PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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k.p.g

Work/Death - Apluspersonnel (Tabel Tapes)
There is not much information to be had about this label, as it seems to have flamed out about as soon as it started.  The design here bears a striking resemblance to the screen printed work Scott would go onto to do wit Three Songs of Lenin label, so perhaps this tape was a test run for those ideas.  I actually thought this label might have been the predecessor to Three Songs, based on how similar the designs were.  Assuming that is not the case though.  Anyway, the packaging and j-card look and feel very nice.
On a sound front, this is one of the rawer Work/Death releases I have heard, which is reaffirmed by several listens.  A-Side sounds like a reverberated room recording of some metal being tossed onto the floor carelessly.  Such elements have existed in the artist's past work, but never this loose and murky.  It's an eerie listen.
On the B-Side, the switch is flipped to absolute maximum, as it sounds like this is just a pure mic 'n amp affair.  In my earliest listens, I thought of this as some sort of tongue-in-cheek look at the Prurient sound of that era.  Upon revisit though, I realize the artist is deathly serious here.  This is aggressive, unrestrained and downright torturous at times to sit through.  My ears feel effectively shredded; lovely.

T.E.F. / Prurient / Richard Ramirez - Magnified Healing (Hospital Productions / T.E.F.)
Speaking of revisits, it has been damn near forever since I heard this one.  Bought it off of Kevin when Black Leather Jesus came to NJ, right at the heels of the pandemic shutting everything down.  I was shocked he still had so many copies and for so cheap, of course I had to snag one!  Good night, we had some solid Mexican food after the show.
So far, we have only gone through the T.E.F. portion, but it is varied and vicious.  Lots of great raw metal work to mix in with the stuttering cut-up that the artist is usually known for.  Even though Kevin is known for his lightning fast jump cuts, my favorite moments would be when he took the foot off the gas to let everything breath.  That is where the genius of metal work comes in for T.E.F.  Fantastic start here.
As I finish typing this up, the Prurient portion begins.  I remember the first time I actually heard this disc (a few months after purchase), I was sitting in the driveway of my mom's old house, taken aback by how punishing and hateful the material was.  While Prurient is often described as "emotional" to listeners, I never really see anyone bring up how some of this work just feels absolutely loathsome towards its audiences.  It's like it hates you for actively listening to it, so it cranks up the high end and agony to 11.  I am sitting and listening to this in my air conditioned kitchen, but something tells me that Dom would rather I go and listen to it in the dead heat until I am at the physically lowest point I can get.  Hah.  Not today, man.  Need I say more though?  Excellent stuff.
Dead Door Unit
French Market Press
etc.

Fistfuck Masonanie

#10006
Borbetomagus – Live At In-Roads (P.S.F. Records)

A live album capturing a full hour long performance from 11/27/82.

In Roads was apparently an old venue in New York that seated about 50 people. In the liner notes, Jim recalls the group's experiences and a special connection with the venue where they reached some special heights.

"We did some serious woodshedding. Each gig was an opportunity to out do ourselves and we played for our lives. Always pushing and stretching. Many new doors were opened. The music was monumental." - Jim Sauter

The liner notes also contain words from Mikawa which were translated by David Hopkins. Mikawa hilariously states that he first saw them in New York and introduced himself to the band as a "Borbetomaniac."

This iteration of Borbetomagus on In Roads features the quartet formation with Brian Doherty on electronics.

I actually really like this version of the group with electronics. I've been enjoying Brian's contributions so far, and I'm curious what would have been if he had stayed with the group for the long haul. This appears to be his last release with the band.

Jim's recollection of reaching monumental heights at In Roads is very true, as the performance captured here is full of fire. The group is in fine form and causes quite the exciting ruckus.

