PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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Minus1

#9780
Edit: Full experience below.

Minus1

#9781
Baculum - I Would Rather Feel Empty Than Full Of False Hopes (2CD).

CD1 - 5 tracks / 59+ min.
CD2 - 14 tracks / 60+ min.

I know dickall about Baculum. But there it was at The Cavity in Victoria BC, it is Phage Tapes, it is mastered by Grant Richardson, and it was $10. What else does one need to know? 😂

Well, only that this comp is fucking epic!

The official blurb states: "I would rather feel empty than full of false hopes is 2 discs (roughly 2 hrs) of reissue harsh noise. The first disc is 5 long form tracks of mostly metal abuse harsh noise. The second disc contains shorter tracks with a range of focus from cut ups to texture examination."

Well, yes!

I think Baculum is a one-man show. Discogs yields not much else. (Edit: In fact, he is fuckin Mr Phage?) 😂

The last 30min of disc 1 deserves special mention: 2 parts of There Was So Much Blood You Could Taste The Iron. This is seriously wonderful HNW type scrapings. I think I taste iron! Really fucking powerful, deep, breathtaking Noise. Some of the best I've ever heard. Wow. I need to research this particular release.

I'm thrilled with this treasure hunt!

CD2 is just as great, and naturally more varied. But there is still plenty of the abuse found on CD1.

What a fantastic 2CD.

(In my OCD way, I wish the discs were reversed. That's how I will play it from now on.)

Balor/SS1535

Today's traffic music was Polar Nights Live by Hijokaidan.  This is the only Hijokaidan CD that I own, and I feel so lucky every time that I listen to it given that I found it used for a comparative bargain at my local record store.  Three tracks that are all different but cool in their own way.

Track one is Hijokaidan proper, Jojo on guitar and Junko shrieking.  Solid and punishing noise, though the vocals a re a bit buried---which I honestly appreciate, as Junko's voice is not always to my liking.

Track two is Jojo playing with the guitarist Per Gisle Galåen.  Atmospheric at moments, pensive even.  Monumentally harsh nonetheless.

Track three is probably my least favorite.  Junko is collaborating with Sten Ove Toft on electronics.  This one really centers Junko's voice (I think Toft is processing them in some way), so I really need to be in the right mood!

Antihumanism

Quote from: Minus1 on April 09, 2026, 03:30:23 AMBaculum - I Would Rather Feel Empty Than Full Of False Hopes (2CD).

CD1 - 5 tracks / 59+ min.
CD2 - 14 tracks / 60+ min.

I know dickall about Baculum. But there it was at The Cavity in Victoria BC, it is Phage Tapes, it is mastered by Grant Richardson, and it was $10. What else does one need to know? 😂

Well, only that this comp is fucking epic!

The official blurb states: "I would rather feel empty than full of false hopes is 2 discs (roughly 2 hrs) of reissue harsh noise. The first disc is 5 long form tracks of mostly metal abuse harsh noise. The second disc contains shorter tracks with a range of focus from cut ups to texture examination."

Well, yes!

I think Baculum is a one-man show. Discogs yields not much else. (Edit: In fact, he is fuckin Mr Phage?) 😂

The last 30min of disc 1 deserves special mention: 2 parts of There Was So Much Blood You Could Taste The Iron. This is seriously wonderful HNW type scrapings. I think I taste iron! Really fucking powerful, deep, breathtaking Noise. Some of the best I've ever heard. Wow. I need to research this particular release.

I'm thrilled with this treasure hunt!

CD2 is just as great, and naturally more varied. But there is still plenty of the abuse found on CD1.

What a fantastic 2CD.

(In my OCD way, I wish the discs were reversed. That's how I will play it from now on.)

Indeed very good, got also couple tapes of him which are equally good.

Minus1

#9784
Regosphere – Full Of Holes Vol. III (2CD).

This was another blind buy at my recent trip to Cavity in Victoria BC. I know/knew nothing about Regosphere.

Again, this is Phage, mastered by Grant Richardson, and $10. How does one NOT buy it? 😂

This looks like a third collection of rare/unreleased etc.

CD1 = 8 tracks / 64+min. 2010-2018 recordings.

