PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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Fistfuck Masonanie

Government Alpha / R.H.Y. Yau (Auscultare Research)

1997 cassette split. c30. Two of my all time favorite artists.

Yau side includes all of the beautiful/disgusting gastro-intestinal sounds and harsh blasting that made me fall in love with him all of those years ago. The use of silence, nauseating body sounds, and sudden eruptions is fantastic. Little to no rolling quarters or celery chewing on this one like on the Pure disc or other favorites. Mostly moist throat sounds and intense and sudden blasts of feedback and distortion. The occassional keyboard chord?! Some other chopped up sounds? Gets pretty saturated and harsh towards the end.

Government Alpha side starts with some glitched out skipping and rattling feedback. Feedback starts panning in the stereo field to fuck your ears straight up. Yoshida really uses the left and right channel well to keep you disoriented and shape his sound. Not sure if it's his use of wah-wah or something else, but there are these ascending and descending tones drifting in the beginning. Sudden cut out to weird vocal effects similar to Yau at one point! A lot of attention to detail to balancing thin and slicing feedback, with rumbling textures. Like a fine noise wine only Yoshida can serve up. Aged beautifully. 

A very nice moment in time captured for two highly impactful artists.

Phenol

Linija Mass – Mechano-Faktura CDR. The essence of industrial here. The inside sleeve states "Mehr Metall, mehr Maschinen" and that's exactly what you get: metal and machine noises on 4 lengthy tracks that have rhythmic features but can't necessarily be categorized as "music" per se. This one has a very spacious sound that puts you right onto the factory floor. If you like industrial in its purest form, Linija Mass delivers the goods as always.

k.p.g

Max Julian Eastman - Rapturing (Chemical Independence)
Decided I needed some god in my life after a brutal sleep.  Late night work had me sinning.  Perfect disc for this occasion.  It's a crude affair, but a magical one as well.  VHS processing and loop whimsy all crash and collide onto one another.  Max knows a good sound when he's found it, and will often exploit it from as many sides as possible once he's got it.  I have heard a few sounds on this one from previous releases, but embrace them with open arms again.  Lovely stuff.  At just 35 minutes in run time, it is one of those discs that makes me reflect on my own working process.  It serves as a good reminder that not every release needs to necessarily build upon the last or even "one-up" anything prior.  Sometimes, we just need a good collection of tracks to return to.  That's what this disc offers.  Good stuff.

Demon Life - Mind Fogger (Influencing Machine Records)
Feels weird to be posting this one now that I have done more research.  I wasn't sure when this was put out, as I just picked it up from Flanagan back in the summer.  But as I look now, it's not logged on Discogs, not announced by the label at all.  Hell, Influencing Machine hasn't even updated their website since 2019.  Huh.  Ok. 
Well, for those who may or may not know, this is the latest Demon Life CD, which is a follow-up to the 2023 tape they did.  That first tape left me a little underwhelmed after putting on some great performances across the Summer of 2022, where the group had some real "erratic occult" energy going for them.  Maybe downsizing the group from 4 to 3 in that time led to some sound changes.  So be it, not here to talk about that tape.  I am here to talk about this disc, which is a far better effort.  Sounds like the trio of Flanagan, Gick and Stella have a better understanding of how to fill the space between each other on this go around.  The disc hops between either drugged out psyjazz to glitchy space weirdness, with some scrap metal and other harsh to fill the in-between.  I found myself nodding along and enjoying, but couldn't help but be distracted by the more piercing glitch components.  Still, it overall makes for a good listen.
Hopefully this disc has some sort of proper rollout to it, as I think fans of all respective parties will enjoy.
Dead Door Unit
French Market Press
etc.

FreakAnimalFinland

Lately been adjusting into listening mode of... repetition. Things being listened twice, three times, or more... Just to really appreciate it.

