PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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Nil By Mouth

Quote from: FreakAnimalFinland on November 26, 2014, 03:23:15 PM

Liebestod  "Liebestod" tape
Jesse Sanes know from band called Hoax, which apparently is this... hmm.. youth attack kind of scene? I actually might have some of that stuff. This is kind of industrial-noise type of stuff what you could perhaps expect even from Puce Mary?!? It've good stuff to listen to, although all the metal junk sounds feels as if he uses very small objects with thin and tinny sound. But good stuff nevertheless! Would be interested to check out if he got anything else. I only noticed that he has done live gigs!? Anyone more familiar with project?

Self released tape? Contact infos?

bitewerksMTB

"Resistance and Self-Destruction are Synonymous" comp. tape released by New Forces- solid comp of harsh noise. I didn't keep up with who's who while listening but there was nothing on either side that had me reaching for the fast forward button. Line-up includes Ahlzagailzehguh, Developer, Plague Mother, The Rita, Drug Age, Kazuma Kubota, Wince, Action/Discipline, Encephalophonic, Mordant Karma, Heinz Hopf, & Being. Definitely worth owning.

Mania will be on New Force's next compilation due out next year...

SiClark

Quote from: bitewerksMTB on November 29, 2014, 08:31:37 PM
"Resistance and Self-Destruction are Synonymous" comp. tape released by New Forces- solid comp of harsh noise. I didn't keep up with who's who while listening but there was nothing on either side that had me reaching for the fast forward button. Line-up includes Ahlzagailzehguh, Developer, Plague Mother, The Rita, Drug Age, Kazuma Kubota, Wince, Action/Discipline, Encephalophonic, Mordant Karma, Heinz Hopf, & Being. Definitely worth owning.

Mania will be on New Force's next compilation due out next year...
That's a damn fine line up, will have to make an order when I get paid.

RyanWreck

#4908
Quote from: sterilization on November 26, 2014, 04:44:04 PM
Quote from: FreakAnimalFinland on November 26, 2014, 03:23:15 PM
Liebestod  "Liebestod" tape
Jesse Sanes know from band called Hoax, which apparently is this... hmm.. youth attack kind of scene? I actually might have some of that stuff. This is kind of industrial-noise type of stuff what you could perhaps expect even from Puce Mary?!? It've good stuff to listen to, although all the metal junk sounds feels as if he uses very small objects with thin and tinny sound. But good stuff nevertheless! Would be interested to check out if he got anything else. I only noticed that he has done live gigs!? Anyone more familiar with project?



I'm not a fan of his "real" band hoax, but I like this tape pretty well.

Never been much into Hoax or any of the Hardcore on YA! outside of City Bones and Sexdrome, though both bands aren't pure "hardcore" really. Haven't bought anything from Youth Attack! in probably 6 years. There was a point back in like 2008-2009 when tons of people on the Jerkbooth were trying to find out who I was because they didn't like me posting their precious underground music on my old blog. When I told them who I was and started going to shows they never did anything.

Anywho, I agree that the Liebestod tape is actually pretty decent. That Already Dead tape they were distroing that sold out is pretty nice too, just what you would expect right about now kinda reminds me of the Denmark post-punk/experimental stuff so popular these days. No info on the tape about a contact, no label or names. The artwork, repetitiveness of the 2 original tracks and vocals kind of remind me of the guy who was doing City Bones and Euthanizer.

Dr Alex

Sektion B - Holy Land In Flames 3"cd

Amazing comeback!! Whole material is top-notch! Ultra heavy German power electronics with small dose of US pe school.
Fuck new Consumer Electronics, listen this!

Peterson

Remnants "Decayed Tones"
                 "Vision Being"
                 "Elusive Infinite"
                 "The Process"
                 "Skeptics"
                 "Tonal Fragments"
                 "Suspension"
                 "Surface Tension"

Have been really into musique concrete lately, and I think this guy from NY is one of the better people doing it right now. His tapes are usually kind of variations on a theme or different versions of the same idea, which can be a really good approach when done with care. In this case, I think he nails it every time. Each tape is vaguely similar in sound, containing mostly really decayed, bass-heavy loops of melodic and harsh sound. Often there is a dirty oscillator tone involved that creeps in and out. There is a lot of unusual editing and textures provided by oversaturation which makes this stuff sound really dark and dejected. Definitely excellent night-listening, especially now that it's getting colder here.