Well there's a very Dark Ambient / Death Industrial vibe here. It's fucking good! Some eerie pieces. "Anxiety Electronics" is the term that Mr Regosphere (Andrew Quitter) employs. That works for me!

Vocals are often present. This shit would make G. O. blush. There's quite a variety on display here. A lovely White Noise Wall ends one track. And some really slow, spacey work. The odd conversation-sample here and there. And some epic dronage.

And this is sequenced really well. I'm feeling a fully realized album here, vice comp.

I also feel Death Squad / MK9 vibes at times.

This is fucking great! Very compelling work.

CD2 tomorrow.

Krigsverk

Night Wolf - Satyriasis (CD FA)


Contender for noise album of the year. While the first track did not impress me that much to begin with, the rest of the album is fucking amazing. The low end synth work is killer, the aggression, the lurking fear. Buy without hesitation.

Bizarre Uproar - Hardline (CD FA)


Another great album... goes hard in the style we are familiar with, but it just gets better and more refined. Very intense and focused vocal delivery towards the later part of the album as well. All in all, damn good. I only have one complaint, and it is actually not a complaint; BU - XE - Snuff - I cant tell the difference anymore, they all become more and more similar. Which is actually great. I mean, XE had a very distinct sound the first handful of albums, now the latest one could be BU. Again, its all fucking great. Carry on!



Balor/SS1535

Quote from: Krigsverk on April 10, 2026, 08:23:19 PMBizarre Uproar - Hardline (CD FA)


Another great album... goes hard in the style we are familiar with, but it just gets better and more refined. Very intense and focused vocal delivery towards the later part of the album as well. All in all, damn good. I only have one complaint, and it is actually not a complaint; BU - XE - Snuff - I cant tell the difference anymore, they all become more and more similar. Which is actually great. I mean, XE had a very distinct sound the first handful of albums, now the latest one could be BU. Again, its all fucking great. Carry on!




I always thought that Pasi should just drop the pretense of band names and simply release albums simply titled "Filth & Violence."

(Also, that Night Wolf sounds great!)

Minus1

Mildred Pierce - A Nightmare Etched in Stained Glass.

8 tracks. 14+ min. 2024.

I mean...wtf is this? 😂 I'll play it 3-4x in this sitting, and maybe I can begin to grasp it.

I hear a hybrid of Noise, Industrial, Hip Hop, Glam...with a great sense of humour. Some of the speech samples regarding music, Noise, and this album itself are LOLworthy. (My beloved Sonic Youth gets a mention right at the end.)

I've always been a long-album guy. I like stretched out works. But this, and Sissy Spacek, caused me to recently change my sillyass ways.

It's clear that a lot of work went into the production / sequencing of this...this...thing. 😂

This really is quite brilliant. It's psychotic, really. 😂

I get Beastie Boys vibes at times.

This duo packs a lot into 15min, and they create a wonderful arc.

I like this bandcamp review:

elox_ "the club is covered in blood, free tokens for free zootoxins, bodies resume their dance, the bouncer smashes his head through a window, strobe lights start to whisper obscene secrets, you are now listening to a nightmare etched in stained glass."

Immense fun!!!

Krigsverk

Orquere – Foundations (CD, Ljud & Bild Produktion)

Very nice album that took me by surprise. Three long tracks of loops, skronk, junk and harshness, but never full on noise - rather tape overblown texture and saturation. It can be quite harsh at times, but the sound quality is really lush and "old-tape" sounding and it is so nice to my ears. A perfect album to just sit and listen to, and then get lost in the action. Had a few beers as well, made it even better.

Minus1

Various - Morality 2CD.

Well, this is very interesting, and captivating. I feel compelled to copypaste a descriptive blurb from Soundohm:

"In 1985, Gary Mundy of Ramleh sent out an invitation. He asked artists in the orbit of his label Broken Flag to respond to a single concept: morality. Define it, refuse it, occupy it, destroy it. The results arrived on a cassette, catalogue number BF41, pressed in a run that circulated through the postal networks that kept the underground alive in those years. Most of it was never heard outside those networks. The title was not ironic. It was a provocation with genuine stakes.

