Obviously?
Well, I'm sure you know Mike Dando far better than I, but I'd always taken his stance as a bit more ambivalent. I mean, it's obviously not the first time he trod on this territory, and I realise he's not a Brevik-type nutter, but, y'know, he's probably not a "nigger-lover" either. As I say, you may know differently, but to say his stance is 'obvious' is a bit bewildering. I suppose you could view the record ("Colour of a Man's Skin") a number of ways:
- an 'obvious' and straight-forward anti-racist statement: I don't buy this, since a lot of the time (in industrial/ power electronics) these kind of things are presented in a deliberately cloudy and opaque way.
- an excuse to put forward a lot of pro-white imagery and content while 'balancing' it w/ comparatively impotent pro-black imagery. Again, I don't think this is really the case because some of it seems too 'over the top' to be true.
- an exercise in being provocative for it's own sake: there's probably a bit of this, and sure - what harm?!
Anyway, I think it's not as clear-cut as you suggest, but that it can be summed up in the words of the 'Ebony and Ivory' track printed on the 7": 'To stay alive; Ebony and Ivory; Side by side; Together Apart; Perfect'! This seems to imply an accepatance of the realities, but also a desire for seperation or for remaining seperate from it, no?
Also, Dando has worked w/ both declared racists (Control Resistance), and declared anti-racists (Militia), so you see, the stance is probably not so clear-cut as you suggest.