SSRI "split w/Fecalove"
         "split w/Hippycrack"
         "split w/Nunnaunni"
         "Circle Of Positivity"

I could be really biased, because SSRI is one of my favorite projects, but compared to some of the older splits, it seems like SS Ofizier is continually making the project he does splits with pale in comparison. I did really like the Fecalove side (in particular the mix of PE and field recordings was perfect) but it just didn't have the cohesion and togetherness of the SSRI side. SS says he considers it to be among his weaker material, and I suppose I agree, but it's still pretty good, and the glitchy stuff actually entertains me instead of annoying the living shit out of me. SS said it was dubbed too quietly, but my copy was totally normal. The tracks seem to run together as stream-of-consciousness noise, which I like. From what I remember, the SSRI side of the Hippycrack split is mostly weird cut-ups, 'working man's' field recordings, and some pretty ingenious juxtaposition of baby sounds with harsh electronics. Pretty fucking unsettling, but not in an aggressive way. Weird, not creepy. Fuck yes! I have to admit I was really tired, and even nodded out a few times during the Hippycrack side, but I'll counter that if it was really that great, I would have woken up a bit and been compelled to pay more attention. Now...all the elements were there, crunchy pedal work, nice feedback, some possible metal sounds, nice cold textures...but somehow it never once caught my attention in a way that warranted any deeper observation. Oh well. SS side of the split w/Nunnaunni seemed to be culled from the same sessions. Lots of field recordings, electronics work that's cerebral and awkward, some fucked-up loops, and some more element's I'm lazily forgetting. I liked it equally to the Hippycrack split, however, Nunnaunni's side had a lot more competition to offer. Wasn't quite strong enough to make me go out and buy more of their shit immediately, but I'm sure I will in the future. Absolutely infuriating cut-ups and general strangeness with a totally playful, "fun" feeling. I think this shit would not appeal to folks that take themselves a bit too seriously, because it's a lot like sound effects from old Looney Tunes cartoons combined with noise and musique concrete. Works for me! I at times get tired of the similarities in cut-up harshness, so hearing some cut-up retardation was refreshing. Some of the jazz drumming and household objects sounds actually made me laugh out loud. Last but not least, "Circle Of Positivity." Basically sounds like the title. Really life-affirming yet somewhat difficult to listen to at times (like life in general?). Had more of the digital-ish glitchy stuff that I like yet hope is not an overarching theme for SSRI. "Ugly Spirits" sounds like just that and had more of the intense vinyl and tape manipulations similar to "Rebis." Don't have much else to say about it right now 'cause I want to give it another shot.

Shredded Nerve "Hanging In The Balance"
                           "Blurred Line"

More noisy musique concrete from the guy who also does Pusdrainer, which I have not heard. I love these tapes, this project. Really intense and steadily-building, but never attaining true harshness. I suppose this stuff isn't really full-on harsh noise. Extremely tasteful loops of what mostly sound like junk metal, rocks, water, and occasional synthesizer flourishes that never really take the lead. I like the linear, straightforward qualities similar to Remnants. Definitely not music, but not quite noise, either. Can say without a doubt I will get everything this guy puts out under this name. Someone should commission him for a film soundtrack.

Untergeschoss Compilation Vol. 1
The PE artists on this tape were really good, especially Shift (was nice to hear the second part to the track from F&V NJK Vol. 3) and Budrus (I immediately understood what they were talking about in Exoteric V when listening to this track) as well as Concrete Mascara (as time goes by, his stuff just sounds more and more alienated and isolated. Great!), but the noisecore acts stood out the most. I loved them all, but he's certainly right with the observation the Penis Geyser pretty much take the cake for current noisecore. I looked up a bunch of videos on YouTube after that, and was very pleased. Definitely picking up the "Noisecore Prolapse" tape now.

The Glass Path "Driving Music"
Musique Concrete and tape noise from an act I had not heard before putting the tape in, and couldn't have been more pleased. Over the past few years, the Swedish tape-manipulated sound has been growing on me like an STD, and I would guess the same for these people/this person. Side A is sort of disjointed, awkward, and stunted concrete music that has vibes of addiction and withdrawal. Don't know exactly why that came to mind, but it has something to do with the dirtiness of the sound. Certain parts are very loud and others are so quiet you have to crank it up (only to turn it back down again). Yes, please! Fucks with your expectations and comfort level like some of the older Prurient albums. Side B is more full-on harshness that sounds like a couple of tape decks signal routed to a mixer with some distortion pedals somewhere in the setup. Just pure crunching and decay from dusty, old tape sound. I am really into that approach, when done right. This track is just a step below older Sewer Election and Treriksroset. I will certainly be getting more stuff from this project.

