PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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cr

Dug it up from my boxes:
Head of Yagan - 1833
One of the very few Austrian noise projects from many years ago. Great!

Minus1

Quote from: cr on April 25, 2026, 05:42:56 PMDug it up from my boxes:
Head of Yagan - 1833
One of the very few Austrian noise projects from many years ago. Great!


1833! Damn!
Give Me CDs Or Give Me Death.

prelapsus

Quote from: MT on April 25, 2026, 02:46:55 PMSSRI - Dreamjunk Surrealia

Heard parts of this while listening to records at someone elses house, and it immediately caught my attention like WHAT IS THIS. I was blown away to hear it is new SSRI, kind of made sense but also surprised me how effectively it ticked my noise nerve. First thing when I got home was to order this. To say it's a noise release, sure, but it's not super noisy. It's more use to broken sounds, I think at some point there is even a loop with stereo plug unplugged and creating that rattling sound. SSRi using these "sounds from the middle". One track ends, or starts (?) with this low volume sound that sounds like type of thing you get when you are finishing recording something and turn off the synth, and the pedal chain is churning some leftover sound in it's system. Kind of sound many would dismiss, but I am a big  fan of these broken, "about to be lost if you don't record it NOW" type of sounds. Easily the best SSRI album I have heard, I've spun this daily ever since I got it. A collage of very intended sounds and very strange broken sounds. Done with extremely talented skill and vision.

Agree with this. I picked it up because I was curious but I thought it might be a bit too "out there" for me from the description. Not so. This is clearly carefully assembled and the bass frequencies when they kick in give it all a satisfying weight. It's not super noisy but it definitely has intent and direction. One I will keep coming back to.

Minus1

Multiple Density - K2/John Wiese.

2 tracks / 39+ min.

A 2024 release of a 2023 recording - live, I think? Or possibly in a studio? (I guess I should look up Freaky Show.)

Well now...here's an album that lives up to it's name! I really cannot say much else! 😂 I'm quite familiar with both, and I really "hear" both in this collab which seems to bring out the best in each other.

This review from rym is both funny and accurate:

"if this isn't a 5 star release for you, what is?
To the folks giving this less than five stars, is it because this isn't intense enough for you? or just not your thing?

cause if you know about stuff that annihilates the spectrum of sound stronger than this can you please enlighten me what you're listening to?

imo this is amongst Wiese's stronger newer efforts, i know K2 rips too, it was just i got this CD from Wiese.

They absolutely killed this collaboration, very top tier harsh noise!!!"
Give Me CDs Or Give Me Death.

k.p.g

Rautakymi - Pinta (Tribe Tapes, reissue)
After seeing the artist perform in Finland, I realized I had not even heard this tape yet, let alone any Rautakymi.  What a mistake on my end!  I must rectify that.  Now, this tape is great.  It is not what I expected though.  My experience in the live setting was that the artist possessed similar qualities to an act like Masonna or some of the more vocal-prominent Merzbow releases like Green Wheels.  When it comes to this tape though, we are far more in the realm of totally destroyed noise.  Like, not even broken noise -- no, whatever noise was put on this tape was mulched and destroyed beyond recognition.  Fuck.  Very great!  I like an artist with range, and Rautakymi evidently has it.
Dead Door Unit
French Market Press
etc.

Balor/SS1535

Quote from: Minus1 on April 27, 2026, 03:41:15 AMMultiple Density - K2/John Wiese.

2 tracks / 39+ min.

A 2024 release of a 2023 recording - live, I think? Or possibly in a studio? (I guess I should look up Freaky Show.)

Well now...here's an album that lives up to it's name! I really cannot say much else! 😂 I'm quite familiar with both, and I really "hear" both in this collab which seems to bring out the best in each other.

This review from rym is both funny and accurate:

"if this isn't a 5 star release for you, what is?
To the folks giving this less than five stars, is it because this isn't intense enough for you? or just not your thing?

cause if you know about stuff that annihilates the spectrum of sound stronger than this can you please enlighten me what you're listening to?

imo this is amongst Wiese's stronger newer efforts, i know K2 rips too, it was just i got this CD from Wiese.

They absolutely killed this collaboration, very top tier harsh noise!!!"


