PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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FreakAnimalFinland

On this cd, you got also nod towards 80's hardcore, experts of Finn hc history may recognize something. Foreign people may not catch the nahan/nahkan detail of industrial culture hard k enforced into lyrics for aesthetic sake. Before album was finalized there was discussion between artists and couple other guys about whether follow grammar or what sounds the best - I lean towards the latter and would rather use incorrect language.

MAX JULIAN EASTMAN "Level Signs" tape
This was the tour tape for Finnish shows. I caught one of the shows, in Helsinki. Apparently Tampere was different and yesterday I got some videoclips of more chaotic havoc happening at Turku. Tables shattered to pieces and man laying on the ground exhausted looking. This recorded work is vastly different. Blown out, heavily saturated music loops turning into noise. Decayed, broken and saturated quality - the production - is biggest element in this what makes it so good. There will be couple hours audio interview with Max later on at Noisecast (fin) and there is quite a lot of interesting details about his approach on sound.
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Zeno Marx

#9091
Masahide Sakuma - Lisa 1984 - I'm no authority with Current 93, so I shouldn't be saying this, but a lot of this plays like how I imagine your standard Current 93 album goes - this is patient, sort of dark and folky, electronics, and atmosphere, but without vocals; sometimes goes off the rails in a soundtracky way that teeters between an uneasy deviant vibe and poppy; also sometimes plays into the medieval - a little uneven, but good nonetheless.
*one of you Current 93 aficionados want to give this one a try and let me know if I'm completely off base or what?  It's on youtube.

Ghédalia Tazartès - Tazartès' Transports 1980 - one of his first albums - I don't know why, but I always thought he was dada punk, but I don't think that's accurate - google defines dadaism as "irreverence, subversion, and nonsense", which feels right on the nose for this - goofy, spazzy vocal manipulations and jokester electro-acoustic+tape manipulations - I know there are some diehard fans of this guy, and while I do sort of find him interesting, and even good here and there, I don't have great tolerance for the antics...exhausting (which is very likely his intention) - possibly a religious element/commentary to it too? - I'd like to hear Steven Stapleton rework something like this.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

Zeno Marx

Been listening to a lot of Eric Cordier and Eric La Casa. Close to a dozen albums, most of which are field recordings or lightly processed/manipulated field recordings. They're in that crowd of newer electro-acousticians that rival the greats from the INA-GRM beginnings. I'll stick to my favorites from the bunch.

Eric La Casa + Eamon Sprod - Friche: Transition 2019 - there's field recordings, and then there's field recordings of master craftsmen - high quality album.
Eric La Casa + Seijiro Murayama - Supersedure 2009 - one of those rare, great collaborations - powerful electro-acoustics with smart compositions - one of my favorites from that year, and a standout in each of their catalogues.
Eric La Casa - Amplified 2020 - the most processed of his releases I've listened to lately, but also only a single 14-minute track - a really, really good recording and release; up there as maybe one of his best, at least as of late - I think this is on a web label dedicated to EPs, or maybe just within a Metamkine-like, 3"CD-like series on bandcamp.
Eric Cordier - Houlque 1996 - this recording hurts my teeth - highest recommendation.
"the overindulgent machines were their children"
I only buy vinyl, d00ds.

morbid_dyspepsia

Occulted Death Stance (UK) - Strength in Chaos (Demo 2021)

"ODS's sixth demo and seventh release sees the band further exploring their bastardization of the Raw Black Metal sound." -Rites of Pestilence