It is easy, with something like the Monocyclocybercilia "Lyserkinesis" tape! New Finn noise debut tape is short and to the point, very much result of artists deep dive into 90's Merzbow and exploring where "that type of noise" would go. And where? Of course into greatness! It has some of the 89-95 Merz ideas, but at the same time, those ideas have long become like folk-musik of noise. Who's ideas really? You can just say this is way more of THAT, not worship of 90's USA crunch, not Italians, not improv free noise, but really the mixer/filter/distortion/colorful physical sources, active button tweaking kind of stuff but not at all contemporary cut-up! Short tape got flipped from side to side many times and b-side is where things are unleased. There are some of the same elements here that could be found from... ehm.. Invagination.. but also displays how different result can be with somewhat similar influences!

V/A "Oljud till stånd - svenskfinland / sverigekampen" tape
Comp tape of Swedes and Fenno-swedes. I must say the swedes are doing okay, but nowhere as good as the fenno-swedish artists. I am sure most have no idea of what Finland really is, but in this fine country of ours, there is the historical upperclass of swedish speaking minority. Noise is big enough these days that there can be even fenno-swedish gigs and compilation(s)! Of course, tongue in a cheek, sort of. I was kind of horrified hearing some of those dudes speaking fluent swedish couple weeks ago. It is one of those skills what in east of Finland is pretty much rejected by defaul. Anyways, Fenno-swedish artists on this comp display they are way way above the a-side. Skärgård being the highlinght. Along Idrottsgatan Uf that mixes nicely lo-fi and... hi-fi..

Altar of Flies "Intellectual Strangulation" tape
I guess Swedes would stand a chance if their side would have had Altar of Flies! Not HARSH noise, but sort of noise. I just bought this tape, 2nd edition. Retail price of 20 euro seemed like so "2026", but well, this tape is actually couple of things: Long as fuck. Sort of double LP length release. 70-80 mins? Really good. Special packaging. Cardboard box with lots of small inserts, wrapping and.. I guess celebration of 20 years of AoF! Not all artists are on peak of creation 20 years after they started, so certainly worth to celebrate!
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Manhog_84

#9634
Mass Hysteria (CD, Freak Animal 2025)

Multiple top-tier Finnish sound artist providing source sounds, compiled into one continuous avalanche of noise. It flows very naturally, varying from crunchier to high-pitched. Recommend, but maybe I hoped something more intense? I need to give it a few more spins.

Special mention for the great selection of cover images. The front photo features carved figures by Ossi Somma. The artist has a sculpture park in Nokia. I haven't visited it yet, but planning to do that next summer. The back and inner covers, I could be wrong, but they look very much like an art installation that I saw outside the Sara Hildén Art Museum years ago. It's in Tampere and not that far from Nokia. A tram filled with human figures. It was grey and slushy winter day, and it looked very eerie from the outside. Like a train full of corpses...

k.p.g

TAC - Back To, Not Front (Tribe Tapes)
I am not the most knowledgeable on the work of TAC, but what I have heard is great.  You can add this release to that list.  As the label put it, this release is not just some cobbled collections of odds 'n ends, but rather a piecing of forgotten material that contains the flow and power of a real album.  Feel like that is pretty much the case, no need to praise it much there.
What I do have to praise though is the sound palette itself.  Again, not being the biggest TAC fanatic, I found myself amazed by how little I was able to comprehend here.  Messing around with tapes, turntables and field recordings should feel easier to pick out, but outside of the last track (which I am pretty sure is just the artist walking around town or something), I found most of the runtime having me say "how is he doing that?"  I hear looping cardboard, broken radiators, domestic bliss.  It's all very good. 

Jeph Jerman - Keep the Drum (Concussion Solos) (New Forces, reissue)
Found myself falling asleep to this clang 'n clatter the other night.  You would think a record comprised of banging on pipes and bones would make for more of a daytime listen.  At a low enough volume though, it makes for a pretty nice ambiance!