Morality was always a document more than an album. Broken Flag had built its identity around the proposition that normality was a convention rather than a given, and that music made from violent and abrasive electronics was as legitimate a form of inquiry as any other. The roster assembled here reflects a scene in motion, populated by names still active today and others who vanished entirely: Controlled Bleeding contributing the two-part Innocence sequence; Le Syndicat with fragments from their Argument Total series; Un-Kommuniti across three Crusade sections; Pacific 231 delivering Gravity of Mind and Set and Thot; Toll, Mundy's own project after Ramleh; The Grey Wolves with Baptism of Fire; Jonathan Briley, Pax Romana, Ankh, Croyners, Next, and others. Running through the entire compilation as structural connective tissue: John Duncan's Prostitution Tapes, surfacing between every track like a recurring transmission from a parallel frequency. The final contribution is Paroksi Eksta's Icona O La Lue, misattributed on the original cassette to Giancarlo Toniutti, corrected by a slip included with most copies, a small detail that became part of the object's mythology.

The sound across the two discs is what Broken Flag meant in practice: raw electronics, post-industrial abrasion, spoken word, feedback, and a DIY sensibility that refused both the commercial underground and the academic avant-garde. This is not difficult listening in the sense of requiring academic preparation. It is difficult in the sense that it demands something of the listener's attention and tolerance for discomfort, which in 1985 was precisely the point. The question the compilation keeps asking, through structure as much as through content, is the one Mundy posed to every contributor: who decides what is right and what is wrong, and by what authority.

The reissue presents the original cassette as a 2CD set, remastered by Puppy38, packaged in a six-panel sleeve faithful to the distinctive Broken Flag visual language of the original. Limited to 400 copies. The cassette this replaces circulates when it surfaces at all; the reissue makes the argument in a format that holds."

So, I'm doing CD1 tonight. 25 tracks. 45+ min.

It plays like a cohesive Industrial Noise type work, even with all the parties involved. The tracks seamlessly flow into and outof each other. Duncan is a glue that holds it all togther, with his Prostitution Tapes snippets on every second track.

I can't really add much to the copypaste above - this is a fantastic document. Often very sparse. Sometimes shocking. Sometimes ambient. Sometimes Noise Collage. Sometimes jagged. Sometimes spacey. Always fascinating.

I'm really thrilled with this one.

CD2 tomorrow.

Skin Flick

Just finished listening to the newest Bizarre Uproar... I'd argue this is his strongest in a while. The samples are perfect, the metal adds another painful edge and the vocals REALLY stand out here, probably the most on a BU release if my memory serves me right? Mad props to Pasi for this.

FreakAnimalFinland

All these things found from shelves that are just semi-random things that are stuff that should be listened more, stuff that has not been listened and stuff that doesn't fit in other shelves.

Grabbed V/A "Noise Battle Royale" CDR, thinking what the hell is this?! 2003... it is very much possible never been listened before, but also possible it has. Who'd remember every CDR 20+  years ago. Hentai not bad, but not great. MSBR is great! Sickness also on his way for being master of cut up harsh noise. Seedmouth, he is generally good, but goofy pitched vocals here are just too amusing. Seen Seedmouth live once, Sickness of course, MSBR got to meet him 2005 just before he died. Enough reasons to keep CDR, besides, good noise!

CREPUSCULE "Music for decay" CD
Why own a CD? Could be many reasons. Why I have this Crepuscule CD on Tegal Rec? First of all, artist had tape on Slaughter productions. Tegal is label of Schloss Tegal. Plus, price sticker of Artware on plastic. Enough for me! I doubt I ever even listened this, just grabbed it out of these reasons and was intending to listen, but slim paper sleeve cd disappeared for decades.. hah. It is ok. Not phenomenal, but good experimental dark ambient/industrial/noisy blend. There has been number of occasions when I felt this is it, we're going to die. One was when Taint, myself, Schloss Tegal was in car with driver who made me and keith watch eachother and conclude, we might die tonight. Haha... it wasnt particularly funny, but wreckless driving to memorable level. So, Tegal records CD stays in shelves!