I retroactively name this top album of 2024!

k.p.g

Salute - Reek 1 + 2 (Throne Heap)
Discussion in the White Centipede Discord about Sewer Election inspired me to try his Bandcamp page to see what I have missed throughout the recent output.  Dan has managed to do so much, that it can be hard to keep up with and truly determine what stuff I really like and which I do not.  As a general rule of thumb, I tend to enjoy his more lo-fi endeavors, with the more hi-fi projects failing to move my personal needle. 
This brings us to the release mentioned here, which I think sits in a very fine middle.  There is murk to be had, but it is not amongst his most broken works.  "Murky" might be the best word to describe the sonic palette.  Lots of metal looping quietly chattering in the background as synth ambiance is overdriven to a blissful max.  It sounds pretty clean on the end of production quality, but isn't as sharp as the aforementioned earlier Sewer Election that I just cannot stand.  That's cool, I can work with that. 
Overall, very good release!  One of the more underrated titles to come out of the Gothenburg canon in recent years.

THE RITA - Crusty Etruscans (SPITE)
At this point in listening, I have kind of figured out what era of THE RITA does it for me.  That 2000's run that leads up to the Voyage of the Decima MAS CD is really one of the most impeccable runs of harsh noise.  You could pick anything in that timespan, throw it in, and be like "yeah, this deserves the praise."  It's all as nasty and crushing as advertised!  Stuff that comes after just couldn't compare for me.
So what about what comes before?  Those early ventures from Sam?  Well truthfully, I have only heard Living Dead Girl.  I liked that, but never bothered to continue to listen back to more.  Now upon listening to this tape on SPITE, I find myself encouraged to keep venturing in the earliest, crustiest depths of this lake!  It is far more active than the era of the project I am fondest of, and that's a great thing!  Sam's mastery of distortion mixed with some continuous movement?  Yeah, absolutely sign me up.  Gotta also add how lovely the tape saturation is on this.  Such a blown out mess; lovely! 
Listening to this gives me memories of first finding the project and teasing a friend into listening to all of Sea Wolf Leviathan.  We used to agonize at our desk jobs how "nothing happens" on that release.  And despite that, I continued to revisit and be fond of the nothingness.  Imagining now how high expectations would have been if we started here.  "Killer harsh noise!  Why did he stop doing this after a while?"  Hah.  Awesome.
Dead Door Unit
French Market Press
etc.

Minus1

Lefthandeddecision - 1997-2002 2CD.

CD1 - 11 tracks / 59+ min.

The blurb goes thusly:

"Before The Cherry Point. Before Troniks. There was Lefthandeddecision. For his first foray into primitive audio experiments, a teenage Phil Blankenship channeled youthful angst through broken & borrowed gear to craft an explosion of rugged underground audio. Now, for the first time ever, over two hours from across the project's half-decade span is available to experience again, pulling corroded sound from the early self-released cassettes, material culled from rare international releases, live performances, and beyond."

Well, this is simply epic and vital. I'm floored. This sounds like a Noise Master / Veteran, not a teenager / early 20s. (Maybe that is ageist!?) Compelling, breathtaking work here. Dense. Leans HNW-ish. Rough. Coarse. Disgusting. Everything you could possibly want in Noise! 😂

I may have a more coherent review / reaction after CD2 tomorrow. (Or maybe not.)

An instant fav!

Just fuckin' WOW!!
Give Me CDs Or Give Me Death.

k.p.g

Runnin' Blind - Sisters (World As Stage '97)
Crude stuff from Max Eastman that contains little nuance.  What it has going for it though is that it's good!  Hah.  Sometimes you just need your face melted off.  This does the trick.

Catholic Stare - Honey Tape (self-released)
First time checking out this project last night, and it was excellent.  Somewhere between lo-fi harsh noise walls and domestic ambiance.  Absolutely lovely stuff.  It's labeled as a private tape, but I think it deserves more exposure than it is being given with that.  Will need to acquaint myself with the artist's material further.
Dead Door Unit
French Market Press
etc.

Kaaoskultti

Crawl of Time – Operation Black Widows (2020, Chondritic Sounds)
Been listening to this album quite a lot recently, and has come to the conclusion it occupies a treasured position within my canon of favorite records. Everything in it is so overwhelmingly dense and unnerving, in its composition and delivery that its energy seethes with repetitive mental pattern, induced psychosis, and emotional burden – all brought by living within a gang framework conditioning. From its description once can assure the album is heavily personal and based on genuine harrowing experiences. Notwithstanding its formulaic approach to textures one can easily find in most PE, this one deliver more than such; an apprehension of the absurdity of human experience, all finally packaged and reconstructed. Take the way La Machina alternates between dismal, atonal synth notes beneath recorded samples, up to a cascade of bright and burning noise. The pace is drawn out. Everything builds up in such a way one could conceive this one as being a harsh noise album. Then on the second track, vocals appear. A massively good outcome has been yielded from the effort of recording this music.