Atrophist - The Happiest Country on Earth (Tribe Tapes)
Now this is a record I have been waiting to publicly discuss.  Max gave me a copy a while back to listen, and first time around I thought "wow, this is some really great stuff."  Now over this weekend, it received 3 plays in the CD player.  And I come back around to it thinking "it gets better every time!" 
To break it down, we can simply start at the artwork.  It's very pleasant on the eyes; tons of bright colors at play.  I especially look at the disc art and smile.  Reminds me of one family photo I used to see hung up around the house of me and my sibling as children in Germany.  I think it has to do with similar color palette. 
Now on the end of sound, this disc opens up with some chatter between a few unknown voices before it launches into this very crude brand of harsh noise.  Rarely is there a moment of bliss to be had, but this is also not your Merzbow brand of harsh noise.  It's far cruder, very lo-fi and very patient in its movement.  Sometimes, certain squeals/tones remain unbroken for several minutes on end.  Tension does not lead to anxiety, but rather a trance state.  When they do break, I take a big sigh and say "YES."
Excellent stuff; highest recommendation.
Dead Door Unit
French Market Press
etc.

impulse manslaughter

Twice is Not Enough by Whitehouse never made an impact on me as it's less noisy, chaotic and violent than some of the other classics. I've been listening to it repeatedly over the last 2 days though and the creepy, minimalistic atmosphere is certainly growing on me. Up next; Quality Time and Mummy & Daddy.

groesk

#9637
Macronympha - Pittsburgh, Pennsylvania (1995)
a big disappointment after checking out Intensive Care. harsh noise with the muffler maxed out, reducing it to pretty trivial white noise. 40 minutes of this with few moments that make me check in mentally.

Government Alpha - Alphaville (1999)
engaging harsh noise with enough ideas thrown around to be worth it. there's a good handful of stank face moments where the bitcrushed noise and/or pitch shifting combines to be absolutely crushing.

Excruciation/Cystgurgle/Cardiomyopathy/Cancrum Oris - Asian Pathological Vomit Gorepremacy (2019)
a 4-way split of east asia's gorenoise titans. the best ones on the split are Cystgurgle (obviously) and Cancrum Oris. I especially love it when the bass pops out of nowhere and adds a lot of heaviness. worth your time if you're interested in gorenoise.

Frenuloplasty - Frenuloplasty (2022)
a cool idea that shoots itself in the foot. harsh noise and gorenoise is a sick genre combo, but it starts padding out the last 10 minutes with gross samples that serve no purpose. so close, yet so far.

urall

Quote from: k.p.g on February 02, 2026, 03:47:23 PMAtrophist - The Happiest Country on Earth (Tribe Tapes)
Now this is a record I have been waiting to publicly discuss.  Max gave me a copy a while back to listen, and first time around I thought "wow, this is some really great stuff."  Now over this weekend, it received 3 plays in the CD player.  And I come back around to it thinking "it gets better every time!" 
To break it down, we can simply start at the artwork.  It's very pleasant on the eyes; tons of bright colors at play.  I especially look at the disc art and smile.  Reminds me of one family photo I used to see hung up around the house of me and my sibling as children in Germany.  I think it has to do with similar color palette. 
Now on the end of sound, this disc opens up with some chatter between a few unknown voices before it launches into this very crude brand of harsh noise.  Rarely is there a moment of bliss to be had, but this is also not your Merzbow brand of harsh noise.  It's far cruder, very lo-fi and very patient in its movement.  Sometimes, certain squeals/tones remain unbroken for several minutes on end.  Tension does not lead to anxiety, but rather a trance state.  When they do break, I take a big sigh and say "YES."
Excellent stuff; highest recommendation.

"Hammer-Smashed Faeces" is imol already song title of the year.

FreakAnimalFinland

There is this approach of tongue in cheek references to both underground music culture, but also popular culture. Plus perhaps also noise culture classics. When I got the ROTAT stuff with song "Raveheart", it is so simple and stupid, it pure magic. Just bursted in laughter WTF!? Raveheart!?  There are some of Finn noise acts who are pretty known for this type of thing, word play, subtle translation jokes, and so on... Moozzhead, Keränen/Testicle Hazard, Rotat..
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

k.p.g

Lovers - The Carnal Mind / Synthesized and Retuned (Music Lovers Group)
Very lowkey project that has some sort of Dead Gods tie to it.  By far some of the best noise to hold up from that scene's heyday.  It's pretty harsh, pretty crude and pretty odd at points; tons of crunching mic abuse with the subtle synth squeals and feedback begging for air.  It's not reinventing the wheel but rather presenting one of the finer models of wheel that noise can offer.  Since digging this out of my boxes in the last year, it has been one of the most revisited pieces in my collection around this house.  I have to make time soon to give the Small Mercies disc a try, as it's the only other release they did.
I wrote the email that is listed on this cassette a while back to inquire about the future of Lovers, and was asked what my mailing address was.  Nothing ever did turn up, and now that mailing address is no longer mine.  I can only hope they have something kicking around, as stuff like this is just too good to be done after such a short lifespan.
Dead Door Unit
French Market Press
etc.