V/A "VII Congresso Post Industriale" CD. Not sure do I have all of compilations? Should have. OEC label been notable Italian guy doing things and this CD yet another documentation of festival with impressive line-up. I get asked to play at his events like 4 times a year for.. decade now, but yet to play in Italy. To play outside Finland is a bit.. not sure how much will be done.
Seen most of these guys, some several times, but I wouldn't mind seeing everybody again. It's funny listening Con-Dom road to total freedom, featuring G.O. Leader guest vocals. This track is such a classic, but majority of sound is taken from Odal tape. Making loop tape out of other artists loop and layering some flanger noise on top. Great success! Track ends with crowd singing "happy birthday" song. Hmmm.. When mr. Con-Dom turned 50, already long time ago, I was there at the "private" gig, but that was in the UK. Even played short set with Sickness gear, since I wasn't supposed to play, but Grey Wolves got too drunk to play, hah. Now latest 50 years birthday party was mr. Moozzhead last autumn, who paid Government Alpha to play in his party, plus Treriksröset and many others. Not bad. I guess soon a lot of guys turning 50, where are the upcoming noise parties/meetings?!

SLOGUN "Glory of Murder" CD
Found couple of Slogun 2006 reissue CDs from wrong place, still sealed. Mainly because I already heard the material back then, just took the reissues to have CD editions too. I can't find Sacrifice Unto me anywhere, otherwise complete set of discs. I am pretty sure I have it. Why not, since I distributed it back then. Due not having spine texts, plus, noise CD's piling up in various locations for years, in no particular order. In process of figuring out how to change the noise CD shelves to have room for all the stuff, hah..
Anyways, this Slogun CD is brilliant! He goes through various vocal styles. Distorted whispers, shouting, speaking. Double vocals. Nasty noise with decent variation. From static HWN hiss to oscillations, radio noise, crunchy rawness. I suppose I never really mention Glory of Murder CD when talking about best Slogun, but this album stands out due vocal variation. Often vocals being loud enough to suppress all the noise when vocals come.

ANENZEPHALIA day
Couple of days only Anenzephalia at home. Four different CD albums been spinning. At the same time it is no surprse, but it is curious how these albums seem to become more and more unique year after year. I remember when people, including perhaps myself, was not always 100% thrilled by new album, thinking he had done better before... but now every disc is pure gold!! Also the bleak and minimal ones. That quality of being almost quiet and often based on couple things, haunting and eerie waving tone and slow paced rhythmic element. Sometimes just hissing "grey sound" and synth pulse. Narration on top. And there is nothing quite like it done by new artists.
I did listen couple new tapes today with "synth tone + vocals" type of approach, but I would argue that easy access to synth have been counter productive for personality in noise/PE.
Or, that there would be a lot to be done with synths, but... isnt?
I remember when Anenzephalia played for the first time in Finland, and Kaltwelt had not yet come out. They played Bodies in Gold. I went to ask mr. Anenzephalia how did he do that track. He told there is a synthesizer that just makes that kind of sound. When album came out, I instantly recognized the track and was like "THIS was the track that they played in Turku!". It may be synth, but is it "just synth", since there is so much of utterly unmemorable synth sounds out there in the genre, yet Anenzephalia you tend to recognize instantly...

E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

k.p.g

Invagination - Artisanal Hymenoplastry (Freak Animal Records)
It's been a few weeks away from the board.  Tour of Europe was very good, and first listen back is this Finnish artifact.  It's a very good 20 minutes of capital-H Harsh Noise at play.  While this project started as an apparent Merzbow worship project, I now find Invagination starting to find its own ground, specifically in the scrap metal territory.  My favorite moments on the tape are when it is primarily metal dominant, with not much synth squeal at play.  Of course with "direct-to-tape" style recordings, it is par the course for moments to change at a moments notice if the artist is not feeling it, but I wish maybe Mikko would feel more of the sparse metal sections he creates here.  No need to add more!  Let those ride for a minute, and then switch.  Hah.  Minor complaints.  It's a good one either way, perfect for short burst listens.
Dead Door Unit
French Market Press
etc.

Kaaoskultti

Quote from: k.p.g on April 14, 2026, 07:50:59 PMInvagination - Artisanal Hymenoplastry (Freak Animal Records)
It's been a few weeks away from the board.  Tour of Europe was very good, and first listen back is this Finnish artifact.  It's a very good 20 minutes of capital-H Harsh Noise at play.  While this project started as an apparent Merzbow worship project, I now find Invagination starting to find its own ground, specifically in the scrap metal territory.  My favorite moments on the tape are when it is primarily metal dominant, with not much synth squeal at play.  Of course with "direct-to-tape" style recordings, it is par the course for moments to change at a moments notice if the artist is not feeling it, but I wish maybe Mikko would feel more of the sparse metal sections he creates here.  No need to add more!  Let those ride for a minute, and then switch.  Hah.  Minor complaints.  It's a good one either way, perfect for short burst listens.