There is an excerpt from someone who was at this concert, and I loved this line, "The In Roads convinced me that Borbetomagus' work is music to let wild beasts out of their cages by." - Kevin Shelton

Phenol

Quote from: Skin Flick on August 09, 2026, 07:30:51 PMAnenzephalia - LURKING IN THE SHADOW OF THE BROADCAST EMPIRE (2026, Tesco)

Was already excited when I saw the announcement for this go up, then became even more excited when it finally hit digital to tide me over till the CD came. Threw this on while driving with my partner and initially we started laughing over the opening sample...how quickly that faded. This album is grim, claustrophobic and VERY European. Just how I like my death industrial. It's full of amazing transitions to the point I didn't realize when the songs ended, it flows seamlessly which I am a massive sucker for on albums. I also could be mistaken, but isn't this the most vocals B. Moloch has done on an Anenz album? It seems like a great mixture of equipment as well, some sounds are clearly the MS-20 and others are just mysteries as to what's being used. Perfect sample placement, perfect themes and yet another masterclass from the legend.

10/10

Have listened to it a couple of times now. On Spotify only, since I'm waiting for the LP to arrive. The opening sample is the only thing I don't like here. It's a little too on the nose and the accent sounds a bit stupid. I guess it sets the premise for the album, though. Other than that, it's Anenzephalia as we know them. Very bleak. Not massive sounding, but with a well rounded soundscape. There are some very nice sounds in there. Some are obvious, some are not. I like how the thin metallic timbre and nervously flickering radio signals (I think) which are present throughout makes it all sound like some sort of distant radio transmission. The dual vocals work even better on record than live. Female vocals in industrial are often very effectful. The runtime, 10 tracks in c. 42 minutes, is perfect. So agreed, another masterpiece from Anenzephalia and for me probably the best album to come out since, well, the last Anenzephalia album (Magenta, that is, not the recent tape, although that was good too).

Fistfuck Masonanie

#10008
Borbetomagus – Barbed Wire Maggots (Agaric Records, 1983)

Ah! The Borbetomagus record most commonly sighted in the Noise Canon thread. This album seems to be a favorite for a number of fans.

This is the first album that features the classic core trio of Jim, Don, and Donald in full. Brian has exited the band at this point, and the electronics featured on earlier releases are absent. However, it allows the other three founding members to shine.

I love the slow and minimal build up at the start of these adventurous tracks. They have more peaks and valleys than some of the other material that has come before. More structural navigating and play with dynamics. I also think the saxophones play more into their jazz influences on this disc than most releases to this point. I feel like I hear Ayler more than the previous albums. Frank Wright is also mentioned in the liner notes.

There is an abundance of space on the second track, which I was surprised by at first. Certain moments actually remind me a bit of AMM's The Crypt. A very special balance of silence and sudden abrasive eruptions.

The waxing poetic on some of the liner notes so far has been at times enlightening and at other times odd or comedic. Like this line from Byron Coley, "...they tangle like electrics eels dropped like tampons from the poop hatch of a 747." Interesting...

However, Byron does seem to agree with many members of this board who favor this record, as he also states, "It probably remains my favorite Borbetomagus album for a number of reasons.. and it was always the LP that I'd pull out when introducing a new listener to the band."

A delight.

k.p.g

Kites - Hallucination Guillotine (Load Records)
When I throw around the term of "$3 classic," this is the kind of release I am talking about; tons of copies pressed and tons of quality to back it.  This might not be everyone's first choice for harsh noise but the brand of psychedelia that Kites brings to the table is so intense in volume and tone that it can easily tow the line between the pedal smashing harsh heads and sophisticated art crowd.  Some of the most searing microphone feedback is often backed up by the quirkiest of oscillator chirps.  It's a great deal of fun to hear these juxtapositions.
Dead Door Unit
French Market Press
etc.

Zeno Marx

Quote from: k.p.g on August 03, 2026, 03:46:42 PMRobert Turman - Beyond Painting (Chondritic Sound, reissue)
Winding down for bed to this was a surreal experience.  It had been some years since hearing this, and I had forgotten just how rich and bright in sound it is.  Feels like the soundtrack to traversing miles upon miles of desert.  Started to feel myself welling up as soon as track 1 kicked in...  sublime.
when I read, or hear, the word sublime in relation to any experience of any kind, I get interested.  I don't know a whole heck of a lot about art theory, or art rhetoric for that matter, but sublimity is significant.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

Cranial Blast

Hateful Bliss - V/A CD (Untergeschoss/Filth & Violence)