The Scandinavian crust vox could've been accompanied with some growls and whispers or even effects. Sometimes the vocals sound like if Captain Beefheart took more acid and was really really disturbed and angry. Possessed. I still love this though, not afraid to delve extensively into eerie avant-industrial absurdity and obviously the raw tape-head black metal sound is the band's disgusting bone palace to lay half dead in, but strange group chants as well as noise/art-rock deconstructive episodes abruptly and interrupt the monotony to mix it up and keep you on your toes. I also love the different recording techniques or slight volume alterations from 'song' to 'song'. Track 3 brings in the one-two drum beat with fury akin to a lot of 80's USHC punk and also primitive metal acts like Ildjarn and Ødelegger. Completely lo-fi the last track sounds like an demonic alien abduction quite unique to this realm of nasty experimentation. Absolutely refreshing finding this band, after listening and headbanging to their contemporaries like say Slutet, Sluggard, Nächtlich, Tyrannic, Demon City Reaper and Black Grail for so long. Killah!

Head Tapes / Sounds From The Gallows: https://www.youtube.com/@occult_gibbet

ritualabuser

Quote from: morbid_dyspepsia on November 24, 2024, 04:35:28 PMOcculted Death Stance (UK) - Strength in Chaos (Demo 2021)

"ODS's sixth demo and seventh release sees the band further exploring their bastardization of the Raw Black Metal sound." -Rites of Pestilence

The Scandinavian crust vox could've been accompanied with some growls and whispers or even effects. Sometimes the vocals sound like if Captain Beefheart took more acid and was really really disturbed and angry. Possessed. I still love this though, not afraid to delve extensively into eerie avant-industrial absurdity and obviously the raw tape-head black metal sound is the band's disgusting bone palace to lay half dead in, but strange group chants as well as noise/art-rock deconstructive episodes abruptly and interrupt the monotony to mix it up and keep you on your toes. I also love the different recording techniques or slight volume alterations from 'song' to 'song'. Track 3 brings in the one-two drum beat with fury akin to a lot of 80's USHC punk and also primitive metal acts like Ildjarn and Ødelegger. Completely lo-fi the last track sounds like an demonic alien abduction quite unique to this realm of nasty experimentation. Absolutely refreshing finding this band, after listening and headbanging to their contemporaries like say Slutet, Sluggard, Nächtlich, Tyrannic, Demon City Reaper and Black Grail for so long. Killah!



Reptile Womb may also be of some interest to you. Compilation CD of old/rare tracks coming soon on Bestial Burst:

mag-maa

Various – Come Again II (Furnace, 1993)
https://www.discogs.com/release/646088-Various-Come-Again-II

Excellent compilation of Japanese noise, 23 short tracks including many well known names plus some stuff what I never heard earlier. Because the tracks are short, variations are quaranteed. Harsh, experimental and something between; even some momnents of hiphop (yikes!). I don't know what else to say now, so that's it then.


Bloated Slutbag

#9096
Quote from: mag-maa on December 01, 2024, 03:14:28 PMVarious – Come Again II (Furnace, 1993)
https://www.discogs.com/release/646088-Various-Come-Again-II

Excellent compilation of Japanese noise, 23 short tracks including many well known names plus some stuff what I never heard earlier. Because the tracks are short, variations are quaranteed. Harsh, experimental and something between; even some momnents of hiphop (yikes!). I don't know what else to say now

Well how about to say that the one (and only) hiphop track is Violent Onsen Geisha's infamous "Fuck Off RRRecords, Bye Bye Noise Music", which consists of someone screaming "Rock and Roll!" at regular intervals over a straight-up dub of a popular hiphop track of the time, and concludes with a sample of a very heartfelt young gentleman crooning, "To mom on Mother's Day". Basically, the most perfect track on the compilation.

Okay, that and the Love And Sincerity track, which I believe Dear Leader has commented on more than a couple times (and with which I eminently agree), to the tune of the two minutes on offer representing easily the best fragments of the full-length tape on Vanilla. Truly, the "Screaming" is "Holy" (can I get an "Amen"?).
Someone weaker than you should beat you and brag
And take you for a drag

Cranial Blast

Quote from: mag-maa on December 01, 2024, 03:14:28 PMVarious – Come Again II (Furnace, 1993)
https://www.discogs.com/release/646088-Various-Come-Again-II

Excellent compilation of Japanese noise, 23 short tracks including many well known names plus some stuff what I never heard earlier. Because the tracks are short, variations are quaranteed. Harsh, experimental and something between; even some momnents of hiphop (yikes!). I don't know what else to say now, so that's it then.