...and a staple favorite, Sick Seed "The Great Corrupter." This isn't just one of my favorites when speaking of genre confinements, it's one of my all-time favorite albums period. It's so personal, so intimate, yet aggressive and large as fuck, almost reaching oppressive qualities, as in "Verbranntes Land." The bass line in that song has to be one of the most easily stuck-in-your-head pieces for me. Rarely does the vocal presentation in a PE record sound this emotional yet distantly intelligent, a good example would be "A Plague Area." "Irstaasta Ja Siveettömästä Elämästä," which translates to "a dissolute and immoral life" should be considered a "Power Electronics Anthem," if there were any. The phrase and song "Luxurious Disease" describes exactly why I am a fan of Sick Seed (and Gelsomina). "The Most Hated Crime Of Them All" is musically just flawless. Similar to Ultra, the piano and guitar sound more disturbing than the typical synth and feedback approach, especially due to the lyrics and subject matter. I think one of the reasons I appreciate this song so much is that I have known individuals who have...been subjected to that crime. And the perpetrators. It's indeed true that the family will be standing around waiting for them to die. Many seem to forget that the ugliest qualities in this type of music have to be real and verifiable, not just some obsession, fantasy, or hidden lust. Perfect album.


Zeno Marx

Peterson, what is your definition of music concrete?  You've piqued my interest, and I'm not finding anyone else calling Remnants or Shredded Nerve music concrete.  Where would you start with each of these projects?
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

eyestrain

Quote from: Zeno Marx on December 01, 2014, 01:52:21 AM
Peterson, what is your definition of music concrete?  You've piqued my interest, and I'm not finding anyone else calling Remnants or Shredded Nerve music concrete.  Where would you start with each of these projects?

I'd say Shredded Nerve is not too distant from many works by Aaron Dilloway, minus the quietness of many of Dilloway's tracks. SN gets a little more hectic, noisy, but as Peterson said, not true noise.

There will be a dedicated mini-issue of Eyestrain coming out in the next month focusing solely on Justin's work as Shredded Nerve - reviews of all works, a review of collaborative performance with Pleasure Island, as well as an interview. PI is also working out a cover image for extra impact/appropriateness.

SN's my favorite "newcomer" in 2014. 6 stellar releases thus far and plenty more on the way.

eyestrain

Sshe Retina Stimulants - Krionika Soshiki (Slaughter Prod./Urashima): Haven't heard too many SsRS albums that really caught me, so I was unsure about this one getting the Urashima treatment. After a few listens, I'd conclude that this is totally justified! A real beauty of a record, and not the sort of wall-ish atmosphere of his early works or the modular atmosphere of his current works. There's a real nice friction of beauty & hideousness. Lush synth lines are buried under piercing (not quite Prurient level) feedback mounds. The appendages are maybe a little more harsh and simple-minded, but the inner part of the album (A and B sides) are something like the recent Neutral LP without the The Shadow Ring-type elements. (Best comparison I can make...)

Might I also mention, in regards to Urashima, that it is extremely odd to me that the Hypnosis and Caen LPs from April are still available; these were some of my favorite LPs of this year - not to mention Mauthausen Orchestra's Bloodyminded from 2012! I'm befuddled because somehow the label is able to move 99 copies of endless HNW LPs on the other hand. Strange world.

Kevin Drumm - Tannenbaum (Hospital Prod.): One of those albums of pure ambient bliss that is just 100% perfect tone for me. Maybe what Zeno mentioned feeling for Organum's Sorow. Must have played this album a dozen times or so since receiving it this past week. Sent me to dreams, woke me up, carried me through a whole day's worth of chores, dazed me through early morning drives from the night shift - just seemed to be a constant companion all week. I don't have much to express about the music itself - just think of all the minimalist gurus and some modern drone tendencies and use your imagination. If this kinda thing is for you, then you're probably gonna love these two discs. The first one, "Night Side", definitely holds the most power for me. It's also the least dynamic. Disc two is composed of shorter, slightly intense tracks.

Graham Lambkin & Jason Lescalleet - Air Supply (Erstwhile): Not much at all like the Photographs 2CD from last year. This is less minimal field recordings, and more expressive play that is fairly typical of these two. Love those quick, tense bursts of noise - reminding me of Dave Phillips - that unexpectedly throw you out of your chair just as the mellowness really sets in. Probably easiest to relate this more to Lescalleet's output - nice long drones, composed from a variety of tones (and probably sources...probably not all electronic-based either). Not too much of the field recording/oddities that Lambkin frequently offers. Not something to go utterly gaga over, but this has been great this week.

Also, listened to a rip of the Consumer Electronics Estuary English album from the Corrupted Delights blog (thank you)... not for me. Not at all. Blech.

FreakAnimalFinland

#4914
Quote from: Peterson on December 01, 2014, 03:01:19 AM
Quote from: Zeno Marx on December 01, 2014, 01:52:21 AM
Peterson, what is your definition of music concrete?  You've piqued my interest, and I'm not finding anyone else calling Remnants or Shredded Nerve music concrete.  Where would you start with each of these projects?