groesk

Melómana Distorsión - La triste existencia del ser
now this is some weird stuff. i hear some 90's idm influences here, dark ambient there, and a hint of death metal. no matter what happens on this album, it always feels dark and menacing. honestly, tieing opposite ideas together like that deserves my respect. I can hear gutturals and black metal rasps that are reverbed to hell and low in the mix at times. It feels like you're walking through a dark noir city at night. most of it is quite beat driven with the drums, which i really like. it does feel bloated at 19 tracks and one hour.

La triste existencia del ser

k.p.g

Spyked Fossils - Strangled Pairs (American Tapes)
Andrew Nolan - Museum Etiquette (Absurd Exposition)
Circle - Muurahaiset (Satatuhatta)
Shredded Nerve - Performer Death I (Dead Gods)
Shredded Nerve - Performer Death II (Dead Gods)

While I was feeling like total, rundown crap last night, I decided it would be a great time to maybe reorganize some of the tapes in my collection again.   It's a good exercise in pairing things down, as you begin to see where your tastes lie over time.  What tapes hold up better than you thought?  What stuff reveals new sides of itself that you did not appreciate the first time?  What records are you ready to just let go of?

In the first category, Circle & Spyked Fossils are the most appropriate.  Both releases had some great atmospheres that I had forgotten.  Found myself reacting pretty viscerally to their presence.

Andrew Nolan cassette was a pleasant surprise!  I thought maybe my interest in the guy's work had dwindled as tastes change, but this is very solid field recording/industrial work!  Plenty of pulsating rhythms to lock in with.  It stays in the collection.

Shredded Nerve tapes, while certainly having some moments I could really sink my teeth into, were overall not his best efforts.  Performer Death I holds up together than the second installment, but I think Justin had made releases of a similar style that I will keep in my collection over this one.  I think maybe this is some of the final Shredded Nerve material I was regularly keeping up with as well.  I still have yet to check out the last disc on Total Black.  Maybe that will be an assignment for this weekend...
Dead Door Unit
French Market Press
etc.

Fistfuck Masonanie

Keith Rowe/Toshimaru Nakamura - Weather Sky (Erstwhile)

An immensely important album to me, and I think the experimental scene as a whole, at the start of the 2000s. Belonging more to the Electro-acoustic Improvisation genre of the time. However, I think there is a lot of crossover appeal to noise here.

Toshimaru's contribution specifically on the no-input mixing board is particularly harsh. Not in regard to volume, but in the sheer intensity and clarity of the feedback frequencies he creates.

Extremely clean, precise, and cutting.

These old Rowe and Nakamura albums had propped back up in my thoughts recently, and I'm not exactly sure why, but I think I'm going to spend some time revisiting.

SSRI

Straight Arm Salute - Pelkkää vihaa CD
NS power electronics industrial. Straightforward and crude. What this loses in finesse is made up more than enough by its sheer sincerity and brutality. Not for the weak.

V/A - Beyond CD
Grunt is on fine form in their two-man line up here. Lengthy track with excellent sounds and vocals and good variation in structure. Power electronics prog song and this is no joke. Bizarre Uproar starts with cymbals and bass noise and slowly builds up. Not my favourite BU material overall but by the end gets massive and enjoyable.
I've never got much out of Deathkey and Caligula031 for some reason. I've found Deathkey to be more about the image than good noise. But here it works fine. Especially their second track Hammering Deatharm Of Swastika has nice mechanical industrial rhythms and strong vocals in addition to fantastic title. While I like Wertham a lot, I haven't got into C031 that much, which is weird because it's basically the same. These tracks are very good, though, especially the second one Caligula Omnia Vinxit. I'll have to give Caligula's other releases another chance.