December Magic – Edifice (2023, Hospital Productions)
Another project of great Dominick. Both albums are really good so far, scrutinizing certain thematics in an aesthetically pleasant way. I don't know what it's about, but it certainly adds of the overall aura of mystery and danger. Pretty interesting album, consisting of dark ambient-oriented, minimalistic noise pieces, eerie vocals, and monochromatic instrumentation. Although focused on one particular event, the whole album seems like some sort of meditation on the nature of death and suffering. A Broken Spirit Won't Be Able to Learn Anything is beautiful. Reminds me of the question I posted on some thread about willing to listen to more music that sounded like Nicole 12, and this one does it quite well.

Climax Denial – Blackout Suite (2019, No rent)
Always exploring new territories, CD is without doubt one of the most important projects of modern American PE. One of the reasons to listen to the project stems from its compositional skill and versatile sound palette – everything is more than often greatly structured and releases tend to be heterogenous when taken as a whole. This album really did a great job on first employing field recording-ish sounds and ambient instrumentation, before breaking into a cacophony of walls of noise collapsing, into a more controlled song and sound structure.

Straight Panic - God is the Giver of the Gift (2019, No rent)
Didn't know about this band, and was surprised at the great outcome! Fixating low-frequencies crunchy as fuck, gorgeously built within a fine structure. Great vocal delivery, bringing fresh music to the material of last decade's PE. Reminds me of Death Squad, somehow. I like how the instrumentation progresses within the songs, spatially expanding during which section is better to. Also has great lyrics as I can hear it. Then with Death Drive the music shifts from traditional style PE into some fine abstract experimentation. Viral Load and Superinfection are truly outstanding and incredibly punishing songs.
ZOB ZYGGLAN - Brazilian Power Electronics - https://zobzygglan.bandcamp.com/

Minus1

...Disc 2 of Lefthandeddecision - 1997-2002 2CD.

10 tracks / 67+ min.

This brilliant release never lets up. It's varied in layerings / colourings, but the whole 127min feels like a cohesive, thematic behemoth.

I think the theme is: "I'm here to fuck you up."

Excellent job, Phil. I'm an old guy (64), and I'm thoroughly impressed that Phil was 19-24 here. This Noise has a kind of assurance / mastery / vision that I would not expect of someone so young.

I suppose one extremely minor quibble is - when were induvidual tracks done, and which release / where are they from? But maybe it doesn't matter, and maybe Phil doesn't even know. It's '97-'02. Fuckit. That's all I need. 😂

A monumental release. Filthy as fuck. Easily in my top 10% of Noise.
Give Me CDs Or Give Me Death.

k.p.g

Merzbow & Gore Beyond Necropsy - Rectal Grinder (Mangrove)
It has been forever since I heard this pairing of gore and noise come together.  Honestly never knew the EP even existed before checking for prices of Rectal Anarchy on Discogs.  Sitting at a quick 12 minutes, it's a ripper of an EP.  A Side is a little more "noise-oriented," with it sounding like Masami is sprinkling in GBN atop the sea of psychedelic madness he has created here.  B Side takes the cake handily for me though, as the formula inverses to tons of blast beats firing off at once, and some Merz playing second fiddle.  Eventually, Masami just grabs the mix back and goes all out.  Hah.  Brilliant, stupid, top shelf.

Carlos Giffoni & Hive Mind - Claustrophobic Wreck (Ultra Eczema)
Started this one last night before continuing onto Side B this morning.  Two guys known for their synth work pair well in an all-synth affair.  Who would've thought?  Hah.  Well actually, while it is enjoyable, the script tends to get lost as the sides carry on.  Not sure if this was one long jam cut in half or if intensive editing was applied.  I think I prefer Side B to A for its consistency, but they both linger maybe a few minutes more than they were meant to.  But otherwise, it's a solid release.
On that note, I really find myself enjoying this particular era of Ultra Eczema a great deal.  Maybe they, like so many other labels, were just hopping on the trend of the Americanoise boom of the time, but shit, good aesthetic and solid releases from the artists to boot.  What they did definitely stands out more than other labels doing the same thing then like Troubleman, for example. 
Dead Door Unit
French Market Press
etc.