This is a good one and a with a nice Trevor Brown cover as well. Definitely a lot of short tracks, but they are all pretty solid. I remember enjoying the Aube track and the C.C.C.C. one, those were sort standout out ones to me and course the first Masonna track too.

mag-maa

Various - Mi Caballito Chulo....!Como Lo Quie Ro..... (1994)
https://www.discogs.com/release/1766166-Various-Mi-Caballito-ChuloComo-Lo-Quie-Ro

This is even wilder than the Come Again II. Including some of the superstars like Merzbow, Hanatarash, Violent Onsen Geisha, Pain Jerk... but also a lot of very unknown projects; some which appear only on this compilation; and which are also mostly projects of Mitsuhiro Hayashida and Mikitaro Takayama. Very primitive and experimental freaky stuff mostly. Some parts are harsh noise, but mostly this is a fusion of multicoloured and mixed sounds. Released by ¿Los Apson? record store/label (Keiji Yamabe, also playing on few tracks)

Kayandah

When I saw a social media post billing Violent Magic Orchestra as black metal meets gabber I had to check it out.

Maybe it didn't quite live up to the hype but still an interesting listen even if the schizophrenia mash up gets to be a bit too much after a while

Penon

Desiderii Marginis - Seven Sorrows (2007, Cold Meat Industry)

I have been returning to this album regularly for the last 15 years. It is mostly dark and it is mostly ambient, but I would struggle to call it dark ambient, it is in the genre of its own. I think the main unique feature here is a very expressive sharp contrast between ethereal background drones and upfront noises, loud spoken samples and something that sounds like a clinically dry acoustic guitar (but could be even weirdly tuned synth, you never know).
Minimum Sentence - UK Industrial Electronics:
Youtube - Bandcamp - Instagram

Phenol

I'm revisiting Reutoff - "Gute Nacht, Berlin!" (Hau Ruck!, 2003). I remember it was pretty hyped up back when it was released, but it seems like most have forgotten about it by now. That's a shame because it's holding up surprisingly well and makes me wish more releases of this type would be put out nowadays. Stylistically it sits somewhere between heavy electronics and dark ambient, I guess, but perhaps simply "industrial" will do to describe it. It's rhythmic yet ambient, clean sounding without losing the edge, and overall just really well made. Everything sits "right" (especially the drum sound is just what the doctor ordered!) and it's confident in its style, in a way even quite traditional, while at the same time upholding a distinct identity.  The closest comparison would probably be Inade, but I think Reutoff have more of an industrial timbre overall.

Fistfuck Masonanie

#9102
V/A - Someone Wake The Maid It's Time To Kill The Butcher (Dada Drumming)

A CD reissue of a tape comp that Dada Drumming put out in 2020. And what an amazing title! It comes in a black envelope and includes a cool 14-page booklet of artwork/flyers for each artist.

The roster features a mix of Japanese and American artists new and old. Great line-up and diverse range of sounds across the comp.

Representing Japan are Hiroshi Hasegawa and Mo*Te among newer or less familiar names like Leecher, P.O.V, and Kazehito Seki. I really liked the track by Kazehito Seki and want to check out more of his releases. Not exactly sure what he's doing but there are a lot of start/stop sputtering high frequencies and garbled mouth sounds... at times, reminded me of R.H.Y. Yau who has always been one of my favorites. Hasegawa delivers a raging track and Mo*Te's "So Fucking LSD" definitely has the Mo*Te humor, charm, and trippiness that only he could pull off.