I'd call loop-based composition that often include elements of traditional music (melody, rhythm, harmonics) but that is organized in such a way to be somewhat reductive, minimal, and direct. To me, anything from Steve Reich to certain pieces by Vivenza would fall under the term.

To me it feels that "musique concrete" as "genre" or description (even if I use it myself occasionally) is quite vague. If it originally meant, as far as I've understood, to be music made out of pre-recorded sources. Where sounds exists before composition (opposed to traditional music, where composition is done for instruments to be performed). Nowadays so much stuff in many music lies in pre-recorded elements what are just mixed/adjusted/cut/edited to place and material is more based on what came out of existing sounds than some composition? Therefore where one draws the line? If noise is solely based on building material from pre-recorded sounds, what is it?
Or if you start to include actually composed stuff you play for the stuff, would it qualify? If for many decades already musique concrete has been combined with electronic music, I'm quite sure most of the time I'd personally just use some sort of "experimental music" or "experimental noise" (if it's more innovative than just total blast of energy) as term as such vague umbrella term seems suitable in moment when very narrow & specific term from 60+ years ago doesn't seem to fit many artists. In moment when idea was introduced, probably good. Many years later, not sure how much such "genre tag" works.. But, yes, I tend to use it myself when it's something not-so-noisy pre-recorded sound manipulations. Especially from real artists, not noise boneheads, hehe

Quote from: Nil By Mouth on November 28, 2014, 11:55:37 PM
Quote from: FreakAnimalFinland on November 26, 2014, 03:23:15 PM

Liebestod  "Liebestod" tape
Jesse Sanes know from band called Hoax.

Self released tape? Contact infos?

Try google if something comes up, as I don't have any details. Just got it from other person along trade.

E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Zeno Marx

#4915
I gave the entire Remnants soundcloud a listen and then Hanging in the Balance and the Failing to Maintain preview tracks on Shredded Nerve's bandcamp.  I think your definition might be a bit too fast and loose, but I can also see why someone today would slap the term on Shredded Nerve, especially some of the work on Hanging in the Balance.  To me, that's just good ol' experimentalism.  Good stuff, too.  Didn't think as much of the material he has on his soundcloud.  Thanks for bringing him to my attention.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

Baglady

OBSCURITY - Damnations Pride/Ovations To Death LP (ToTheDeath)
Despite having tons of new stuff to dig into (Dilloway, Ákos Rózmann, Spoils & Relics, Egoproblem, Mefisto etc) this is the only thing I feel like hearing today. Especially the Damnations Pride demo. The snare sound gives me a denim ripping hard-on. The best metal demo to have come out of Sweden in the eighties.

eyestrain

Quote from: Peterson on December 01, 2014, 07:24:56 AM
Quote from: eyestrain on December 01, 2014, 04:12:55 AM
SN's my favorite "newcomer" in 2014. 6 stellar releases thus far and plenty more on the way.


6?! I know of 4. Can you point me in the direction of the ones I'm not aware of?

He has a C10 titled "In The Shadow Of What Never Was" (up on his bandcamp I believe) as well as a split C10 with Clavicula Salomonis titled "How Wonderful To Know". These were being sold recently at shows. He's also mentioned LPs for Chondritic Sound, Wendy Prodz and a tape on Narcolepsia. Busy man!

RyanWreck

#4918
True "Musique Concrete" is electroacoustic music made with either unconventional items foreign to Music (junk metal, field recordings of storms, people talking, etc) or by using musical instruments in unconventional ways like using water droplets hit a xylophone or putting a mic inside a guitar as you smash it. Some of the more important releases to the concrete "scene" are albums like John Cage's "Variations" (specifically Variation 1 but a lot of that series could fall in with Concrete), "Requiem" by Michel Chion, some of the stuff Karlheinz Stockhausen was experimenting with back in the 60's like "Kontakte", etc. But overall Mikko is pretty spot on in that the definition is now very vague and is constantly used out of context.

There is a really cool old news piece that some local news team from the UK did in the 70's that actually  makes for a very good introduction:
https://www.youtube.com/watch?v=c4ea0sBrw6M   (watch the whole thing, it gets really good around 3 minutes).

David Ernst wrote a book simply titled "Musique concrete" which would probably be a good read for those interested.




Duncan

Quote from: RyanWreck on December 01, 2014, 07:14:57 PM


There is a really cool old news piece that some local news team from the UK did in the 70's that actually  makes for a very good introduction:
https://www.youtube.com/watch?v=c4ea0sBrw6M   (watch the whole thing, it gets really good around 3 minutes).

Heh, the BBC is a touch more indepth than 'some local news team' but great link nonetheless.