulation but none of the lazy looping, but just active. GUM is of course classic group. Turntables? Tapes? Reversed sounds. Noise, with good innovative touch. Basically not far what is now being done in tape manipulation obsessed scene, but perhaps even better? There is something about sound quality of pretty much every artist here, what sets them quite different from current sounds. Voice Crack does percussion and industrial noise sounds. Really well, I may add. As simple things as oil drum percussion (I assume) and pausebutton tape edits and little electronics create great results. Nachtluft and Appi both ok, tape cut ups and experimental goofiness. Lieutenant Caramel much better than any of his recent stuff I have heard. No goofing around. Just good old fashioned experimental/industrial. Cranioclast finishes this great compilation with atmospheric percussive sounds. Odd surreal feel. I can understand in some ways why this item wouldn't be so "hot" for most listeners. Labor heavy listening of 10 sides of stuff, and material that isn't transgressive post-mortem, but slightly arty side of late 80's network. But get over it. Worth of purchase any time!