By far my favorite release of 2026! This compilation was divine to my ears and highly satisfying! It feels like the album I've been longing to hear for quite some time in the last couple years. A nice cast of guests and some of which whom we haven't heard in a while now. Best Black State track by far! Worth everything right there for that one, but the everything else that follows is incredible!! A lot of texture, interesting vocals, balanced nicely from harsh junk stuff to more heavily distorted power electronics, lovely artwork front to back. The lovely thick big breasted woman playing violin is absolutely stunning, love it! I'd say this is certainly a 10/10 release. It feels like a great revitalization of that nasty, dirty Filth and Violence era that says... We are immortal!!
 Also sidenote: I could not help but notice on the Unclean track entitled Ravenging End there was a sample of Marshall Apple White (Nike Shoe Cult Guy, behind Heaven's Gate Cult) It's mind blowing to me that Unclean sampled this, young man from band Morgal, Lord Warmoon sampled as well under his band Devil Moon sampled same thing song entitled Death Spirit. I also sampled this same thing on Void Of Empathy - New Age Discord album with starting track entitled Horns Of Gas And Ice Return. I find that detail to sample strange! We all sampled something that felt "pressing or urgent" enough so that we felt compelled to use sample, interesting observation, cause the world certainly feels like it died a long time ago and we are the residual embers of that..

k.p.g

Lily - Scenes (Robert Fuchs)
Sometime last year, this artist performed under a different name on the Providence, Rhode Island stop of the Dead Door Unit / Max Julian Eastman / Fricker tour and impressed me to the point that I had to drunkenly take myself up to them and say "you should do a tape for my label."  It just was that good.  Believe the artist had mentioned some other recording obligations to fulfill first, which I had no problem waiting for.  Turns out that obligation must have been this disc... and what a fucking great obligation to fulfill.  This release is stellar so far. 
Where most tape mangling I hear lately rests in a soupier, psychedelic realm, Lily is focused on using tape as a destructive sound source, having blown-out loops and source sounds collapse onto each other amidst layers of hellish mixer feedback.  It was this kind of approach that had the artist stick out to me in the first place last year.  While you occasionally do have standard tape fare poke through (warped classical music, for example), it is never too long before some high-strung ROAR of sound enters the fray to shove you back into the psychosis. 
Think that "psychotic" would be the best word to ascribe to this release.  And I don't mean it's just a bunch of crazy, loud sounds mixed together... I just feel deeply unsettled by how in your face this whole thing is.  It's like watching someone clearly about to melt down in the middle of the streets.  They are trying so hard to hold it in, but nervous twitches, raised voices, clenched fists are all little "scenes" of the larger manic episode that they are experiencing (sorry, bad pun / phrasing).  That is what this disc feels like to me though, and like any great public accident, I just can't turn away. 
Phenomenal stuff.  I don't foresee this disc leaving my rotation for a bit.  Purchase from the label or distro is absolutely mandatory for anyone reading this.
Dead Door Unit
French Market Press
etc.

Zeno Marx

Contrastate - Seven Flies Feeding Inside The Tears Of A Woman's Eye 2026 - one of my certain top picks for the year.  They haven't lost a beat.  Does ANYONE care about them anymore?  All the people chasing around Steven Stapleton's jokes should shift and follow them.  This is what Nurse with Wound once was.

Robert Turman - Lands & Grooves 1982-1988 - The first thing I noticed was the repetition.  I don't know if it is just because it appeals to my minimalist preferences, but one of the things I most appreciate about the early industrialists is their astute use of repetition.  Some of the tones, and perspectives, on this collection remind me of Zoviet France, who were possibly THE masters of repetition (for me).  These early industrialists used repetition in a very musical way, too.  Rather than maybe just pragmatism or being contrarian/edgy and actively avoiding it, there's a clear sense of musicality, and I don't think they would shy away from that notion.  To find that sweet spot of repetition, minimalism, and musicality, it's one of the common, and substantial, approaches of the best early industrial.  I just love this stuff.  Make no mistake:  they were making music.  I could be off here too, but I was also thinking of W.David Oliphant (Life Garden, Maybe Mental, Rag Dun, collaborator with Voice of Eye).  And this is the sort of thing that is so absolutely satisfying that when over, I don't look for anything else to play.  It's good to just sit in it for a while.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.