Representing America we have Richard Ramirez, Worth, Scathing, and A Fail Association. A stacked cast of characters. The Worth track was surprising and not his usual modus operandi, cool to hear something a little different. The Scathing track rips as expected and it's probably my favorite on the release. Richard and Greg deliver as well of course. Like Worth, the A Fail Association is a little different than what I would have expected from the artist.

I listened to the whole thing twice in a row to take it all in again. Nice surprises throughout!

Theodore

April Chest - Dog's Tongue With Special White Sauce CS [ODMOWA] : The label boss plays / edits other people's sounds along with his own. Sounds from Margolis, Bloor, Humectant Interruption to name a few. Two side-long tracks, but i shouldnt call them tracks since there are several sketches / parts / whatnot in there. What was found in the chest. Side A is a sound collage. Starts with something like a 'lowercase' field recording of the pre-recording, i suppose / i imagine, and after that anything happens, noise slabs come, stay, go, and come again, samples -spoken or music-, clean or manipulated, accompanied with noise or not. At the second listening i found it more cohesive than the first and i enjoyed more. Still, depending on the mood it can be a bit confusing, challenging.

Things are clarified at Side B. 2 noise tracks covering half of the side. The first which i like more i bet is with Knurl's sounds. Part of it with crying violin chords -it is violin, isnt it ? I wouldnt be surprised if it was a squealing door, but no, it's violin- and chains, metal tools. Perfect combination ! - Then, a couple 'lowercase' loops from the material that starts the tape, and a repeated always-slightly-pitched modulated voice sample. Guy wants to test our loyalty or endurance or to put us to sleep, so the loops are gone, we are with the voice sample alone for 10 minutes till the end. Always slightly slowly changing. The fact that just before the tape ends the volume fades out, i take it as subtle humour, haha. -Note: I couldnt conclude what the voice really says, after all-

It's not a more of the same tape. If you are into more weird stuff definetely give it a try. - What i must praise is the excellent tasty sound all around, the hands-on approach, and i dont know how this was recorded but gives you the feeling that's an edit of several live air recordings. Has 'space' / depth .
"ἀθάνατοι θνητοί, θνητοὶ ἀθάνατοι, ζῶντες τὸν ἐκείνων θάνατον, τὸν δὲ ἐκείνων βίον τεθνεῶτες"

morbid_dyspepsia

Quote from: ritualabuser on November 25, 2024, 07:59:19 PM
Quote from: morbid_dyspepsia on November 24, 2024, 04:35:28 PMOcculted Death Stance (UK) - Strength in Chaos (Demo 2021)

"ODS's sixth demo and seventh release sees the band further exploring their bastardization of the Raw Black Metal sound." -Rites of Pestilence

The Scandinavian crust vox could've been accompanied with some growls and whispers or even effects. Sometimes the vocals sound like if Captain Beefheart took more acid and was really really disturbed and angry. Possessed. I still love this though, not afraid to delve extensively into eerie avant-industrial absurdity and obviously the raw tape-head black metal sound is the band's disgusting bone palace to lay half dead in, but strange group chants as well as noise/art-rock deconstructive episodes abruptly and interrupt the monotony to mix it up and keep you on your toes. I also love the different recording techniques or slight volume alterations from 'song' to 'song'. Track 3 brings in the one-two drum beat with fury akin to a lot of 80's USHC punk and also primitive metal acts like Ildjarn and Ødelegger. Completely lo-fi the last track sounds like an demonic alien abduction quite unique to this realm of nasty experimentation. Absolutely refreshing finding this band, after listening and headbanging to their contemporaries like say Slutet, Sluggard, Nächtlich, Tyrannic, Demon City Reaper and Black Grail for so long. Killah!



Reptile Womb may also be of some interest to you. Compilation CD of old/rare tracks coming soon on Bestial Burst:


Definitely well aware of R.W. - Cult outsider BM, I respect they're doing something off the grid !
Head Tapes / Sounds From The Gallows: https://www.youtube.com/@occult_gibbet