Saw the video online and decided to buy the album aswell! Great stuff, looking forward to hearing more of it.

Anyway,

Pissoir Rougue - Mad Disgrace (2025, Dunkelheit Produktionen)
Savage release characterized by weird electronics, ferocious vocals, relentless feedback work, and hateful approach. The aforementioned vocals fall in the line of tortured screams, reminiscent of Atrax Morgue or Pubic Eminence, sometimes drowning out the instrumentation on how loud it is. Whole album is quite loud, to say the least, and thoroughly satisfying. I liked it better than Asphyxia Apotheose. I also enjoy the peculiar noise technique in which high-pitched frequencies suddenly pop up from within walls of black noise, mostly monochromatic and not feedback-driven, you know... that sudden WHEE- sound. Oscillating feedback on Authentic Eros accompanied by rage-driven vocals crush one's eardrums – seems to have been crafted through the use of microphones, Prurient-style, if I'm not mistaken. This album should not be listened at maximum volume! Also has a sample of someone jerking off.

Shredded Nerve – Acts of Betrayal (2020, Chondritic Sounds)
Astounding release consisting of instrumental, harsh musique-concrete-ish tape manipulation, crescendos of white noise, and genius composition. Some have mentioned the prolific tension-build-up and release that marks this project, and I believe that's the gist of things. Heterogeneous noises masterfully assembled into a gorgeous album. Nothing more to say.

Dismal Chant – Rotting Heavens (2022, Declassified Affairs)
An album that sounds just like its cover – raw, black, ominous. Truly menacing and dismal atmosphere. Horns of Conesecration is truly admirable and hypnotizing, with a consistently-sustained eerie melody that flows beneath genially crafted noises, vocal effects and metal junk destruction. I can barely recognize whether I'm hearing heavily effected vocals or the endless clattering of metals. It builds up to a cacophony that sounds absolutely inapprehensible, that for some reason is absolutely pleasing. One track later you hear the usage of wood junk, with that repetitive motif I have come to hear a lot in modern PE/Noise. Really good stuff. A release that is borderline on the side of harsh, gigantic walls of organized noise and the atmospheric, quasi-melodic approach; which amounts to it being even greater.

Dismal Chant – Benzene Hyacinth (2022, Declassified Affairs)
Another release that made my day. Yet another album centered around some particular conflict, this time the Gulf War (War Electronics for a thread? Does one exist already?). I reviewed Junta Cadre's Vietnam Forever some weeks ago, and this one made think how different the respective approach is for those different bands, and this one being much more abstract than the other, albeit in similar style of the album I reviewed above, does the justice in painting the picture. Eerie, heavy, dense, well-crafted top-tier noise.
ZOB ZYGGLAN - Brazilian Power Electronics - https://zobzygglan.bandcamp.com/

FallOfNature

Quote from: FreakAnimalFinland on April 12, 2026, 09:38:18 AMCREPUSCULE "Music for decay" CD
Why own a CD? Could be many reasons. Why I have this Crepuscule CD on Tegal Rec? First of all, artist had tape on Slaughter productions. Tegal is label of Schloss Tegal. Plus, price sticker of Artware on plastic. Enough for me! I doubt I ever even listened this, just grabbed it out of these reasons and was intending to listen, but slim paper sleeve cd disappeared for decades.. hah. It is ok. Not phenomenal, but good experimental dark ambient/industrial/noisy blend. There has been number of occasions when I felt this is it, we're going to die. One was when Taint, myself, Schloss Tegal was in car with driver who made me and keith watch eachother and conclude, we might die tonight. Haha... it wasnt particularly funny, but wreckless driving to memorable level. So, Tegal records CD stays in shelves!

I really like the tape on Slaughter Prod. Tried in vain for years to find the guy to offer a reissue, but never reached one single lead except one person saying they knew him once upon a time. I guess it's probably destined to remain obscure and that's ok. Only there to be sought out by anyone deep diving into it's subject matter.